Sonatori de la Gioiosa Marca, Dorothee Oberlinger | Antonio Vivaldi: Concerto RV 443 in C-Dur

[@lelaarneson3147]

First person I heard play this was Michala Petri in the 70s and I abandoned transverse flute because I fell in love with the recorder.

[@fabioribasdeoliveira7221]

Qual,na sua opinião seria a melhor marca e modelo de sopranino para que eu pudesse pesquisar?

[@DanielUngermann-k8l]

Dorothee Oberlinger is much better than Michala Petri !

[@Lux75]

@DanielUngermann-k8l 🤣🤣🤣🤣🤣🤣

[@biancaturner725]

see that inhale at 1:07 whoaaaa such extension of breath! oh at 3:58 is my fave part the largo ohoh sweeeeet!

[@اسکندرمختاری-ل8م]

❤😂🌷🌲💚🙏💚🌲🌷🙋‍♂️🤓🤣👍

[@Gérard-g5q]

Beautiful playing Vivaldi was the most musically innovative of the Baroque composers

[@galapagator]

Since today, the best version I've heard (and I've heard more than I remember). Full of baroque spirit, sweet, strong, fair and pure. Good job!

[@ningguang7203]

Listen to Lucie Horsch 😁

[@utoobah]

Farhan A'an are u kidding... 😂 u should listen to Anna Fusek, Michaela Petri, Lenka Molkanyiova, even Dodo Kis etc. etc.

[@lucybuonasera8862]

She is amazing

[@Blokfluitgroep]

@@ningguang7203 You mean the soprano recorder version of Lucie Horsch? Not that bad at all, but I like this sopranino version way more.

[@ALBICOMUS1954]

@@utoobah ... and HANS-MARTIN LINDE

[@nuestraeducacionpoetica8166]

Magnífico, un Vivaldi sorprendente, felicitaciones!!

[@louismarie92]

We touch the sky! This little flute sings with all its soul and all its flame this music both pastoral and inhabited. Beautiful to cry!

[@erikalantry5099]

As an amateur flutist I know how awesome Dorothee's artistry is.

[@Hert42]

As an advanced recorder player I also know how awesome she is!

[@sthetatos]

@@Hert42 Sorry to disturb you, but how can someone play so fast? How to develop this technique? I also play the recorder. Thanks.

[@danawinsor1380]

@@sthetatos There are three things you need to do: Practice! Practice! Practice!

[@sthetatos]

@@danawinsor1380 It's true but I cannot stop thinking that there are some "secret" technique. Thanks a lot!

[@Ratwoman5000]

@@sthetatos There is a technique called double and triple tounging ... Sarah Jeffrey from #teamrecorder has a video on it, check it out 😄 kzbin.info/www/bejne/nJ-zc2SVrpyqiK8

[@melissajaninepeters3694]

Wow! Einfach nur der Wahnsinn! 😍😍😍❤❤❤ mir fehlen die Worte, diese unglaublich großartige Darbietung zu beschreiben!

[@antonioaguilar7108]

Cielos! Que velocidad del primer movimiento! Vivaldi es todo un maestro.

[@swardcr]

How can anyone play so fast it's incredible and the sound from the recorder is fantastic

[@Kamanusch]

What a joy and what a jewel!

[@MrStewbee]

My Goodness! Brilliant!

[@mariorocci9624]

Splendida esecuzione e, seppur con qualche abbellimento in più, molto aderente allo stile ed all'epoca in cui Vivaldi ha saputo creare questi suoi capolavori. Con buona pace di Igor Stravinskij evidentemente invidioso dell'arte del "prete rosso".

[@honeychurchgipsy6]

her choice of a transitional type of recorder works well for this lovely concerto - really beautiful clear tones especially in the slow movement.

[@tiborjedovszky980]

For me she is the top

[@DanielUngermann-k8l]

The perfect mastery of this wonderful instrument !

[@널스향]

호흡이 대단해요

[@johnjankiewicz3478]

I think that she is using a transitional or Van Eyck model sopranino, and it sounds wonderful!

