Resolve Color Management EASY - BEGINNERS in under 15 minutes.

NEWBIES EASY GUIDE BY A PRO - Im going to show you how to use Resolve Color Management to improve your images and workflow - it's easy. This gives you the basics and cuts out the advanced menus to give you a better grasp of WHY you should use it ? This is NOT for anyone who already uses Color Management.
✅ WATCH ME NEXT - MY SECRET RESOLVE EFFECT!
• My SECRET DaVinci Reso...
✅ WATCH ME NEXT - MY COLOR PAGE OFX PLAYLIST
• OPEN FX
Please note ENGLISH SUBTITLES have been hand edited by me (takes time!) and I hope it gives you the best user experience if you want them.
00:00 Quick Intro
00:44 Footage analysis & Color Management Settings
01:25 No Color Management - Display Referred
02:35 DaVinci Resolve Color Management (RCM) First Setting & RAW
05:20 Handling non RAW / ProRes (6:22)
07:15 Handling many clips
07:55 Order of Operations
09:33 Changing Input & Output & automatic settings
10:52 Color Space Transform (CST)
14:11 My recommend setting for beginners
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[@bj1676]

This is how all tutorials should be done. No waffling, no intro clip and no begging at the beginning.

[@DarrenMostyn]

Thank you. Appreciated. Thats how I always want it to be!

[@sondp]

Intro is for the typical KZbinr lol

[@JeffBourke]

👏 well said!

[@ericmilesmusic]

@@DarrenMostyn BJ is 1000% correct. If you were representative of the approach of most instructional, we'd all be exponentially better off. KZbin can be a wasteland and you are a great reprieve 🙏

[@user-sl309jd90]

Yeah usually half their videos are about their so called master class and through the whole video they only talk about to buy the product

[@ShadowsofSmoke]

Wow!!! I've watch this Color Management video, the Grading A7SIII video, and a couple of others. I've learned so much. Hands down, this is the best DaVinci Resolve channel.

[@DarrenMostyn]

Glad you like it. There are some playlists on my channel to help with levels and edit v color. Im also doing a livestream tuesday 7pm bst.

[@ShadowsofSmoke]

@@DarrenMostyn I'm in

[@user-wy3ng5hs3i]

@@DarrenMostyn Hello teacher, your tutorial is just like a master class, I have learned a lot, thank you so much.

[@PhotoMe99]

Beautifully well explained, absolutely my favorite teacher, this is how you should make tutorials. This channel is one of the best actually it is the best when it comes to color grading. Best teacher! Thank you Darren.

[@colbywinfield]

Thanks for this video, Chris. There are so many videos out there that don’t accurately describe what’s going on, leading people just getting into DaVinci astray. You’re doing fantastic work, thanks a bunch

[@chrismierzwinski1398]

Thanks for an awesome beginners explanation. Even though I know most of the color management things I still enjoy watching even your basic videos as there is often something i've learned in the past from you. So thank you. I would champion my support if you do more advanced videos in any capacity!! Thanks Darren!

[@DarrenMostyn]

You are very welcome Chris. Thank you so much for the kind words, really appreciate it when I get just nice messages of appreciation as I put a lot of work into these episodes. Thanks again. your support is appreciated and noted - Darren.

[@matt5781]

Thanks for making this video, this is exactly what I was looking for when I started using Resolve 6 months ago, I couldn't find much on it so had to teach myself. Hopefully this will be very helpful for anyone starting out today.

[@jeffskinner2440]

Great explanation in simple to understand language. Seeing the couple of different ways to tackle the same thing and the benefits/drawbacks to each is a huge help.

[@TerrasTreasure]

As an absolute newb: thank you! I'm struggling with starting a YT channel and no-nonsense tutorials like these are saving my sanity. Gracias!

