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played by Andrew Thayer, on a Kawai GX3 and recorded with Line Audio OM1 mics.
In the original score the piano plays arpeggios during the last statement of the theme, which moves to the strings. Mercuzio keeps the original notes from both parts. The melody fits very well by being split between the two hands (in a similar manner to the "three hand" technique originated by Thalberg and often used by Liszt).
See Mercuzio's channel for scores and other arrangements.
/ @mercuziopianist