Concerto Pour Vibraphone et Orchestre à Cordes 2º Mouvement (Emmanuel Sejourné)

Fernando Chaib plays the Concerto Pour Vibraphone et Orchestre à Cordes (by Emmanuel Sejourné) with the Filarmonia das Beiras Orchestra (Portugal). 17/10/2010.
Video Recording/Edition - Nuno Cassola [e-mail]
Sound Recording - Luis Alberto Bittencourt [e-mail]
contact - [e-mail]

[@cesarvallejovevo4025]

Performance amazing!!! ❤

[@fernandochaib]

thanks a lot!

[@andreachrist9877]

This was my go-to reference recording when I learned this 5+ years ago. Now I'm old & can't believe I did this. How perspective changes from age 23 to age 29.

[@vellosojr]

Linda performanca, Chaib!!! uau!!! abraço aqui de Belém!

[@fernandochaib]

Pôxa Aquino! Quem legal seu feedback!! Saudades de todos vocês maravilhosos daí! Um abraço pro Marcos e Lorena em especial!

[@fernandochaib]

...On th edge of your seat, leaning forward to grasp what is being communicated. Definite response. Engage with this world. There's much to do, much to savour. Great pace. Great variability. Above all, promise. A great reception by the audience. Wow! One of the longest I've heard." Words from Kevin Hurley (part 2).

[@fernandochaib]

"Listening to the second movement. Too much orchestra at the start. Very dynamic now. Now he's in control - with his art not his personality, though that's probaly strong also. You'd need a strong personality to be so assertive with an orchestra. Exciring, engaging piece. Like a stream tumbling down the side of a mountaing and vying withe ambient for attention. The ear has it, Calm now. Meditative. Water. A stone thrown in a well. The well of consciousness" Words from Kevin Hurley (part 1).

[@pauzetto]

Fodaaaaaaa!!!!!!

[@fernandochaib]

Olá! Para fazer o glissando utilizei uma baqueta de xilo (ou glock) com cabeça de acrilico bem dura. Sairá um artigo meu no próximo número da Per Musi (revista acadêmica da UFMG) onde falo, entre outras coisas, como extrair esse som. Ou me mande seu e-mail e te envio o capítulo da minha Tese que fala sobre isso. Abraços!

[@cizozo]

olá Fernando, tenho uma curiosidade! Que baqueta era aquela q vc usava e fazia um lindo glisando descendente nessa peça?

[@Andrea-kv4kk]

Amazing!! Which mallet do you use?

[@fernandochaib]

Hi Andrew. Thank you very much. For the second movement I use to use different mallets for each section. Terry Gibs (hard green), Musser M-235, Rosauro's Vic Firth (marimba very soft). For bend Iñaki's Glockenspiel acrylic. I hope answered your question! Best regards!

[@Andrea-kv4kk]

@@fernandochaib thank you so much for the information!!

[@oscaraguileramedrano7878]

Great performance! I want to ask you, what kind of mallets do you use for this movement?

[@fernandochaib]

Ola Oscar. Distintos mallets. Desde muy duras (Terry Gibs verde) hacia muy blandas (Musser azul y Rosauro Vic Firth). Depende del trozo del movimiento. Para los glissandos, una baqueta de acrílico de Inãki Sebastian. Un abrazo.

[@oscaraguileramedrano7878]

@@fernandochaib Muchas gracias! Saludos y bendiciones

[@DanteGuitarra]

Satan :)

[@livapininfarina2164]

DanteGuitarra haha, all said :-D

[@user-pw4ls2yp3z]

Anton T. Yoshikawayoshio