[@estebandanielwugner3351]

Bravissimo!!!

[@andersondarosa777]

Impressionante.😮

[@unpodimusica1]

Fabulous playing, brava!!!

[@sandrasamano3839]

Una virtuosa maravillosa 👏👏👏👏👏👏👏👏

[@eliseeng1709]

Amazing! The music is beautiful and her technique is flawless (although what do I know? I'm a pianist). In all seriousness though, I really enjoyed listening to Oberlinger's performance of the concerto. The subtler melody lines are apparent without losing their subtlety and she plays so sweetly, especially on the largo section.

[@onesimocosta]

Belíssima interpretação

[@PauloFerreira-dm6cv]

Meus Deus que momento mais lindo, isso não é humano, transcende qualquer palavra, que momento maravilhoso.

[@tamojitghosh52]

Excellent recital..Oberlinger is a Professor of Music ..wishing her all success...

[@andreaperunicic5627]

C dur ❤

[@ikmarchini]

Absolutely delightful.

[@FernandoSantiagoPires]

Graciosa! Esplêndido concerto!

[@flechadeespana1069]

!Presioso concierto y magistral interpretación!

[@alvarogarciabarbosa3199]

Vivaldi's baroque sound at the best expression. Absolutely pure clear and pleasant to our minds. Second movement is as tender as the best romantic or classic piece can be. Awesome! Last movement is also Very good played but the prodige Lucie Horsh. Thank you for posting!!

[@fabioribasdeoliveira7221]

Sr Alvaro,o sr sabería me dizer qual flauta(agudas) tem a capacidade de variar o som(subir ou descer oitavas) sem que para isso tiremos ou mudemos o dedilhado?Ex; sopro dó....se soprar com mais intensidade vai para dó oitavado.

[@ralph17p]

TwoSet have a lot to answer for! Recorder concertos seem to have pushed all the heavy metal out of my KZbin recommendations. Strangely though, I'm not actually minding all that much.

[@danielungermann7055]

O Dear what a nonsens you are writing !

[@AntonioNunez1700]

Magnífica e impecable, lo hubiese dicho el mismo Vivaldi!

[@Michajeru]

Superb performance!

[@andrewtannenbaum1]

If the soloists want having such a good time I would ask where's the train you're all trying to catch. Truly sublime performance complete the sense of being one complete sound of every instrument in relation to the next. She leads and they follow like a swarm of bees, yet even the leader has the same program as the least of them. The never ending saga of period performance continues.

[@Oaktreealley]

Oh how interesting, is she is using a renaissance sopranino?? I guess that’s why it sounds so strong. Very nice.

[@notforsharing]

that's a transitional sopranino by a swiss maker

[@leandro0rsantos]

Bravo! Very good! I like this song a lot

[@marcosPRATA918]

Virtuosística execução, cheia da graça vivaz do flautim.

[@adamelmasery7723]

Beautiful. Thanks God Bless you in Jesus Christ Name.

[@guymertens7901]

Amazing performance ....very nice I must say

[@tecnomusicevo]

favoloso

[@elicottero]

che artista meravigliosa!

[@balbinoklopfer]

Fantástico

[@acyutanandadas1326]

The recorder's simple appearance is deceptive. It takes high precision to make the bore and sizing and spacing of the holes for each in the family from sopranino to contra bass.

[@giovanninogaspari6585]

Dorotea bravissima

[@philippleibfried9461]

This is effin' amazing. The flute rocks ... big time :-)

[@jiaming5269]

flute?? i dont think we're watching the same video

[@philippleibfried9461]

Yes we are. Just look up 'flute' in a good dictionary.

[@NVN2505]

dude its a recorder

[@andreafalconiero9089]

A recorder is a type of flute. It's not a transverse flute, but yes -- it is a flute.

[@NVN2505]

seeing as in english you can't differentiate between transverse flute and recorder its much simpler to say recorder, unlike german or french, which has querfloete and blockfloete and flute traversiere and flute a bec respectively

[@thaliagraichen8312]

Omg. This technique is just...

