Debussy : Images pour orchestre (Orchestre national de France / Emmanuel Krivine)

Emmanuel Krivine dirige l'Orchestre national de France dans les Images pour orchestre de Claude Debussy, composées entre 1905 et 1912. Extrait du concert donné le 24 mars 2018 en direct de l'Auditorium de la Maison de la Radio (Paris).
Retrouvez tous les concerts de France Musique sur www.francemusique.fr/concerts
Détails de l'oeuvre :
I. Gigues (Modéré)
II. Iberia
1. Par les rues et par les chemins (Assez animé)
2. Les Parfums de la nuit (Lent et rêveur)
3. Le Matin d’un jour de fête (Dans un rythme de marche lointaine, alerte et joyeuse)
III. Rondes de printemps (Modérément animé)
Pour cette troisième série des Images, Claude Debussy abandonne le piano et s'aventure du côté du genre symphonique. L'écriture du triptyque débute en 1905 et s’achève en 1912. Si Gigues s’inspire d’airs écossais, Rondes de printemps puise pour sa part du côté de chansons populaires comme « Nous n’irons plus au bois » et « Do, do, l’enfant do ».
L’œuvre doit surtout son succès à la deuxième image, Ibéria. Sa musique se nourrit d’un folklore imaginé, et c'est une réussite ! Elle évoque les parfums d’Espagne avec une authenticité saisissante, alors que Debussy n’y a jamais séjourné. Même le compositeur espagnol Manuel de Falla se prend au jeu, retrouvant l'« enivrante magie des nuits andalouses ».
A l’époque, Debussy est gravement malade. Épuisé, il peut néanmoins compter sur son ami André Caplet qui l’aide à apporter les ultimes corrections aux Images. L’œuvre est créée en intégralité sous la direction de Debussy le 26 janvier 1913 aux Concerts Colonne à Paris.

[@mr.thickey3959]

“Yes, “ACH DU LIEBER, MEIN SCHATZ”!!! How can “music of such WEIRD sounds” sound so GORGEOUS?! My ol’ “pea pickin’ heart yumps for yoy” & sends my “difibrulator” into overdrive!! At 81, this AMAZING MISIC still thrills me to no end! Yes, “I’m IN LOVE” with the fabulous music of Mr. Claude Debussy! Music like this goes way beyond mere words!!!

[@Irinoux]

Me too Mr. and to me, E. Krivine translate perfectly all the Debussy's Music's contrasts, that's dellicious!

[@paulbeard4218]

Like your German intro, and the descriptive use of weird and gorgeous -- this music is artistry alive .

[@rodneystone3141]

At the age of 12, I decided this was my favourite piece of music and at the age of 75 it still is(followed by the full choral Martyre de St. Sebastien). I have a giant mural of Debussy's music in my walled garden.

[@amberbleu1598]

This is for sure my favourite piece by Debussy, this was absolutely phenomenal! A spectacle of highly refined talent and skill on all members. What an honour to view this, thanks for sharing France Musique

[@caginn]

00:15 - Gigues 08:12 - Iberia 08:12 i. Par les rues et par les chemins (Along the streets and along the paths) 15:23 ii. Les parfums de la nuit (The scents of the night) 23:30 iii. Le matin d'un jour de fête (The morning of a festive day) - a procession of a 'banda de guitarras' 28:48 - Rondes de Printemps

[@davidhollinger2987]

Fabulous performance. So good to see the obvious enjoyment in performing the works of Debussy.

[@notaire2]

Fantastische Aufführung dieses impressionistischen Meisterwerks mit farbenreichen und perfekt balancierten Tönen aller Instrumente. Der zweite Satz klingt besonders rhythmisch und erfreulich. Der erfahrene Dirigent leitet das ausgezeichnete Orchester im gut phrasierten Tempo und mit möglichst effektiver Dynamik. Bewundernswert!

[@michelleong2762]

Thank you for releasing this to the public. what an exceptional, beautiful performance!

[@MusicMan-dv7jg]

00:15 - Gigues 08:12 - Iberia 28:48 - Rondes de Printemps

[@josianesouchon1646]

Merci.

[@matthewmorris9498]

There's no reason that the French system basson should be confined to so few orchestras, beautiful sounds and beautiful playing. The French players always impress. Viva la basson!

[@chokoala8637]

*Vive le basson 😂😅

[@kevintempleton6319]

It does not get better than this!

[@sherifbadawy8188]

Yes, you are right. This music is amazing

[@shin-i-chikozima]

The wonderfulness of this orchestra‘s performance is off the charts The comfort of this melody is beyond compare Unfathomable Immeasurable Beyond description I admire this performance

[@ernesthemingway9469]

Fantastique

[@albertodasilvajr2279]

MÁGICO!

[@carlosarielgutierrezrojas9895]

Hermoso.

[@jean-pierrebaisieux1667]

Belle interprétation de cette partition subtile

[@florenciafirpo9418]

Genialidad

[@aflightofbumblebee749]

Jonny Halliday?!

[@ryfina84]

👌💗

[@Trotmanic]

Want to see more of the Musicians, particularly the 'sections', and the soloists, i.e. Cor Anglais. Throughout the beautiful theme he was to be seen - towards the end of his phrase, whereas the conductor was prominent during the 'whole' passage....knowledge of the music would be an advantage to all.

[@chawitchiwanarom2842]

11.16 trumpet very cool ^_^

[@noah.oboe.]

Who is playing oboe d'amore?

[@FMIFestival]

17:09 Krivine is struggling with the oboist trying to get her to pick up the pace on her solo and from the look on his face he is not too pleased.

[@Alan112573]

Wow! I would have never picked up on that in a thousand years! It sounded great to me, but perhaps you are a musician and can more readily pick up these things. :)

[@onfirepro]

@@Alan112573 ...Or mnmnm is speculating wildly. The oboist is right on track and playing the part well.. Krivine doesn't seem displeased at all. Krivine is exaggerating his motions at this point in concert with the dynamics surrounding the oboe solo, not coercing the oboist to pick up the pace. Amazing what people will do to make themselves look like musical "experts" by finding tiny things to ctriticize in a musical performance.

[@tahiragibson6407]

🐴 💩

[@vedantdave579]

@@onfirepro No offense, but aren't you speculating too, but acting like what you say is the truth? That being said, I "believe" that Krivine isn't displeased either.

[@mati_rulo]

23:28

[@yelassinacoulibaly]

❤️💐❤️💐❤️💐🌈🌈🌈💞

[@vedantdave579]

lol at the beginning I thought they were tuning

[@yieau]

c debussy est à la musique ce que h poincaré est aux maths. bisous.

[@djmotise]

Can't watch this. You're not showing the players enough. We don't care about the conductor.

[@djmotise]

Ugh please stop showing the conductor so much. I'm going to have to stop this soon.

[@themyaxiaew500]

Le problème parfois c'est trop fort et parfois c'est beaucoup trop faible, un truc de détraqué mental vraiment

[@ew400]

le fond des océans