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In this video, I go over my usual methods of constructing mockups, and tips on how to save time and resources. Fitting is NOT covered in this video, but will be covered briefly later on!
What is a corset mockup/ muslin/ toile? What is it used for, and why would I want or need one? Think about the word mock - it's an "imitation" corset, but not a genuine corset. It's used to test the fit and comfort of a final corset.
You don't have to put a huge amount of effort into a mockup, but the more faithful the mockup is constructed compared to the final corset, the closer the results the mockup will be to the final corset (so you don't get any unpleasant surprises in fit, comfort, silhouette etc).
If you're new to making corsets, then you can use mockups as practice runs for constructing the final corset. Sometimes you'll need 2 or 3 mockups by the time you feel you have a pattern that is good for the final product, and if you practice your corset-assembling skills for those mockups, then your final corset will feel easy as you've had practice with the construction by that time.
For a mockup, I may use cheaper domestic coutil, because it costs about the same as the twill I buy in Canada, but domestic coutil is closer in behaviour to the English coutil (that I typically use in my final corsets), not to mention easier to see the grain. But many people use canvas, twill, or cheaper materials for their mockup as long as it doesn't stretch or rip.
Your mockup may not have as many bones as your final corset, but it should have some bones to give some structure. My mockups are single boned, but the final piece will be double boned. My mockup has steel bones in it, but I know several people who use plastic boning in their mockups to save time and money. As long as the length is alright, I can just take the bones out of the mockup and use them in the final corset, so there is no waste of time or resources.
All the hardware of this corset can be easily removed and transferred to another mockup. Julia from Sew Curvy taught this tip: create "removable" back lacing panels that are designed to be sewn onto a mockup, then the whole lacing system can be ripped out and sewn onto another mockup later - this saves you from having to waste grommets. The busk is inserted in one layer, just wrapped around the back of the busk and sewn down.
The two mockups shown in the video are made from two different patterns, but have the same final measurements. The person receiving these mockups has some sewing experience and will be transferring the busk, bones and lacing panel from one mockup to the other and analyze the fit of both.
In one mockup, you can see that the construction process could be considered very similar to what might be seen in a final corset - double stitched seams, and boning channels made with seam allowances. If this mockup fits well and you couldn't care less what it looks like, you might actually be able to put binding on the top and bottom and pass this for really ugly foundation wear.
On the other hand, the second mockup that is more mock-uppy. The seams are single-stitched and have big seam allowances so if there is any necessary change to the pattern of the corset, it can easily be let out at any seam. The boning channels are in the center of the panels, but it will basically have the same number of bones as the last piece. I can later rip out these bone casings and use them in another mockup or in a later corset. Some people don't even use bone casings but just strips of fabric, or even just tape the bones down using duct tape or masking tape. I prefer not to use duct tape though.
Many people don't put a waist tape in their mockup, but sometimes I like to, otherwise the mockup may stretch! Then you might think, "I made the corset too big for me" and you may adjust the pattern to be smaller, and then once the final corset is made with the waist tape, it might actually end up being too small! So I have quickly sewn on a waist tape, but this twill tape was cheap so not a huge sacrifice.
Before I assemble the mockup, I tend to serge or staystitch the top and bottom edges, and often I'll serge the waistline too. I can see the markings from both sides and it somewhat helps prevent warping while I assemble the corset. I will staystitch top and bottom edges of a final corset too, but I won't stitch across the waistline, especially if I'm working with a fabric that shows pinpricks.
For more information on constructing mockups, several great resources are available including "The Basics of Corset Building" from Linda Sparks and "Corset Making" from Julia Bremble.
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