[@randlyons7278]

Great Scott Vivaldi you really outdone yourself with that 2nd movement.

[@erikalantry5099]

Bravo!

[@lemoustachu1]

SUPER BRAVO

[@carlosjavierguzman1509]

She's a genius!

[@clevertonluisbonete7634]

Maravilha

[@wilsonzhu2379]

Allegro: 0:05 Largo: 3:53 Allegro molto: 7:47

[@martinpalacin5389]

Sehr gut!

[@josecarlosmacoratti]

Bravo

[@ericbremer6314]

Toppppppppppppppppp,,,,,,Danke...!!!

[@josefhollenbauer1043]

Das ist ... das ist ... ich habe keine Worte dafür. Bis jetzt war meine Referenz für dieses Konzert Hans Martin Linde, und er ist natürlich immer noch ganz hervorragend, aber Dorothee Oberlinger spielt in einem Tempo, das ich nicht für möglich gehalten hätte, und zwar ohne dass die Schönheit auf der Strecke bliebe. Sie gibt dem Wort Virtuosität eine neue Bedeutung, und ihr dabei auch noch zuschauen zu können, ist ein besonderer Genuss. Wenn ich eine winzige Kleinigkeit anmerken darf: den mittleren Satz hätte ich lieber etwas langsamer, nur ein klein wenig. Ich verstehe Largo nun mal so, und es hätte ihm meiner Meinung nach gut getan, ein paar Schläge noch zurück zu schalten. Aber das muss natürlich die Interpretin wissen, es ist ihre Aufführung.

[@danielungermann7055]

Armer Hans-Martin, mein alter Professor für Dirigieren an der Musikakademie Basel :-).....Aber ich gebe Ihnen durchaus Recht, Dorothee Oberlinger spielt in einer neuen Liga - allerdings zur Zeit ziemlich einsam in ihrer eigenen. Auch der Vergleich mit neuen jungen Talenten wie Lucie Horsch fallen derzeit noch ziemlich klar zugunsten der Oberlingerin aus. Hans-Martin Linde war mit Frans Brüggen immerhin einer der grossen Pioniere, die die Blockflöte endgültig aufs grosse Konzertpodium gehievt und so erst eine Dorothee Oberlinger ermöglicht haben.

[@fabioribasdeoliveira7221]

@@danielungermann7055 Qual o nome do segundo movimento°

[@danielungermann7055]

@@fabioribasdeoliveira7221 Sin nombre, solo "Largo".

[@brucelhi8425]

Bravo . Très beau concert. Trop rapide à mon goût mais c est une opinion personnelle.

[@Harambe2016]

Ganz toll! Super

[@همامالعراقي-ن2ن]

Grande..... Grazie 🌹 🌹 🌹 🌹 🌹 👏👏👏👏👏👏👏👏

[@princessetania8540]

magnific

[@edmundogallardo6669]

Hay que reconocer las bondades de la música clásica la genialidad de los compositores en este caso en Vivaldi y sus Cuatro Estaciones virtuosamente interpretada en flauta

[@liliaesperanza4436]

Este concierto no forma parte de las estaciones,las estaciones es una serie de conciertos muy diferentes a sus conciertos de flauta,de laúd, su música sacra, sus operas y sus conciertos de violín. Vivaldi es mucho más que sus estaciones realmente te recomiendo que escuches a este gran compositor.

[@fabioribasdeoliveira7221]

@@liliaesperanza4436 Qual o nome do segundo movimento ou música que toca aos 4 minutos?

[@danielungermann7055]

Dorothee Oberlinger eröffnet der Blockflöte neue Dimensionen...Soviel Ausdruck und Nuancenreichtum, und eine solche Souverenität über dieses teuflich schwere Instrument (das ist es nämlich, wenn man es g u t spielen will), das gab es meines Erachtens nach noch nie.

