Cinematic Camera Angles & Movement

Some ideas for cinematic filmmaking techniques.
Watch more behind the scenes: • Making a Short Film
See the finished short film: • "Two Wrongs" - Short Film
BTS Filming - David Williamson
Host and Creator - Simon Cade
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Gear I film with: kit.co/DSLRguide/indie-filmma...
WEBSITE: dslrguide.tv
TWITTER: / dslrguidance
INSTAGRAM: / cadevisuals
ALL EQUIPMENT: dslrguide.tv/mygear
CONTACT: [e-mail]
TWO WRONGS:
Directed by - Simon Cade
Produced by - Carl Mason (www.clfilms.co.uk)
Written by - Johann Farhan
Mark - Oliver Heald ( / oliheald )
Connor - Deon Lee-Williams ( / deon_rswt )
Pete - Sam Glen ( / samglen )
Dealer - Lewis Brown
Customer 1 - Naithan Ariane ( / naithanariane )
Customer 2 - Ryan Clayton
Connor's Mate 1 - Luke Orechoff
Connor's Mate 2 - Lukas Becker
Connor's Mate 3 - Paul Keighron
Pete's Mate - Ross Doran
Director of Photography - JP Caldeano ( / cinematicj )
1st Assistant Director - Wayne Bentley ( www.callboxdiary.com/callbox/w...)
Casting Director - Rebecca Jenner
Sound Recordist - Kristian Edwards (www.manchestersoundman.co.uk)
Boom Operator - Danny Feng
Costume Designer - Emily Cooper
Production Assistant - Anton Arenko
Behind the Scenes - David Williamson
Editor - Simon Cade
Asst. Dialogue Editor - Samuel Jacintho

[@nictheartist]

To engage the audience more, why not allow a bit more time for the actors to develop the characters, also allowing for quiet, silent moments where we just SEE what the character feels by the way he sits, stands, or does something simple. Brando's advice for actors was "Just because someone shouts 'action' doesn't mean you have to do something."... Your short film is visually great but does feel a bit rushed in places.

[@seanerzat]

These videos really make me want to start filmmaking myself. So many ideas! :O

[@LostUtopiaFilms]

Great job discussing the meaning behind these shots. I love hearing directors speak about their shot choices, and the psychological effect behind those choices. I feel like all filmmakers in one way or another choose their shots based on the effect they'll have, even though they may not even think as deeply about it.

[@aidenswank2536]

Truly a big thanks for these. I have been out of the game for almost a year, and I professionally shot music videos and had my own company for a few. I'm only 22, so it keeps things relatable. Aside from that. These have really helped me get back into the things I was originally taught when I was first producing at 14 and 15 before I started my own company at 18. I honestly lost a good touch of what I had when it came to filming because I only did music from 19-21. These guides are really a big help since I've been getting back into shorts, features, a new series, games and the like.

[@EvanKakouris]

It's really awesome how much I actually learn from your videos..but what's even better is the way you actually teach me those things. I believe you 're a great storyteller and you can teach, everything you know, so good.

[@nello1591]

Man, I'm so grateful I found your channel. I've been binge watching like mad. It's really inspiring me. I have some projects I'll be working on these coming months and I'm just loving a lot of what you have to share. Good refreshers, and new ideas I've never thought about. Brilliant stuff.

[@TomAndersondop]

You clearly put a lot of creative thought into making this film. Great work buddy :)

[@ArtificialMeat]

You are honestly the best Simon. I discovered your channel last week and I've been watching a few of your videos every day and they're not only educational, but inspirational. Like, I especially love how you usually close your videos with like a little bit of "film making wisdom". Just great work. Keep it up! :)

[@MarimbaMaurice]

I'm impressed you pulled this hole thing off and how many ideas and thoughts you put in into this movie. Well done!

[@isaaccarlton]

Man I love your videos. I use a t3i for KZbin, but now that I am moving into freelancing I felt the pressure to spend a couple thousand on something new. Your videos definitely inspired me to keep the t3i. It's amazing what good lighting and coloring can do for video; the camera is such a small part. Anyway, this is kind of off topic, but I wanted to let you know that I really appreciate your work. Keep it up, Simon!

[@EricMontross5000]

I appreciate the way you're breaking all of these component of filmmaking down into short easy to understand segments. Thanks so much Simon!

[@ookiemand]

I think your next films goal is very good.

[@LionkillerArt]

Very insightful, Simon, I like where you went with the idea. A lot of young filmmakers like to say" Rules were meant to be broken." And use this as excuse to never learn the rules and techniques of good storytelling. The truth is, you have to learn the rules and techniques and know how properly use them, before you can "break" them. I feel you understand this better than most. Looking forward to your next video.

[@cyren_]

This was actually the most helpful video I've ever watched. I'm entering a video into a silent film competition soon, so I know that I really need to make use of the camera angles when I record. This was exactly what I needed to help me!

[@CharreseMoniqueMusic]

I love the way you think! SO creative, passionate, and inspiring! Thank you SO MUCH for sharing your creativity and techniques, and for being willing to take the time out and share with us all!

[@trustyperson]

This is the stuff critics love! And I love it too. I really like to see the motivation for different camera techniques being story driven.

[@HitechProductions]

Thanks you for that concise and detailed explanation of the creative reasoning behind your choices. I've never seen anything as nicely detailed explaining the creativity behind what is being done. And that is what is missing from so many teachings. Thanks, it was outstanding. :)

[@ittotaq]

I love your composure. Dramatic, without showing much emotion, but informational and assertive.

[@sunfirefilms6358]

You made pretty solid decisions. It's important as a director that you think about the story and how to support it visually through the blocking, staging, and camera work. You have to make the best choice you can in the time and place you are in. If you do this consistently, your camera work will have supported the story. If the script, acting, and lighting are up to snuff then you'll probably end up making a film that closely resembles your vision. Planning is key!

[@StephanieOnuffer]

Wow. This video has helped me a lot. Im thinking of creating my first short film soon so Im defiantly going to binge watch all of your videos!