[@singhgentleman]

Darren, you are a great educator. You explain the concepts so well. You go to true in depth details. I love your tutorials. Request: Struggling to apply cinematic Rec709 luts on 8 bit HLG3/BT2020 clips converted to Rec709 timeline they DaVinci managed color workflow. The colors and brightness contrast simply falls apart the LUT is for Rec709 clip though (not log gamma). Any practical tutorial on how to apply cinematic Rec709 LUT on 8 bit footage is highly appreciated. Thanks

[@givebackdocumentaryproduct5981]

Thanks mate , I am new to resolve after moving over from Adobe and have been struggling with davinci with my grading but now having watched your video. Life in Davinci has become enjoyable and so much a easier. Your tutorial are the most easy to understand and are the most comprehensive. Thanks you very much , truly appreciated 👍

[@DarrenMostyn]

Thank you so much. Really good to hear. Appreciated. New episode out this week for sure.

[@SDA921]

This immediately helped me, someone who is nowhere near understanding of the color page, get my footage looking much better and matching well across my cameras! I was always concerned about taking different cameras on a shoot, and did so for a wedding gig a bit ago. Thankfully someone else was in charge of the editing for that gig, but I'm going back through it now for practice, and getting my images to match between the A and B cam was getting to me. This has gotten them looking much closer to each other. I will definitely be going through your other videos to see what else I can learn!

[@Prashant.Khapane]

Darren, this is so spot on. Although I've been using DVR for a while, this is the best explaination I've seen. No faf and drama. Simple but good teaching.

[@the_real_hresna]

This was awesome Darren, thanks! Can’t wait for your intermediate part 2 where you’ll talk about which adjustments are best before/after the CST node and why! =). Keep it up, I watch all your stuff even when it’s things I know!

[@DarrenMostyn]

Will do. Thanks.

[@Superjeanmarc]

@@DarrenMostyn Yeah, also curious why the CST node was the fourth one and not the first one! In my undestanding of your under 10 min explanation, the color management is sort of doing a "first invisible node" that transforms the LOG footage into 709, in order to be read to receive a more creative look... Am I wrong?

[@JonWrightMusicTV]

Thanks for this! Another super helpful bit of clarification. If you do do a follow-up, be great to see the correct way to apply the DR Film Looks when using colour management.

[@CreativeVideoTips]

It's a great day when I see a new video from you Darren! Thanks for this great explanation. :)

[@mastixmastix]

Straight to the point with no fuzz. Best tutorials of DR in my opinion on YT. Thanks again for your clear explanations

[@DarrenMostyn]

you are welcome

[@djvphotography]

Another great video, Darren. I have done countless presentations over the years and attended/listen to countless presentations on a wide range of topics (video/photography and others). I am continually amazed how well you explain often complex concepts by breaking them down to a level everyone can understand. I now understand Resolve color management better than ever before. Thank you.

[@DarrenMostyn]

Good to hear Daniel and glad you re enjoying my other videos too!

[@SethBlackMedia]

Man I just keep getting more amazed at how much of a powerhouse DaVinci is, and you did a really good job cutting to the chase here. Nicely done! I recently found out from my eye doctor that I’m mildly red color deficient, so there are certain shades of red and green that my eyes struggle with. My boss at work would tell me that sometimes my subject’s face would have a green hue to it after I did some coloring on it, and this workflow seems to really help me get my colors more accurate (and I’m paying closer attention to my vectorscope). My boss tells me my colors are looking better lately too. So kind of an odd question here. Have you ever worked with someone who may deal with any certain levels of color blindness? If so are there any other methods/tips you could give them?

[@tee_ef_em]

Immensely important video for me to have stumbled onto. You've answered tons, Darren. Thank you.

[@CUTSUK]

Thanks Darren. Just making the switch from final cut to Resolve. Your tutorials are fantastic!

[@derekjcooper]

I used to think DR color managed was the way to go - till I dug much deeper and determined that some color pipelines, like RED's IPP2, is broken in a few ways (and unlikely to be fixed by BMD for obvious reasons). I now use node-based color management and can't believe how much better our workflow has become. Love your videos Darren!

[@DarrenMostyn]

Hi Derek. Yes, agreed, CST is better way to go...my recommend of RCM in this video is for beginners here and the CST route once you get used to what it is doing...I appreciate you are an advanced user, but I show both ways in this video. If I was doing an advanced RCM video I would be showing Node based CST operations as in my own personal workflow. I think i was pretty transparent about that in this video and that I use CST's - good to hear from you as always, All the best.. Darren.

