Cheap and Easy Negative Fill for Cinematic Images | Shutterstock Tutorials

[@terangikaiwhiriakemara]

I love how you are using the BMPCC ver 1 (which is a fantastic camera) to highlight the the importance of lighting over gear.

[@andrew_nayes]

at 1:33 / 4:14 / 5:23 he is using a BMCC, not a BMPCC. (Or are you referring to another context where he is using the BMPCC as a way to highlight lighting over gear?)

[@Prens1]

Thanks so much for this. Exceptional video!

[@DavidJonesImages]

Thanks, Great job on the video. Also, like 99% of online lighting tutorials, you show how to light a person standing or sitting still. In many serranoes in video the person and or camera is moving. Please do a video on lighting for movement. Best Wishes David Jones

[@movie-trailer19]

AMAZING TRICKS

[@YeagerFilm]

Def going to need to pick up a floppy, looks great.

[@bendyroads3268]

This is fantastic film making, truly artistic.

[@EireCreative]

Are you using a diffusion filter on these shots? Black ProMist?

[@davidruata595]

who is we? 🤔!

[@eliaslimapro]

👏👏👏👏👏👏👏👏👏👏👏👏👏👏

[@pnr2736]

Yooo

[@mvrz6]

I think all of this can be done in post production though

[@Eyeofkamau]

It can’t, as natural light and shadow is affected by the structure of objects in a way that can’t be replicated in post. Although there are techniques that can get you the contrast, it won’t be the same. Doing things in post should only be done when it couldn’t be done on set. If it can be done on set, it is always better to do it on set.

[@zanyilnen]

we? hahaha

[@ryanbarton72]

Great video but he kept saying we, looked like he should have been me or I? Maybe he had a mouse in his pocket.