[@Christine34176]

Da gibt es wirklich besseres... Das ist einfach nur im Prestissimo runtergespielt... Ohne Feeling und ohne Dynamik.

[@danielungermann7055]

@@Christine34176 Leute wie Sie, die all den Nuancen - und Artikulationsreichtum nicht hören - und das bei diesem perfekt kontrollierten, rasanten Tempo - , muss man einfach schlicht als unmusikalisch bezeichnen - sorry. Und Ihr eigenes Video mit der Sammartini-Siciliana gibt mir leider Recht. Sie als nicht besonders talentierter Laie sollten überhaupt das Kritisieren von Weltklassemusikern unterlassen, das steht Ihnen einfach nicht zu !

[@tatianaivanovna5798]

bravo!

[@gerardoconnell6539]

Lovely music by Bach

[@danielungermann7055]

Bach ????? It's Vivaldi, dear !

[@giankion1212]

@@danielungermann7055 infatti, bach ha copiato ed ammirava Vivaldi,reminder gerardoconnell

[@fabioribasdeoliveira7221]

Por favor,alguém poderia me falar o nome dessa flauta e a madeira que foi construída?

[@osvaldocristo]

Brava!!

[@Khamomil]

I'm discovering the repertoire for recorder. Until recently I thought it was only a cheap flute that kids played badly in school.

[@aaaarghgl]

You make me laugh, but really because I love what you say!

[@acyutanandadas1326]

khamomii The recorder is deceptively simple looking but the bore and sizing and spacing of the holes takes high precision

[@messadivoce1]

Have you ever listened to La Tempesta di Mare, La Notte, and Il Gardellino? They're absolutely beautiful pieces. kzbin.info/www/bejne/kGeUgapnjpKXrNE kzbin.info/www/bejne/eonMi5xtrr1qmLs

[@TheBrokenConsort]

You'll also like these ones: kzbin.info/www/bejne/nGiVlGuehpmjodk kzbin.info/www/bejne/hYTcl6KufJx8apY

[@victoroyarcemontenegro8767]

DESDE CHILE , ALGUN AMIGO ME PUEDE DECIR DONDE ENCUENTRO ESTE CONCIERTO EN FORMATO CD................MUCHAS GRACIAS , SALUDOS........¡¡¡

[@torbjornzimmerman7424]

in Swedish: så härlig musik att jag ryser av den långsamma satsen

[@acyutanandadas1326]

send this to 2set

[@kelvyndidaskalos547]

Como faço pra aprender a tocar assim?

[@meborach]

Com "estudo", dedicação, paciência e continuidade, em um ano dá pra fazer maravilhas.

[@orlandojunior6745]

Aham 5 anos dá kkkkk

[@jean-yvesPrax]

Wonderful music, incredible flutist! But to practice this instrument 6 hours a day, the minimum time to reach such a level of virtuosity... you have to be divorced, without a dog, and live in an isolated house in the middle of the woods! 😅 The misfortune of the flutists... A contrario, we lutenists can play 24 hours a day without getting the neighbors angry, but afterwards in the orchestra... we can't be heard! (which suits me sometimes)

[@5678__smrt]

7:47

[@ClaudioGodina]

LEI È LA MIGLIORE 8,30.

[@francoisbloch7772]

Technique excellente mais interprétation trop rapide, la musique perd une partie de sa saveur.

[@undrenaline]

I cannot say whose performance of the Largo is better, Antonini's or hers

[@josevalverde2656]

Isto é sopranino?

[@maryannoconnor9347]

What is the instrument she is playing ?

[@JCMH]

She is playing a transitional sopranino recorder.

[@ThalesNilton]

What is the maker and model of this recorder?

[@gk...]