[@derekjcooper]

Hey @@DarrenMostyn - not sure I agree. CST is different from using LUTs for example. There are known limitations with IPP2 in DR. Only way around it is to use LUTs that you actually generate within REDCine-X PRO application and tack on that LUT at the end of your node tree. Try your CST method and tell me where you can find your Decoder Settings (Output tone map & Highlight roll off) that are powerful tools within the IPP2 tree. See what I'm saying? Ask me how many hours I worked on resolving that! :)

[@DarrenMostyn]

@@derekjcooper Hi Derek. I know this is an issue you have as we have spoke before on this. This will transpire into a resolve advanced color management forum thread before we know it and that is not the place for this - this is a beginners video and the information is to encourage new users and beginners to start taking colour management steps to improve their workflow. You are an advanced user. There are many issues with RCM that are in the public domain but I still feel the majority of users, especially new users will only benefit from. Respect your contribution but best kept to an advanced forum I think. All the best, Darren.

[@CarterCreativeContent]

But if you're using the colour management, all your nodes will be after, not before, no?? Unlike when you put the colour management at the end of the node tree. Confused on that point!

[@dougandheidi07]

Best tutorial I've seen so far. Well done and thank you!

[@sanderwillems8603]

As an absolute beginner, your videos have been an incredible resource and eye opener. There are so many videos that do all this manually, from what feels like dated experience rather than trusting the science and new technology that Resolve brings to the table.

[@2424rocket]

You should make a very short video explaining to people why you can’t do this kind of color correcting in premier pro. I’ve gotten several friends that say … just color correct in premier pro. They have no clue that Resolve is in a different world. Maybe make some really short video comparing the two… So I can send it to these clueless people. Lol.

[@cornelius9836]

Just tell them yourself bro or show them

[@iamzackknight]

Great video. Quick Q: How come your not converting from camera to Davinci wide gamut color space and then grading that into dwg > rec709?

[@AndyHooper]

I think (beginner here) that the implication in the 'Order of Operations' section is that you don't need to - by using this 'colour managed' approach the editing, fusion and colour adjustments you make are all then made in the source color space, then the final step is the output conversion... But if you are doing node based CSTs then it would look more like what you ask. Darren has stated in other responses that the node based CST is preferable in some ways.

[@davidpringuer3553]

But what if the source colour space is restricted (Rec709) vs Davinci Wide Gamut? Surely it is best to convert from camera with a CST to DWG grade and then add a CST for the output?@@AndyHooper

[@patrickfalls6819]

He wanted to highlight both techniques in their own respective video. the video that explains the process that you mention is found here kzbin.info/www/bejne/eaW2c4mBoq2eoLcsi=m3vbwnRWPATJ707l

[@JohnLe]

This is so helpful!!! I understand it sooo much better now.

[@topicruben]

I think this was one of the first videos I watched and a good starting point for me. Thanks, Darren. Keep rocking

[@AlexCameron-Depiqd]

Don't care that you told me not to watch it, I did anyway and still found it entertaining and educational! Thanks as always for a great video Darren. One question actually too. If you had a timeline full of clips that were shot in a LOG colour space, which I consider HDR, would you not want to set the Colour Processing Mode in RCM to HDR instead of SDR and then Output to SDR Rec709? I've worked with BMPCC 6K Pro footage this way and assumed that it gave me the right feeling in the controls and ensured I was making the most of the HDR footage. Cheers

[@memcrew1]

Good question.

[@DarrenMostyn]

Hi Alex. Yes would be better, however this was just a beginners guide so not elaborated yet...idea was to keep it simple. As you know this is the tip of the iceberg for color management - i didn't want to make a 1 hour video (minimum time to explain it all IMO) as they exist already. I also knew these questions would come up. I'll do a more advanced one soon. Thanks, Darren.

[@AlexCameron-Depiqd]

@@DarrenMostyn fair enough! As you say, simple is good, even for me! 🤣 Good to know that actually you can use both methods and get good results. Thank you and chat soon hopefully!

[@DarrenMostyn]

@@AlexCameron-Depiqd LOG doesn't mean it's HDR. HDR is a post process not an aquisition, however LOG is an important part of the HDR pipeline and is required, ideally with a camera with minimum 13 stops of dynamic range. Yes, be good to catch up again soon. All the best.

