6 Levels of Jazz Phrases

[@ChadLefkowitzBrown]

Use coupon code “JLV100” for $100 off Full Access + 30 Days of Unlimited Streaming Access to the Virtual Jazz Workshop: www.jazzlessonvideos.com/virtualjazzworkshop Use coupon code “NEWYEAR20" for $20 off the Phrases Combo Package this week at www.jazzlessonvideos.com/pdf-packages Sign up for the Chad LB Text Lessons studio membership Wait List: www.jazzlessonvideos.com/text-lessons Chad LB plays a Nexus One prototype saxophone and mouthpiece. For more information, visit www.nexussax.com

[@cjgreen4331]

His beard grows longer as his power grows stronger

[@ludvigbroman]

Nice profile pic

[@Krabzzz]

Like john Petrucci

[@UkuleleAversion]

His beard must be shaved, he's grown too powerful!

[@6stringstorulethemall967]

Those pentatonic shifts are super useful in fusion

[@waynewarnock671]

Your lessons are always conveyed in such an accessible way. Not only are you an amazing player, but also an amazing teacher. Thank you

[@7deepbreaths.sounds]

Chad scrambles those runs ...fingers flying, breath circulating.. while body perfectly still....remarkable

[@danilomedeirosmusica]

This is pure gold. Take my money!

[@jmac481]

A couple side notes for the minor ii V i: The D half diminished 7 is just a Bb9 without the root; so a “backdoor” dominant to C. The G7b9 is a key to understanding dominant chord substitutions. If you keep the same diminished 7 chord and sub roots you get all the dominant 7 chord substitutions. With a root of: G = G7b9, the dominant V Bb = Bb7b9, the “back door” dominant Db = Db7b9, the chromatic dominant or tritone sub (or what they call an augmented sixth chord in classical theory, just spelled enharmonically and without the 9th) E(Fb) = E7b9, movement by third ala Giant Steps They all substitute for each other as does the V of each one whether major or minor. This is one of the best and most practical things I learned in college theory. A very simple way of understanding chord subs. Thanks to Robert Panerio. 16:39

[@stitch4772]

"To wrap up here...I'll attempt to play this pretty crazy line" *plays it perfectly*

[@romeubeatotech]

I am a guitar/piano player . Your material changed my musical life. Great, great stuff! Highly recommended! Thank you

[@marcelloestemiele]

Thank you Chad, ｖｅｒｙ　ｃｏｏｌ

[@chriskaercher5201]

Thanks Chad🙏 Awesome, practical info!🎷

[@JustAnAcre]

I love the explain on the approach notes and enclosures. Makes so much sense when you masterfully break it down like that.

[@esharp13]

That last phrase just blew my mind!😳

[@kingofsludge7262]

Weirdest thing, I just had a dream about this and now it’s here

[@velvetimpulse]

Thanks for willing this into existence.

[@thelookingcat]

Awesome

[@francescoperi7810]

As much as I resent being taught by a handsome bloke 15 years my junior and much more talented than me, outstanding content right there!

[@michelmalts9053]

thank you

[@steinssaxpracticevlogs2389]

Chad level phrasing. 19:50

[@NovelteeMusic]

Awesome, amazing! Great content!

[@reuven8815]

This is Brilliant , Toda.

[@williamkao5381]

Another great video chad keep it up 👌👌👌

[@zmerz]

Coolness!!!!!Thanks Chad!!!!

[@kurttremoulu2534]

I love your sound with this Nexus mouthpiece !

[@bbpaulss]

Damn you’re a good teacher

[@ziggysmalls9329]

Man Chad you can play

[@noelbeltran2651]

So much Help!!!

[@OscarRurzagasti]

excellent ... very didactic

[@rahinhaider]

I thought you suddenly started to sing there 6:15 haha! Great stuff as always.

[@freshlysqueezedaesthetics2942]

Omg, my jaw dropped at the faculty list lol

[@monchingdeguzmam3317]

excellent playing idol chad

[@fabiomartini8908]

This Nexus mp seems to me darker than other you use in the last videos. Best

[@yas2802]

Imagine all the peopleeeeee livinggggg

[@ThatDapperMusician]

pentatonic shifting sounds so peng broooo😍

[@wilsoncosta5822]

Muito Bom. Parabéns. 10

[@havealovelyday6497]

Your tone is sounding much fuller. I love it.

[@levithewizard]

It's his new prototype nexus sax

[@jazzman_10]

Glad you believe jazz musicians do not have to think about all this stuff.... scary...🤪 I will keep on practicing... forever 😬

[@dizgil6881]

the title: 6 levels of jazz phrases the intro:

[@LennyPrice]

Great content as usual! 🎷#ForwardMotion

[@svenforner]

Can you recommend a guitar player online who offers videos as comprehensive as yours, and who has links to as much original instruction material? Thanks for all you do!

[@freewilly4242]

Lars jensen

[@jarrilaurila]

Lars Jensen? I like little bit more Jens Larsen.

[@robstevens9590]

Thanks Chad! it's nice to be able to stop this clip, go to the piano & sax to go over it & then continue. Otherwise it gets way too deep too fast (for me).

[@AMARMusicSax]

Great video. Didn't even feel like 20 minutes haha

[@carloslopez-hz6id]

Por favor en Español.. gracias Maestro

[@luancarvalhomatos7888]

9:39

[@Kelimu]

Will the backing tracks be good for me if I play piano solo? I wouldn't want another piano in background

[@jazzchromaticdulcimer4223]

How do I sign up for the workshop?

[@tetraqartet6798]

Very well done! My compliments☆○●°•#

[@nezkeys79]

Last one is "hold my beer" level lol 😆

[@onesyphorus]

18:18 I can c it

[@zachyoutube213]

does chad prescribe to maintaining a certain tone while playing through mouthpiece ie g for tenor?

[@jaimechacon9760]

How much do you charge for lessons?

[@yuehchopin]

gut 3x

[@jiyujizai]

🌼💚🌱😀

[@juanrondonmusic]

🤯🤯🤯🤯🤯😵‍💫😵‍💫😵‍💫😵‍💫

[@nickpilgrim1966]

Nexus mouthpiece? Sounds a lot brighter ...

[@saintsfan8119]

Learning Jazz to me feels like mastering Mandarin as a monolingul pleb. Albeit a musical pleb.

[@AniketChaturvedi]

🤯

[@victoza9232]

Next up: 6 Levels of Chad's Hair

[@SHVEDsax]

Wow! Interesting! Are you playing a new model of your 3d printed mouthpiece?

[@jaedancurcio1545]

I believe that is a prototype model of a mouthpiece by Nexus saxophones, which is a new company he’s working on with Jack from the Boston sax shop.

[@Osnosis]

@@jaedancurcio1545 Correct.

[@TheSilence1]

All you had to say was Julian Lage and Gilad Hekselmann.

[@juanignacio1304]

In most of the minor prhases you demostrate, you talk abaout using Locrian on the II , but you never really play the Flat6. The example of 16:18 has a Bb but its before the actual chord , so it sounds almost like one scale over the II and the V.

[@bazingacurta2567]

You're very pretty, man.

[@cab88888]

Jesus! Oh... no, it's just Chad. But come on, it was not that obvious!

[@fallenleavesfeedtheroots]

brrr

[@mattmrozinski7820]

Great info. Unrelated to the content, IMO you got a little too much compression on your voice and it's too boomy!

[@jarodpearcy9789]

jazz cabbage