Concerto Grosso - Arcangelo Corelli; Dorothee Oberlinger, Tabea Seibert, Sonatori de la Gioisa Marca

[@annatirindelli8879]

Semplicemente MERAVIGLIOSI, TUTTI, UNICI ed INIMITABILI, COMPLIMENTI VIVISSIMI🙏🙏♥️♥️👍🏻👌🏻💪🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻♥️♥️🙏🙏

[@annaikramova3755]

❤

[@kegelchen32]

Fantastico! Sono commosso. GRAZIE...

[@joselopes2293]

Outstanding interpretation. This concerto has a particularly to relaxing and animated our souls. Thanks for this beautiful moment.

[@luckybarrel7829]

Gurrl is terrified she's playing with Dorothee. Don't worry gurrl, be strong!!! You rock!!!

[@smguy7]

A very cool interpretation of a Christmas favourite. Thank you! I enjoyed it very much!

[@paoloangeri5146]

concerto meraviglioso bravissimi complimenti

[@1cleandude]

That’s two lucky recorders if you ask me!! Splendid!🙏🙏🙏

[@HughFromAlice]

Corelli writes so brilliantly for recorder and these guys - the recorder players and the whole ensemble - played this beautifully. I particularly loved the way that recorder players worked so well together.... lovely articulation/phrasing, great ornamentation, love those swells and above all loved that tone!!! :-)

[@Michajeru]

Well said and absolutely correct. Brilliant recorder playing.

[@MassimoeMimmo]

Corelli wrote for violin. That is a trascription for recorder

[@ptrad]

@@MassimoeMimmo Yes, Corelli wrote nothing on the recorder/flute. All of his works are for violin(s)/stringeds.

[@engelbertschoormans]

@@ptrad But the way it was played was definitely with winds. Trumpets, flutes, recorders, oboes, were not seldom included!

[@vishy8909]

This is not a concert for recorders is the concerto for the notte di nattale for strings

[@gonzalovaldivia3835]

Corellis Concerto Grosso is, indeed, one of the bigest concerto. This is a masterly performance. Congratulations.

[@hppsych.dr.theol.willemmaa1717]

Thanks Prof. Oberlinger! Super!

[@jeanco46]

Thanks for not playing in 440 but in 415 Hz! Beautiful in every respect!

[@thpeti]

I remember as a kid, I had tons of 415Hz recordings of early recorder music copied to cassette. I had to speed up the tape to practice. My current recorder is also a 440Hz one, because everywhere, we have 440Hz instruments, especially the pipe organ in our church...

[@jannoordijk7055]

Fantastic music, fantastic musicians!!!

[@danielungermann7055]

Simply fabulous, both !!

[@dimitrikoroliouk9871]

Fantastic music, fantastic musicians. Bravissimi !

[@RecorderCembalo]

Dorothee Oberlinger, Tabea Seibert wow!

[@Michajeru]

Great music. Recorder playing of a very high standard. This is a musical performance that I will listen to again and again.

[@blipblip88]

Exquisite! Thanks.

[@NyebolszinAntal1968]

Esecuzione meravigliosa!

[@Gérard-g5q]

The use of recorders is great adding more colour to the musical palette. Sounding almost like Vivaldi at times. Wonderful improvisation

[@c.g.marseille4510]

bedankt voor deze fraaie Corelli Lady's !

[@marinaassanti3415]

Superbi, magnifici!!!!

[@john.415]

Wonderful in every respect! Bravo!

[@sabineschett6277]

Vielen Dank

[@sandrasamano3839]

Que excelencia👏👏👏👏👏👏

[@roberthuber5589]

Bravissimo !

[@5viviana3]

Bellísimo!.

[@soimu3983]

Pure brilliance.

[@fitnessbrotherade2959]

Sounds great !

[@ausuyucayeque]

BEELLOOOOOOO!!!!!

[@domenicomarcucci2970]

Geniale e rara interpretazione con gli strumenti a fiato di una grandiosa opera del Corelli. Secondo me l'arpeggio iniziale del violoncello doveva essere un pochino più dominante rispetto agli altri strumenti.Grazie.

[@severinorafaelcavalcanteda8252]

Great performance music classical 🎷👏👏👏🙏🎶📯🎺🇧🇷

[@alfredoihldausend4093]

The cellist is magnificent! He plays so soft and elegant!

[@AsteriETERNAL]

WooooooW👏👏👏👏👏👏👏

[@garudel]

NIcely done. Thanks !

[@peterlast2478]

Lovely stuff

[@so.desenhos.animados.e.antigos]

Perfect!!!!!!!!!!

[@pasqualealba]

Mi ricorda quelle belle scene di "Master and Commander".

[@yunfluteboy4941]

So impressive~!

[@thomasdastillung4097]

Unfortunately the strings especially the cello are over dominant compared to the recorders and covering them most of the time.

[@stephancrandall9579]

The recorder, easy to learn hard to master. When considering recorder players, M. Petri is probably the gold standard. I think D. Oberlinger has improved in the last decade, but still has not reached the level of M. Petri. D. Oberlinger player with greater abandon than more controlled and refined M. Petri.