[@JasonYadlovski]

Hey Darren, great video! I’m curious how you would apply this setup when using footage that is not in a LOG format. For example, I film on a Canon 5DIV with no log, so I use the neutral color profile on the camera. I seem to see a lot of information about working with log footage but what about footage shot on DSLR without a LOG option? Along the same lines, working on a Mac, would you use a color space of 709-A? Thanks man, keep up the awesome work! 😁👍

[@DarrenMostyn]

Hi Jason. Just simply BYPASS on the Input Colour Space and grade by eye/scopes. I dont use colour space of REC709A as I have an external professional monitor connected to a dedicated blackmagic IO card - its not then required. Thanks for the kind words, Hope you are well. Darren.

[@JasonYadlovski]

@@DarrenMostyn awesome, thanks for the info! That’s kind of what I do now but wanted to see what you thought. Making sure I’m in the right track. I’m always learning! 😜😁👍 My background is photography so I approach color in a similar way to the way I edit photos. 📸

[@DarrenMostyn]

@@JasonYadlovski as long as it looks good in the end is all that matters...many ways to get there! Thanks @Jason.

[@arnoldsnodgrass2953]

@@DarrenMostyn Hi Darren. I may be wrong but I think the question being asked there wasn’t really “would *you* use Rec709A” but rather “should someone with a Mac use Rec 709A”? I too would like to know the answer as I edit on an M1 Macbook Air and have read that Mac displays use this slight variation of Rec709.

[@DarrenMostyn]

@@arnoldsnodgrass2953 Hi Arnold. You need to be calibrated to be accurate else you are 'hoping' all is good. Rec 709 Gamma 2.4 is a broadcast standard, or P3 variants , but REC709-A is not on any broadcast deliverable sheet I have ever seen. If it is a MAC profile that emulates then fine, but I can't compromise in my job so i have to use calibrated REC709 2.4 monitor with a dedicated IO card to ensure broadcast compliance and best grading experience for my clients. I don't grade on a macbook air so maybe I'm not the best person to ask - to me it's a compromise. Hope you understand, I can't answer your question honestly as its not in my experience. I do hear that Ipad Pro has a very good colour profile so maybe that is emulated on macbook air....sorry for vague answer - I just don't work like that. Hope that helps a bit..? All the best, Darren.

[@esravisuals]

i'm thankful i somehow came across your channel. they're so helpful in the most efficient way possible. keep it up, good man - and best of luck and success :)

[@dwpix]

Thank you sir! So pleasant to see someone CLEARLY explain this topic and dispense “Real World” advice. Cheers!

[@kimeriksson7445]

Thank you, you are amazing! I haven't before seen anyone with your combined understanding of the workflow/science and the verbal ability to get it across like this. Very thankful to have found your channel! 🙏

[@DarrenMostyn]

You're very welcome Kim. Glad you found my channel too! Enjoy my curated playlists. Subscribe to my free email list too - lots of free stuff and notifications bout upcoming events. bit.ly/2RrjvpN

[@paskuister]

Well Done! Master and Commander! Really fast! Really Clear! Thanks!

[@Urtana]

Spot on Darren. So many videos out there that go through the process robotically without explaining the "why" of the process, you however, have clearly removed the cloud of confusion others have created. Thank you

[@DarrenMostyn]

Glad it helped

[@LtMShiN]

Thank you so much for this tutorial. Really help me for color management my footage 😁

[@slawomirlenart9142]

This is the best explanation of color management in Davinci resolve I’ve seen so far on the YT

[@Schuirer-Media]

best color management tutorial I have found on KZbin. Great Guy und Teacher!

[@lancelascano5983]

Been studying resolve for awhile and I got to say your channel has always been spot on and even for starters like me I am able to understand the tools and functions of resolve. Thank you so much for this fast and direct to the point tutorial!!

[@DarrenMostyn]

Glad to help Lance. Thank you for kind comments.

[@rinusworldzm]

I really appreciate you for this. I'm beginning to understand Resolve and this has helped me see my mistakes in colour management. I really never understood colour management until this video. Thank you .

[@RomaFedorov]

Big thanks for the explanation! I'm just starting with Resolve and this was very helpful! Cheers!

