classic vintage looks with any lens (module8 lens tuner)

[@OrangeBrick8]

Sigma 18-35 + module8 tuner = magic 🪄

[@jimbotski]

I'm a new and aspiring film maker who cautiously window-shops. Now these detuners pop up. I think this is it. Seeing the footage from the L2, the feeling was instant. I crave to bake the vintage look from films like Aliens but in a digital analogue format without having to post process. Thanks for the vid! Super excited for the film!

[@lukaszv8]

Oh man! That Legacy outside the window is just gorgeous. ❤

[@moment]

Dude, this video is insanely good. love it so much. Cant wait to see your short film on the Tuners 📹🔥

[@romankuhler]

You make it look aesthetic🤙🏼 great video🤙🏼😉

[@Harigan]

Still would love to see a deeper dive on the detuning of lenses both in post and in camera. Any chance it's still coming?

[@sloppysteaks]

Nope

[@phoenixfunny4517]

😢​@@sloppysteaks

[@ofthenearfuture]

I was Super interested when I first saw these tuners, and really appreciate your quick testing, that was an awesome little film.

[@user-nu8bf3bf9m]

When are you planning on releasing the short film shot with tuner and the bigger video on the main channel? I'm still on the fence whether if I should cop them or not, so I'd love to watch both of those videos from you!!

[@joshuaconti989]

i think the key here is using good glass like the sigma - would love to see some cheap glass like even a 18-55 kit lens just for fun sometime. love these examples wish I could afford the tuner lol

[@stevenkralovec]

This is interesting! Thanks for sharing your insight, man! Looking forward to the next one

[@Emiliotakas]

love your work so much!!

[@AdonileTheDoughnut]

You’re my top 3 fav KZbinrs!

[@sloppysteaks]

🤯👍

[@ericpaisley8501]

Nice samples so far.

[@EposVox]

fuuuuuark I need this, but it's SO expensive cmompared to filters

[@sloppysteaks]

there's just no other option that comes close that can change the bokeh/flare/falloff that also offers auto focus. you could buy 5 FD lenses or one of these (and also have auto focus)

[@gaboguerra950]

Thanks for sharing. It would be nice to post images with and without Tuner (using same Sigma lens)..

[@MattiasSkoog]

I have the L2 tuner and a mint vintage Leica Summicron-R 35 mm lens… but no Leica/EF adapter 😫 I’d love to test that combo! However my Sigmas and L2 Tuner really create some magic! 🤩

[@lo_ebb]

Hi Patrick, nice video! Quick question: Which microphone are you using?

[@sloppysteaks]

mv7

[@sudarshanrajagopalan8552]

I am getting into film making. I want to know which video editor would be a good start for me for color grading and editing.

[@sloppysteaks]

resolve is free

[@bambsbambsbambs]

Hey Pat! How are you still liking these tuners? Do you prefer post editing?

[@sloppysteaks]

Haven’t used em

[@bambsbambsbambs]

@@sloppysteaks Fair enough haha!

[@Basedboomerchadbear]

Can this work on the Sony ZV-e10… …I’m a dumb dumb. Love your work!

[@Bossdup]

I wonder if this will work on the actual Batman cam s52x

[@foggymossstudio]

Nice

[@paraskinger6828]

Would you like to sgare the workflow of your sony fx30 including your color grading process?

[@tvkly]

Hey I've been trying to find sources for the detuned post look for my own research and was wondering where you found the talks about the killer?

[@sloppysteaks]

erik talked about it extensively

[@tvkly]

@@sloppysteaksim definitely not paying enough attention to what im looking at. thanks 🫡

[@chrisharris_arizona]

Do be do be do do do...................oh Now stuck in my head for days.

[@AlexWaltz21]

How is the autofocus working?

[@silas1414]

I got rid of my Sigma... it was just too precise, a hard clinical robot eye. On the other hand there's a recent trend, possibly from The Batman onwards, towards super soft, super shallow looking stuff that I dislike also. We're all still chasing celluloid but still not quite getting there. If you look at a lot of movies from the past shot on film they often look quite defined, and often with a fairly deep dof. I was analysing a shot from E.T. recently where there is soil close to the bottom of the frame, in focus, under bright sunlight, and even when paused it just looks beautiful. So no shallow dof, no detuning, no frame rate question...no gate weave, no cinematic lighting....harsh sunlight on the ground...but still that delicious, super evocative celluloid magic is there, in a paused image of a patch of dirt. My current view on what's going on with the "film-look" is that it's actually sharp softness, or defined softness, plus a blending of the colours and light because of the nature of the crystals, plus the unique effect that highlights have on film and dynamic range. For those interested, the best film emulation that I've seen applied to digital source is probably Knives Out, from Steve Yedlin. Maybe 70% of the way there.

[@sloppysteaks]

I don’t even like the film look. Much prefer the modern Fincher / Deakins aesthetic.

[@luis.craik]

The music… how did you clear the messy royalty claim stuff?

[@sloppysteaks]

i just use it

[@ljac_1314]

when i played the video, i thought i played the 1st episode of the series "murder at the end of the world" because of the song

[@JPBernierDOP]

K35 is such a buzzword now... I would love to see a side-by-side. I love the K35, especially on FF or larger sensors.

[@sloppysteaks]

this video the first time i have ever said it loud. legit don't evenb know what it means

[@Obscurainc]

will it work with Sony 24-70 GM2 Lense?

[@sloppysteaks]

EF and PL lenses only