Curator of Arms and Armour on Bermejo | National Gallery

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The National Gallery

The National Gallery

Күн бұрын

Tobias Capwell is the Curator of Arms and Armour at the Wallace Collection. He is one of the world's leading authorities on medieval and Renaissance weapons and armour, with special emphasis on armour in England during the 15th Century.
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The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm.
Trafalgar Square, London, WC2N 5DN
www.nationalgallery.org.uk

Пікірлер: 40
@smiller6925
@smiller6925 2 жыл бұрын
Tobias Capwell did an AMAZING job in this lecture. Stunning
@CurtHowland
@CurtHowland 4 жыл бұрын
"It's my lecture so I'll say what I want." Thank you!
@rembvanrijn
@rembvanrijn 4 жыл бұрын
Absolutely superb! For someone who knows nothing about armour, this opens up a whole field of art-historical study I didn’t even know existed. Brilliant.
@robertracicot7232
@robertracicot7232 3 жыл бұрын
Long-bow's archers: Whom should we aim at? The commander: How 'bout the guy with golden armour?
@stevenedwards4470
@stevenedwards4470 4 жыл бұрын
That was truly special and illuminating in way not often encountered...even by people who are generally interested in art. Thank you for posting it and hosting the lecture.
@johncrwarner
@johncrwarner 2 жыл бұрын
What an interesting talk on a field I had not thought of as a topic of interest.
@JesusRodriguez-hm1fs
@JesusRodriguez-hm1fs 2 жыл бұрын
His real name is Bartolomé de Cárdenas. Bermejo or red as it was said in ancient Spanish, is a nickname after the color of his hair.
@michaelbyrd7883
@michaelbyrd7883 2 жыл бұрын
This dude is awesome, he knows sh*t loads about armour, amazing! I can see why he's head of the class.
@zizkazenit7885
@zizkazenit7885 4 жыл бұрын
Always thumbs up for Capwell!
@robbielu22
@robbielu22 2 жыл бұрын
This was GREAT. It also made me check out other books written by Tobias Capwell. for one I sent the video along to a friend who works 3d objects and another who works forging about his knives.
@worldgeektube
@worldgeektube 4 жыл бұрын
Fascinating. Wonderfully informative on a topic I'd never even thought about before.
@vlisdero
@vlisdero 4 жыл бұрын
Interesting lecture, so detailed. Thank you. Please keep sharing.
@PhilChavanne
@PhilChavanne 4 жыл бұрын
Brilliantly articulated. Thank you for this wonderfully educational lecture.
@Emilia-os2vw
@Emilia-os2vw 2 жыл бұрын
Wonderful whimsical lecture, truly genius connecting art with armor! He did what the artist did, he connected something our worldly with the transcendent outer-worldly thing like art.
@kimosabe6692
@kimosabe6692 4 жыл бұрын
Thank you.
@aarsandijvie
@aarsandijvie 3 жыл бұрын
At 45,00 you can even see the reflection of an high medieval city in the gilded breastplate. Exquisite.
@ninellrobinson4170
@ninellrobinson4170 Жыл бұрын
Such an interesting talk, thank you!
@cindy8994
@cindy8994 4 жыл бұрын
Wonderful and interesting lecture. Thank you.
@gillesmeura3416
@gillesmeura3416 3 жыл бұрын
It's great to hear Toby Capwell's enthusiasm: when he talks about "contemporary armour" (as opposed to Roman) it shows he is really living in the Middle Ages 😉
@annehumphreys271
@annehumphreys271 2 жыл бұрын
Wow! So very interesting.
@stinew358
@stinew358 2 жыл бұрын
This is amazing. He should do a clip focusing on codpieces
@magicknight13
@magicknight13 Жыл бұрын
Such a fascinating and unique art historical focus! Interesting lecture and great examples
@msb8287
@msb8287 2 жыл бұрын
Happy to find this excellent lecture, thank you!
@gabrieltomas8976
@gabrieltomas8976 3 жыл бұрын
Slendid, so many inputs. By the way, does anyone know who painted the other two St Michaels at 25:33 ? I would be immensely grateful!
@carlosvagner5721
@carlosvagner5721 4 жыл бұрын
I am Brazilian-art an educational religion!
@marcogentile7292
@marcogentile7292 4 жыл бұрын
👏👏👏👏👏👏💕
@jonrettich4579
@jonrettich4579 2 жыл бұрын
I was introduced to the Met when I was four also though in 1951 and tended more to the ancient Middle East and Egypt. I believe full plate without shields really doesn’t appear on the battlefield till close to 1400 and I can’t help but wonder if the reflection created was not a potential benefit in combat or that polishing did not help blows to glance off or that treating the surface did not help prevent erosion or was perceived. If one appreciates the “form follows function” credo I can’t imagine more beautiful and creative representations of this.
@adriangunn
@adriangunn 4 жыл бұрын
What's the manuscript the artwork on the right at 32:47 comes from?
@MartinLacko
@MartinLacko 3 жыл бұрын
Book of hours?
@gg2fan
@gg2fan 4 жыл бұрын
What is the word at 14:18? Jornea? In reference to the cape thing
@peteannells4218
@peteannells4218 4 жыл бұрын
Giornea ? A sideless overgown...according to google.
@Tananjoh
@Tananjoh 4 жыл бұрын
It's Giornea, or in French Journade
@jonathanhemming
@jonathanhemming 4 жыл бұрын
Turn the subtitles on ;)
@jcfp692
@jcfp692 4 жыл бұрын
The only real attempt to depict reality in these paintings are the reflections on the armoury. A real window into the past. Carpaccio is exceptionally good at it. Thank you for the wonderful lecture. Best regards. JCFP
@philiprayner1772
@philiprayner1772 2 жыл бұрын
jousting should become and Olympic sport
@MegaLivingIt
@MegaLivingIt Жыл бұрын
Ok, We here in Transylvania don't agree 😄
@random22026
@random22026 2 жыл бұрын
You do the public a disservice by failing to show the slides in their entirety. We don't need to see the lecturer: it is the imagery that is necessary to understand what is going on here.
@perditachavez
@perditachavez 4 жыл бұрын
manage your audio better please !!!!
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