[@codemathics]

Learnt quite a lot from this. Thank you, Darren.

[@NEVERAGAIN007]

I. LOVE YOUR Videos!!! You are a literal genius in simplicity and understanding!!! New sub. Than-you!!!

[@pteropus059]

Seriously good video Darren. Demystified so much for me. Thank you

[@johnbivins]

As a user of another well-known editor starting with the letter "P," I love your path. This workflow is exceptional and the instruction provided is truly remarkable. It's incredibly beneficial when it comes to achieving footage consistency. Currently, I have two distinct Canon camera setups along with GoPros, and this method has been an absolute lifesaver. I anticipate that once I upgrade to matching camera bodies in the future, the process will become even smoother. Until then, I'm incredibly grateful for the assistance this workflow provides.

[@maximilianogenes]

This is an amazing tutorial... Thank you so much, now we have more options! :D

[@onemilesquared]

I just subscribed to your channel because this video changed everything for me in the color editing world. Thank you so much.

[@clarkfamilysymphony5463]

Amazing job. Super helpful!

[@pixelmd5162]

I was wondering this exact question the difference between both and bang! you answered my question!!!! thank you so much!

[@JoshuaDircks]

Such a great video. It really demystifies it and helps me get the best of my footage easily. Thank you!

[@Tskeo]

One of the most useful DaVinci tutorials I've watched in ages. Thanks so much for clarifying this!

[@DarrenMostyn]

Glad it was helpful!

[@tarask9971]

Thank you for the lesson! Very interesting and helpful as always!

[@fredrik_soder]

Best explanation I've heard! You earned a sub!

[@michaeltreephotography]

Thank you, well explained, to the point, easy to follow for a beginner like me - :)

[@tebogoselahle]

Wow! This is soooo informative and very beginner friendly! Thanks, Darren

[@Ivan-RAW]

Loved it. Thank you!

[@AdamReforzo540]

This was a huge help, great video!

[@tailorofsoundpresentsshftm6467]

Thank you, excellent lesson. Easy to follow, I just got to practice more to get proficient.

[@thegospelcallTGC]

Thank you very much for the info. I couldn't seem to figure this out myself, so God bless you.

[@JiriKrivanek]

And a separate comment: I love your style (calm, explanatory - in contrast to excited/overhelming speech of many other youtubers/influencers).

[@8Geid]

Thank you soooo much professor !! always the best tutorial in KZbin Another great video !!

[@RichGrueber]

Thanks for making that understandable, I am loving my journey with Davinci Resolve

[@jakobgaetani2730]

Thanks Darren! Makes a lot of sense and saves me a lot of time now a days 👍

[@georgiosrigas8094]

Wow. Really advanced knowledge explained simple and straightforward. Thank you so much

[@DarrenMostyn]

Glad it was helpful!

[@Empty-headed]

tyvm Darren this will help heaps newbees just like me . can't appreciate enough

[@DarrenMostyn]

very welcome

[@stevenmcfarlane6010]

brand new to the space -- appreciate the brevity yet user friendly summary / tutorial. Gets me up and running from my footage without guessing. Thanks! Enjoying your channel & other DaVinci videos I've watched over the past couple of days.

[@DarrenMostyn]

Thanks Steven. Welcome to Resolve!

[@rr8253]

You did an excellent job! Thank you.

[@alex_rogan]

Great simple and fast explanation. Love that you compared it to the manual CST approach. Davinci Colour managed is a great tool for certain projects particularly fast turn arounds . Awesome we have that ability in there. Personally I use Node based CST’s to manage my colour space with grouping purely to have control but multiple cameras can get tricky.

[@motion.resolved]

Awesome! I know next to nothing about colour, this was really useful! Thanks!

[@user-vv2mz5rl6d]

This was exactly what I was looking for. All the other videos I watched to try and resolve (no pun intended) my color issues involved using all kinds of LUTs, Input Profiles, and grading in an unmanaged workflow. These quick settings were exactly what I needed to get good color the way my camera shoots it. I'm not making atmospheric indie films so this is just what I need for now!

[@andrewmccarty]

WOW! That was quick! Thanks for taking the time to make this video, you've cleared up a lot of questions that've bugged me for a while. I would fully support any further videos on this topic as well. Color management has been a source of anxiety for me for too long! Great work, cheers!

