Compositing analysis - Come Into My World (Kylie Minogue)

[@BrainyDose]

Thanks for sharing this! I've always been amazed by how well this video was put together, and the track is still awesome in 2019. ✅

[@maduumanis]

Considering the technology they used back then..this MV is lit AF!

[@qwertzuiopasdfish]

You are 100% right! The creativity and careful planning is jaw-dropping.

[@julimoreno173]

I was wondering how it was done. Admired such editing talent. So I truly appreciate your explanation.

[@DutchSkeptic]

Beautiful, this explains so much!

[@jacksociopata]

Tremendo video y me imaginaba de como lo habian hecho,thanks for sharing this video, asi comprendo claramente este hermoso video.

[@maskedbadass6802]

I now understand the chronological order of the Kylies, and another video shows how they were able to do it in one take because of super precise camera movement, but I still don't understand what program isolates her so well without the use of green screen. Is it simply about having a big team of people willing to go through every single frame editing individual pixels?

[@kofinart]

I know we had crappy Intel Pentium back then, but I'm still wondering about the program too. This was said to take 15 days to edit.

[@shandrewsampson6539]

it is people cutting her out frame by frame

[@ScribblebytesWorldwide]

It's called Rotoscoping. It's still used today. After Effects has the function. You don't need a greenscreen. Also (if you're smart about it), with camera tracking functions you don't need that motion control camera they used.

[@adamriozzi]

If you look very cloesly. there is some pretty bad rotoscoping, understandable maybe for the time it was made. But no one really noticed anyway. Amazing video.

[@Powhart]

@@adamriozzi I was thinking the same - nowadays watching this video in a high resolution devices people are noticing those areas especially in the hair, and especially in the last loops where she is closer to the camera. Anyway they've made an amazing job and this video still remains as the prime example of an conceptual music video: the video where the performance or the plot doesn't matter, but there is something about this that makes you think "huh... that's a cool idea". I'm showing this video to the young guys nowadays and they are still amazed, probably realizing that nowadays they don't seem to be such good video clips ;)

[@bvisuals6295]

Thank you so much for this!!!!! 👌🙏

[@josephsvennson5694]

Tell me this won some video music awards!

[@keremalicihan8844]

Idk but the song has won Grammy

[@Garyllaz]

Sadly the video had never enough recognition... hip hop videos were starting to dominate the industry at the time and were the only ones people were paying attention at

[@andreskury4662]

The most interesting point is that the Kylie from the third turn picks up the pillow the first turn`s Kylie left on the floor

[@hdsdi3g]

Easy, not ?!

[@andreskury4662]

not easy..there are no more videos like this.

[@ydoomenaud]

Also, who picked up the pillow the first Kylie dropped

[@lagunabeachclub]

it's the kylie from the second turn that picks it up, by the third turn the package is no longer in the ground and kylie is closer to the camera...

[@janvincentantiporta4265]

tHIS IS AN aWESOME vIDEO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[@valleydawn1497]

I love fever album... The best year for kylie

[@delusionaldisaster]

Amazing.

[@patreeya2279]

Excellent video

[@EstebanGuzmanV]

great break down.. thanks for the upload!

[@TheP-BoX-YT]

Excellent!!!

[@franciscohernandezmarzal3925]

How did they separate the shape of Kylie for each layer?..which technique?

[@ScribblebytesWorldwide]

Rotoscoping.

[@CarpinchoLopez]

@@ScribblebytesWorldwide But...I think it's something different than rotoscoping. I think it somehow separates the pixels that match and those that don't match from shot to shot. (The street, background, or stationary objects will always match while moving objects will not)

[@Garyllaz]

​@@CarpinchoLopezit was easier because the camera was digitally set up to always make the same loop and movements in the exact amount of time. I guess that's the part you are not taking into account. Otherwise yeah it would have been a pain in the a... trying to edit that

[@CarpinchoLopez]

@@Garyllaz I'm taking that into account. What drives me crazy is thinking about the number of artists rotoscoping all the elements frame by frame.

[@SzymonAdamus]

Great job. Thanks a lot.

[@jedany]

Made with ANALOGIC EDITION no COMPUTER

[@aaronxalapa]

There is a lot of post production I saw a video and michel said there was a lot to erase that overlaps

[@ricardoalbarracin9017]

donde lo viste?

[@aaronxalapa]

@@ricardoalbarracin9017 hay un video donde explica cómo se hizo el video... debe estar aquí o en videomotion

[@ricardoalbarracin9017]

@@aaronxalapa gracias. voy a intentar hacer un video asi jajajja

[@panotsnokls]

God applauds this

[@nicokiux]

thanx a lot 4 ur work

[@rakibahammed7845]

looking for this. thanx

[@wilsonenriquepinzonreina1642]

Cuando está las 3 kylies en los carritos de frutas hay Seve un error una imagen fantasma

[@Demefo]

great

[@formxshape]

1:03 top right, turn #2 her arm has a masking error on it just after she passes the lamp post.

[@ahommefatale]

i dont see it

[@Matesnet]

no.1 Kylie walks through no.2 kylie behind the dark rusty lamp post. Luckily the lamp hides the glitch more or less :) @@ahommefatale

[@Cuculiza]

i see it ❤

[@Garyllaz]

This whole part was a mess of extrapolation that's why they added a traffic light in post production. It was added to cover all the errors. You csn see it moves a but differently from the camera angles

[@formxshape]

@@Garyllaz ah yeah! also it's super low!

[@JulioRedCosplay]

Interesting! I never noticed they had to move the 2nd Kylie a little to the right in the 3rd and 4th loops (1:11, 3:32 , 6:05)

[@Garyllaz]

They also moved the 3rd kylie a litlle to the left in the 4th loop just to make room for the 4th kylie to pass between them without messing the take

[@Garyllaz]

you can see it clearlier at 1:13

[@forwithynew225]

thank you

[@franklynreyes16]

Wao! 👏👏👏

[@CarpinchoLopez]

This software is something I always imagined but could never check if it exists. And I think it is exactly this. Does it only show the pixels that do not match between each shot?

[@SweBeach2023]

A video such as this should really have been done with depth information recorded. Not sure it it was possible to do so back in 2001 though.

[@darmok072]

The only thing that always bothered me about this video is that there are instances where multiple Kylies are occupying almost the same space but don't cast shadows and it throws off the illusion. Still a great video though.

[@Garyllaz]

That's why they strategically chose a cloudy day in order to avoid these kind of issues, they stated that in the making of as well.

[@GardoMcM]

Please, put the song on it, please, please, please 😍

[@bluesailormercury]

But what part of the song? The one on the left video or the right video? What about the ones where there is superposition? Which moment in time? Does the music pause when the video does to show the differences? Does it keep going forwards and backwards to the music in each loop? This is why they didn't add the music. it's complicated and even if they made a decision of what segment of the song to use in each situation, it would be distracting. You could always look at the other side of the video and realize that the audio is not in sync.

[@hdsdi3g]

And KZbin Content Id is the second reason…

[@dolblusvglaza]

difference matte?

[@bluesailormercury]

Matte kudasai