My question was quiet similar: What is the maker and model of this player? ;)

[@adamnoman4658]

Thales Nilton, Guido : Oberlinger has chosen a non-Baroque sopranino [edited] here, probably a so-called "Ganassi" type of soloistic (rather than consort) instrument from the earlier Renaissance period, as a few other performers have for this, and related, Vivaldi concerti. Her reasons for choosing this two-part type recorder probably relate to its greater volume of sound and its somewhat mellower, less shrill, tone; however, since its lowest two tone holes are "single," as in the originals, playing more chromatic material, such as the Vivaldi, is more difficult. This instrument would be handmade by a craftsman such as von Huene or Blezinger.

[@notforsharing]

This is a transitional sopranino by swiss maker Christoph Trescher .

[@notforsharing]

With respect, I disagree. You can look at the end hole, the bore is narrow at the end. This indicates that it is not a Ganassi or Renaissance type. The appearance is Renaissance -like but what defines the type of a recorder is the bore. I just played with an identical copy a few days ago.

[@adamnoman4658]

Ivan Fong : Perhaps you have better eyes than I do, but how do you know it's by Herr Trescher, whose transitional (or Frühbarock) models I have tried myself, unless, of course, you could also see his stamp with your x-ray vision? In any event, the point was that Oberlinger did not use a more historically correct Baroque sopranino, including Trescher's own very good copy after van Aardenberg. PS. The Mollenhauer Kynsecker sopranino, which, in contrast to Trescher's offering, is modeled after a surviving example of the "transitional" type, turns out to be quite good and, in comparison, a very good value.

[@liseprahl2161]

😍👍

[@Thetenorsampson]

so are we gonna ignore those super human lungs

[@orlandojunior6745]

Ah mano, tá com a peste, como é que pode né

[@大山文樹]

ビオラ・ダ・ガンバではなくチェロ出あるところが唯一気になる。

[@liveralynn6484]

Man muss schon echt nen guten Lippenstift haben, dass der nicht abfärbt... Oder halt eine lackierte Flöte😂

[@andersringstrom825]

Search for Sarah Jefferys KZbin video on lipstick and recorder ...

[@vernonackeer810]

kzbin.info/www/bejne/npjKeoZ8qNx-mdk here a competitive version. Which do you prefer?

[@wiwatschi]

wenn Du da hinten das Kreuz siehst, denke daran was die mit Dir machen wenn Dir die Musik nicht gefällt.

[@gerard.mourier_harmonica]

L'orchestre étouffe la flûte et... c'est vraiment dommage !

[@musashi1239]

Cuanto sembra bello! E lo strumento e Senza peso! Jajaja

[@Lux75]

Molto brava, bel suono tecnica eccellente, ma rispetto alla Petri non ci siamo. Troppi abbellimenti inutili, manca un po' il senso del gusto senza cadere per forza nel voler abbellire troppo rischiando di finire in virtuosismi fine a sé stessi. Manca quel buon gusto che trovo in tutto quello che suona la Petri.

[@les3jedis]

La musique n' est pas une course de formule1 : Héro d' un jour, zéro du reste des jours ... Et là c' est limite ... L' instrument ne suit plus, il décroche dans le strident ... Cette harmonique qui fait que le chien se met à courir après mes mollets . NB: J' apprécie plutôt la polyphonie, qui demande de faire l' effort du partage .

[@frankrunge7]

Cross gotta go… new foundation being laid…

[@SmartX21]

Can't you play only the real existing notes, for God's sake?

[@LorenzoInnocenti8206366]

That's how baroque music works

[@DellaStreet123]

Exactly.

[@porterwade1805]

NO---meant to be embellished or ornamented by the performer--that was the COMPOSER'S intention/expectation, and the tradition and custom. it was and is expected. and adds valuable creativity and individuality to each performance, sort of like jazz, if you want to think of it that way to ease your discomfort.

[@porterwade1805]

read and learn

[@MsBettyRubble]

Best to know history before expressing a complaint.

[@raynardi7243]

Con questa velocità si perde tutta la musicalità....solo note e tutto un tichiti' e tichita'...

[@grahamhall2662]

Skillful but where's the music?

[@MsBettyRubble]

Graham Hall If you can't hear it, there's no point in trying to explain it.

[@roberkonstig]

Brava!