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As Bass Player Magazine journalist Chris Jisi put it:
" Pino's part on the melodic hook of One Mo' Gin contrasts the Delta-dirty bass and keyboards on the tune's verses...he uses 10ths and other arpeggio shapes to add interest and color to the sparse track".
In the same BP issue (May 2000) Pino says:
" D comes up with amazing bass parts in his left hand. He would play me about 80 percent of a line,and the remaining 20 percent was open to my interpretation. My approach, which he encouraged, was to constantly develop the line with subtle variations, à la Jamerson "
C#F#BE tuning and 7 years old 105/50 flats