[@DarrenMostyn]

Appreciated Andrew. Thank you

[@pingopallo1]

Definitely need more info about color management, please make more videos this was very useful!

[@thefunnytech4612]

Would love to have 2nd part of it and you gained a new sub by this awesome vid

[@mrshadow2514]

Dude WOOW...I`ve been watching so many color grading videos and nobody explained it like you...hands down the best job demystifying the whole thing....

[@DarrenMostyn]

Glad it was helpful! Welcome to the channel. darren

[@kersland]

Thank you. This is a super clear and a great leaping-off point to learn more. We’re v lucky to have you share your knowledge.

[@DarrenMostyn]

Glad it was helpful!

[@jalithic]

So Happy I discovered your channel. This saves a Ton of time and I'd say, ridiculously assigning Color Space Transform nodes to every clip on every new project (like the three other channels I watched after yours tell you to do, 🙄). You're the difference between a KZbinr and a real industry professional. Thank You for this, ❤❤❤. --Jason ✌🏻&❤

[@DarrenMostyn]

Glad I could help! Yes im a Pro Colorist first then youtuber. This is why I started my channel.

[@MattSolo]

i am truly grateful for this one!

[@MarcEstrella]

Dude this is awesome!! Been a photographer for years and just getting into shooting video . I love this for editing wedding films ! Thank you

[@arthurbell4614]

wow.,.,..I think im finally ready to hear and absorb this...thank you.

[@weirdave1]

Bro where have you been all this time you're amazing...the way you explain in a way so we can understand is great......Thanks subbed right away!!!!!!

[@DarrenMostyn]

Appreciate the subscription thanks

[@renosnicolaou8417]

Thanks Darren. You are my Hero! You Helped me to understand this.

[@DarrenMostyn]

You are welcome. Glad it helped

[@mwitajohn9153]

You are a wonderful instructor. Nice.

[@oliverpinelli3334]

Dear Darren, I´ve learned so much from your tutorials, I cannot thank you enough.

[@DarrenMostyn]

Thank you Oliver, appreciated!

[@CINEAIRVIDEOPRODUCTION]

Thank you, first video I have watched that is straight to the point, full of information, things I just did not know and really helps with simplifing work flow. Simply Brilliant Darren. thank you! Keep up the great work.

[@DarrenMostyn]

Thank you. Appreciated! Darren.

[@MaevaBM]

thanks!! Finally someone explaining not too quick but also not like I'm a 4 years old, just perfect education!

[@xavicariteu]

Very informative and clear. Great content, thank you!

[@TheGipsyJourney]

Incredible. Well explained and straight to the point! Subscribed and thank you 🙏

[@DarrenMostyn]

Thanks and thank you for subscribing. Appreciated.

[@CamsCampbell]

This was fantastic. Thank you.

[@andesproductions8073]

Thank you so much… It was driving me crazy trying to figure this out.

[@DarrenMostyn]

Glad it helped!

[@mattspadesoundandvision]

This is great! I used to grade for exposure, then for color balance, then look. Shooting in BRAW and DNG this makes the pipeline much easier. Thank you!

[@iestynx]

Invaluable information as always. Working my way through your back catalogue, learning everything I can.

[@DarrenMostyn]

I appreciate that! welcome to my channel.

[@garybrashier3796]

brilliant walk through!

[@victorbarrios6090]

Thankful I watched this to save time on editing! Had no clue what to do with the color management option

[@bobzhang5875]

Thank you, finally I understand what is Resolve color management.

[@DarrenMostyn]

Pleased to hear it bob.

[@glowfilms]

Darren you are the man. All your videos are excellent. thank you mate

[@DarrenMostyn]

Appreciated

[@skypixel74]

ich danke Dir für dieses tolle Video, ich habe noch nicht alles verstanden aber dein Video hilft mir sehr. Thank you!

[@varelacaseiro]

Darren, te he entendido, tu esfuerzo ha merecido la pena. Gracias!!

[@piotr.widziszewski]

Incredible teaching :) thank You for Your service! 😊

[@adsmithtx]

Best explanation of color space I have seen

[@johevideos]

Amazing well explained. Thanks you Darren