Cinematography Style: Emmanuel Lubezki

[@nonserviam9707]

Emmanuel Lubezki, Guillermo del Toro and Alfonso Cuarón all started doing their first job in Mexican horror series "la hora marcada" very underrated 80's stuff man, viva Mexico cabrones! 💪🏻🇲🇽

[@sameerbaria]

As an aspiring cinematographer, the information this channel provides is priceless. Thank you for making this series on the adept cinematographers.

[@jv8studios]

Awesome ! what inspired you to become a cinematographer?

[@jay_elias__]

Being from México and reading the comments from a lot people saying that El Chivo it's a big inspiration for em' makes me feel great, man.

[@juliocardenas4485]

We need to believe in our talents as a country and individuals

[@MikelGCinema]

@@juliocardenas4485 They need to grow out of that toxic nationalism that serves absolutely nothing but their rubbish ego.

[@oscarromero9719]

ahuevo bro

[@MikelGCinema]

Chivo es el machín con talento, el negro ni pa la sombra tiene....

[@sacchienjoy632]

U

[@BrandonElliotSmith]

"Gravity" brought me here. My only regret is that it took me 8 years to finally see this movie & realize how many geniuses were involved, between the cinematography, the sound mixing/editing, the visual effects & the acting. I can truly see why it did so well at the box office & cleaned up the way it did at the 86th Academy Awards. Just amazing & studying people like this is so inspiring for anyone who has ANY interest whatsoever in audio/visual work.

[@yosukeDVJ]

This channel deserves 100x more views! Amazing taste and great informative compelling videos. Makes you fall in love with cinema all over again.

[@InDepthCine]

Thanks! Glad you enjoyed the videos and found them informative! Appreciate the support.

[@rafiqueahmed9128]

@@InDepthCine simply superb

[@orcunalp4541]

As an architect I liked the video very much. it reminded me the importance of light around us, how it makes us feel. Thank you. Waiting for more :))

[@InDepthCine]

Interesting observation! Both architecture and cinematography combine technical knowledge with an artistic approach too.

[@prilljazzatlanta5070]

Plus the main character in tree of life became an architect. Coincidence? I think not!

[@g.o.9513]

Please recommend an impactful book on light architecture. What are some ways to use lighting for feeling construction?

[@robinshiburs.2000]

Architecture Student From India

[@dexxfilm]

The camera work in Children of Men is absolutely amazing and truly inspiring.

[@bat51]

great series of videos on some of the top cinematographers today. would love to see more

[@InDepthCine]

Thanks for checking out the videos. Stay tuned, I try to release at least a video a week.

[@robcannon6833]

Very very nice, love the gear talk! Looking forward to more my man.

[@InDepthCine]

Thanks for watching Rob

[@jv8studios]

It’s true , I’m learning about all the variety of lenses

[@kunaikai]

I never knew how much range he had. And even with his range he has so much style. I had know idea he did reality bites. I love the Hi8 shots in that movie

[@NatReyes961]

Lubezki is like Deakins: every film he shoots is a work of art.

[@caleb6290]

Noooo

[@suarday]

10:00 "I think Chivo's able to achive this..." nice

[@davidwebb091370]

... very informative channel about filmmaking! your channel deserves way, way more subscription! Lubezki and Deakins are my favorite cinematographers! thank you very much for sharing! more power to your channel!

[@rr7firefly]

I do not know Mister Lubezki but I have enormous admiration for him. I like that he is so well thought of in the movie industry. This short feature is enormously informative and gives us mere mortals a peek into the reasons why films look the way they do.

[@sharifmagdy7271]

I think the most prominent part is One Take shooting style Chivu uses, it gives a seamless life like experience that’s very engaging and natural.

[@jarredrichardson4573]

i've always wondered how they shot that take in children of men. never saw the bts. this channel is awesome! can't believe it isn't getting more traffic

[@InDepthCine]

It's such an amazing shot! There's a more detailed video of the rig they used to achieve this here: kzbin.info/www/bejne/fXvTo5V5qryXftE

[@jarredrichardson4573]

@@InDepthCine thanks!

[@mr.commenter7953]

That one shot was very impressive but the handheld walking shots are too shaky for me & distracting. They could've used a steadycam.

[@YongeneW]

@@mr.commenter7953 that's just Chivo's style of shooting I guess. It's a stylistic choice.

[@GawxArt]

Love this!!

[@OmarOmarOmar]

my god i stumbled upon your channel so randomly and i am a huge fan. subbed and binged!

[@jv8studios]

Same ! Literally I’ve been taking notes ! Are you a cinematographer?

[@OmarOmarOmar]

@@jv8studios trying to be :p. Don't think i'll be anything except a "videographer" for the rest of my life though lmao.

[@jv8studios]

@@OmarOmarOmar hey you got what it takes to be great ! Keep pushing !

[@driziiD]

he's a household name amongst the households that love film

[@gregorythomasdavid]

This is my new favourite channel. You’re creating absolutely valuable and amazing work man! Found your channel at the perfect time!

[@InDepthCine]

Glad you like it! Hope it helps with your filmmaking in some small way.

[@ZachMayfield]

great work on this vid!