[@acyutanandadas1326]

I'm in awe of Michala but all my teachers and recorder dealers call her 'just a technician' your thoughts ?

[@Ennah08]

@@acyutanandadas1326 I think It's unfair to M. Petri, she is a full musician! But with baroque music I enjoy the more "free" playing more. I like Oberlinger - and Sebastien Marq - and Bolette Roed, who is danish too - and Frans Brüggen, of course!

[@jaysparc]

If you think Petri is the "gold standard" you're not very knowledgeable about recorder. Petri has no dynamics, one articulation, knows nothing about historically informed interpretation. There are many great recorder players out there these days.

[@jeanco46]

jay w I couldn't agree with you more! I know quite a few performers that I rate higher than Michaela, especially when it comes to playing longer phrases.

[@lucialp1937]

@@jaysparc I agree Petri is a fabulous technician but not a great musician. Prof. Oberlinger has far more dynamics, better articulation and all-round musicianship.

[@chartwellhouse8129]

Fascinosum.

[@Servantofthegenerous]

What kind of guitar is that?

[@nikoud1960]

Barroque guitar

[@ankavoskuilen1725]

Beautiful played! know this concert since I was a child and I have fond memories of it. Sometimes another interpretation is dissappointening then but that was certainly not the case here. The only thing a bit annoying was the spinning around of the left recorder. I had to stop watching that and focus on other things. I definitively will replay this video again in Christmas time.

[@ankavoskuilen1725]

@Max Ellent I have several interpretations already on cd including the one my granddad had on record. And I enjoy them every year. This can be a beautiful third one. And indeed: I don't have to watch it. Listening alone is ok. So everything will be fine.

[@danielsendre2826]

The little white goose next to the imperial eagle.

[@frankrunge7]

Where are the fathers, real fathers…

[@MyBlueZed]

The 33 dislikes are thus judged by the music and musicianship. If you don’t like it pick another video to watch.

[@frakognome4434]

Psssst... Gioiosa, not "gioisa". Anyway, fantastic rendition.

[@mikel4510]

Wish there was a way to mute the video and keep the audio. The histrionics of the recorder players is childish and uncalled for in a professional presentation.

[@MuziekMetMeesterMarius]

In music.youtube.com you could decide to only listen to the music. I regulary listen to the music only (also to save data on my mobile phone when I am not on WIFI). But to be honest I find your comment slightly harsh. I have been watching this video quite some time lately and I see two enthusiastic and very great music performers on recorder. Next to that, Tabea is even younger in this video than she is today. It is a learning process for her and I think it is important to encourage people on stage.

[@MuziekMetMeesterMarius]

@Max Ellent Hmm that is a risky path full of pitfalls. I try to stay away from the authenticity debate, since it is a dead-end debate. There are so many factors that make a musical performance authentic or not... I would qualify the question of authenticity as a wicked problem. I think it is harsh when one calls movement of players 'histrionics' and 'childish' and 'unprofessional'... especially when it comes to performances of young musicians who are vulnerable on stage.

[@MuziekMetMeesterMarius]

@Max Ellent No problem at all! I am not after being right or not. It is indeed an opinion.

[@mikel4510]

@@MuziekMetMeesterMarius The usual reply from one who doesn't know enough to make the debate.

[@MuziekMetMeesterMarius]

@@mikel4510 Not at all. I know though that it is a dead-end debate, and my English is also not good enough to have that conversation. I wrote in Dutch several papers about authenticity in music though, to know that it is a wicked problem, and that people have the tendency to simply pick one or two aspects of the music they dislike and then start telling that it is not authentic, while many, many other aspects of the music appear to be authentic, but aren't at all. It is a complicated subject, and as said my English is no way good enough to have an honest and well considered discussion. I disagree though that the movements of the recorder players should be rejected with harsh comments; even if they are not authentic.

[@georgeslacroix5188]

Dedans🤩😻😻😻🦎🦎🦎📳📳

[@christophstering8376]

Unter den dunklen harren strahleblond.....

[@gerard.mourier_harmonica]

Vidéo super, prise de son super ; mais cette musique est ennuyeuse !

[@grahamhall2662]

Ok here we go, fabulous string playing love the bass player, they all followed the recorders good. Would have been nice to see the keyboard player a little sometimes. The strummed guitar thingy man brilliant so laid back and relaxed. Recorders, well, too intense from the lead, too many ornaments, too rushed, too domineering, too fast, not with the band at all, pity.

[@c.g.marseille4510]

it is Barock , so…..;-)

[@gerlindephux4828]

Sometimes top fast.

[@pinuccioEC]

Ottima esecuzione. Peccato il violoncello moderno che è come i cavoli a merenda

[@amelotiger]

Coroa cheio de palhaçada. Melhor só mostrar o quadro da flauta e escutar a música

[@henriqueteles18]

Tbm estou curioso

[@gatozarin]

jesus these violinists couldn’t agree on a single bowing decision lol

[@BanzoUnchained]

😂

[@baroquer]

I am an devoted Baroqueholic, but why...WHY are they dressed like intending some funeral??! Classical music is NOT about "deadly seriousness", graveyards and blackness, FFS -.-

[@111jwfh]

It's boring!