[@alecmuellervisuals61]

Chivo is my greatest inspiration. Great video

[@tontsar91]

This man is incredibly underrated.

[@jfh1741]

Great video. I would like to point out that the decision of how to frame and how long the shot should be are often decided by the director. Yet it is also possible for the DP to work with the director when deciding how a shot should be framed and the length of the shot.

[@tomascima5331]

what a great analysis. thank you... will check out more of your stuff!

[@David2222]

Yes... thanks for this, cabrone. Somewhere I have a shot from my personal day 1 (at precisely 9:05)... there are only 5 courses of the eastern (left) block tower standing in my photo.... So we had to build the rest of the thing around it (scenic carpenter, there, then). Yes, immersive. FABULOUS to see how Chivo made it all work. Great series, In Depth Cine.

[@cjkalandek996]

Could you please do one of these videos on cinematographer Steve Yedlin? The DoP for _Looper, Knives Out,_ and _Star Wars: The Last Jedi?_

[@laidbacklifestyle389]

Love your South African accent brother 🙋🏾‍♂️. Great insights as well. He's my favourite cinematographer atm

[@PedroNogueiranunes]

This channel is pure gold

[@bogdan.p]

Nice video man!

[@InDepthCine]

🙏

[@thornyback]

Can you do one on all of Iceland's heavy lifting in movies. The long magic hour, the landscape etc

[@easternvalley6310]

I like extream shots in movie Reverent.Dicaprio is the only man of act i thought when i saw that movie.Nobody can act as him that charactor.I freezed in mind actually.Its cinimotography was one of great thing even if wide lence has used frequently some unwanted scenes.

[@tedsmusic5556]

Thank you for doing this. I watched it a few days ago, and I think it changed the way I see…everything. I’m trying to hang on to that.

[@JohnnyAlamillo]

this one makes me proud.

[@redumbrella4218]

Fantastic work! Thank you!

[@tomfitzgerald4760]

Your videos are incredible. Going back through for the second time.

[@DSAK55]

As an engineer I joked that reality is Bandwidth x Dynamic range. I love Lubezki!

[@reelaction7233]

i love you for doing this video this helped me so much in a very unexplainable way. i hope you make more videos in the future and enlighten us with the knowledge.

[@Jishnu.Chatterjee]

This was so informative! Loved the video essay, can't wait to see more!

[@jv8studios]

It’s true I’ve been taking notes and learning ! I’m feeling inspired to do a few filmmaking videos on my channel aswell

[@julianleft4662]

The greatest DP ever. Deakins is the most popular but Chivo is godly in his work.

[@nicolaslabra2225]

i`ve found that lubezki is the popular choice, everyone is a chivo fan, roger is also more subtle in is movement, but more impresionistic in his lighting, emmanuel`s work is stunning but since his colaborations with mallick his films tend to look very similar wich each other.

[@loomer8]

Nykvist may be better than both, but yeah all three are masters of their craft

[@Pantano63]

Deakins' work is more varied.

[@sisterbrothers1677]

Arri makes very good prosumer cameras.

[@CharlotteCordayYoutube]

This is interesting and calming at the same time... 🥰

[@iamnoimpact]

This has been an awesome series. I have loved all of these deep insights on cinematography!

[@Dcut2612]

wow! how did I not find this channel before. The Best Quality content out there .

[@COMVproductions]

Great work, well done with the tone, pacing, and provided examples. Would love to see one on Rodrigo Prieto

[@elcal9600]

what a total dude i love his style big time

[@kozykev]

One of the best channels on KZbin

[@method_acceptance]

Really well done video! Chivo is the best of all time! Love his explanations for doing things.

[@nonserviam9707]

Chivo is Spanish for goat, G.O.A.T. 😸

[@Hail_Sagan]

Great video, thank you!

[@zidane9958]

Such a good video and explanation.

[@lisamuzz6973]

Thank you so much for this. I am a fan of Chivo.

[@jmd1770]

Fantastic breakdown!

[@icyjaam]

this was really an "In Depth" analysis, thanks

[@anthonyjinson4839]

Love your channel! These videos are a fantastic and I always finish them feeling inspired. 🙌🏻

[@InDepthCine]

Thanks Anthony! Glad to hear you enjoy them. Hope you can use that inspired feeling to create something!

[@rezajameel7691]

amazing ... thank you

[@mictache]

Thanks for putting in the effort to make this video! Mihai Malaimare Jr. would be an interesting one

[@driziiD]

the legend himself

[@vince1000]

no mention of the cat in the hat? lol

[@Madderthanjoker]

cat in the hat will always have a special place in my heart.

[@MrNatMa]

This was so informative and briliant. Im so glad to have found your channel.

[@granitoale]

Thank you so much for your videos, they are greatly done, instructive, and a pleasure to watch!

[@sindhusagar.studio]

Love the analysis. ❤

[@luisnakamuras]

I love this series! Please continuos with this great work! Learning a lot!

[@tanaybirje9686]

Great Video!

[@InDepthCine]

🙏

[@sahebalishaikh6934]

Thanks sir I want to see more videos

[@InDepthCine]

Thanks for watching! I try to upload 1 or 2 videos a week depending on my schedule. You're welcome to subscribe to see more videos.

[@michaelleahy9265]

Really enjoying this series! If you could do one on Rodrigo Pietro before Killers of the Flower Moon, that would be great

[@brainybee]

Excellent! Thank you!

[@just.do.something]

Sounded really nice when you send "Late Eighties"...Great vid!

[@gabrielhborgesrolo]

Now I've watched them all.

Currently the best for me. but I have really enjoyed the work of Adriano Goldman (Brazil) and Rein Kotov. Thanks for the channel.

[@alfredbassDoP]

This is pure gold.

[@Behinds-]

great....thanks for sharing information

[@codyturk]

Just discovered your channel. I am happy I found it. Keep up the great work.

[@JordanElliottMcClure]

Love to see a video about the style of Dean Cundey. DP for John Carpenter.

[@Racosz]

Excellebt channel. Very informative and polished style.

[@InDepthCine]

Thanks for watching!

[@ernestob1426]

Love these videos!

[@KevinCBurke]

Thank you so so much for this content. It's very valuable information and well-edited. I wish the best success for your channel.

[@cdreyes81]

That's where we differ. I enjoy grain in films. Its almost a silent character that you just feel when done right. I get his theory. I really enjoyed the revenant. I'm not going to say It needs grain to make it better. A lot of movies today almost take me out of feeling because they're so clean

[@sorartificial]

Chivo es UN chingon, thanks for your channel,looks of good info dude.

[@bilal-zr6uy]

master of wide angle

[@MSordernature]

Amazing breakdown.

[@dunke10]

I'm a big Lubezki fan and I loved the video. But I think you could've talked about another aspect of his work. Despite having a naturalistic style as his signature, he sometimes breaks this aesthetic in favor of the needs of the project, like for example "A Series of Unfortunate Events", "A Little Princess" and "The Cat in the Hat". Although he also used diffused lighting and wide-angle lenses, he chose a more fanciful style for these films

[@adsrcollective]

really enjoyed this- thanks!

[@jaivas16]

i see that Chivo has deleted his Insta account....pity the ones who didnt get to witness his "casual" shots, but lets just say that it made you want to stop taking pictures, it was pure perfection

[@BorrisChan]

Film grain is a veil but having people breath on your camera, fogging up the glass to reveal the fact that there is in fact a lens, is okay… come on Chivo!! But for real, love the dude ❤️

[@Yulfi]

Very enriching. Thank you!

[@walterbinns6992]

Amazing video

[@MrGittz]

I’d love you to cover Dariusz Wolski or Brunno Delbonnel

[@SumPravus]

Hey, not to be a negative nancy, but that's not really how perforations work. You don't get a larger negative or more resolution because you shoot fewer perforations, 4-perf essentially just means you crop the image vertically beforehand instead of doing it afterwards. Since Chivo doesn't use anamorphic lenses he probably shoots super 35 film (1.85:1) as opposed to shooting academy 35 (4:3) which you do if you're shooting anamorphic . Super 35 does have more horizontal surface on the negative (although the negative strip is the same size) which means more resolution. The problem is that if you're cropping your super 35 film to be 2.39:1, you're loosing vertical surface on the negative which negates the resolution won through super 35. That is exactly what 4-per does, it crops the negative but it does it in-camera. Now, there is a debate on which is better and gives the more pristine image, but that's a waaaay longer discussion (although as far as I know anamorphic IS better in that regard). If i want to play devil’s advocate, maybe you skip one transfer negative if you don't have to crop it in post, but that's just a guess since I know too little about the post-process involving film. The only thing 4-per really accomplishes is that it saves film while shooting, instead of shooting the full super 35 frame and then cropping it to 2.39:1 afterwards, it's already cropped and the frames are stacked closer together. This saves money on film which is why it's popular among low budget filmmakers who still want to shoot film but don't like the look of 16 mm. I think it logically should make each film roll last for longer too. I.e. you can do longer takes. Love the channel!

[@VariTimo]

Chivo won three oscars in a row, he’s a house hold name.

[@ayushshukla9598]

perfect🌻😇

[@smurdul9114]

awesome, thanks

[@vincentbeijk8346]

Film as an Art form. Nothing more an nothing less

[@GurmeetSingh-fr8uo]

Is the Sony A7S III better than Panasonic EVA1? In terms of images rendered and dynamic range? (Sony is full frame and EVA1 is super35).

[@myfavoritethings1967]

Should do one on Ernest Dickerson, if you like his work🤲🏾 shot a lot of Spikes classics

[@chriswong8659]

Children of Men! So damn good!

[@sebastianvm9938]

So good, his job is very impressive 👌

[@Dafnebrbza]

Children of men is so underrated

[@thegrayyernaut]

Children of Men and Prisoners are my two all-time favorite films.

[@phethomberg9669]

Love your contents

[@hooliganpeach9323]

3:31 What movie is that?

[@ingridpaola5620]

hii, a bit late hahah but it’s called “y tu mamá también” directed by alfonso cuarón

[@elumiomerk4013]

Snow sled movie rig puller, huh? I want that job?