Designing Sounds for Animation with Modular Synthesizers and More ! Featuring: Squash & Biscuit

Join Squash & Biscuit-Shuwen Zhao and Brian Griffith-as they walk through their process for creating sounds for animation. In this video, they take a short clip of an animation they're working on and create a foundation for a fleshy monster sound. They also take us on a strange, improvised journey with a live performance. Check out their interview on Signal where they talk about their latest album, Lavender Eggplant.
Squash & Biscuit's Gear :
Antelope Audio Zen Tour - bit.ly/3yzy5ik
Make Noise Morphagene - bit.ly/3LgFIwK
Mutable Instruments Beads - bit.ly/3L72xTL
Earthquaker Rainbow Machine - bit.ly/39nJojf
Strymon AA1 - bit.ly/3N9LVfm
Read the Signal Article: bit.ly/3N4pOHg
Don't forget to Like and Subscribe for more synth videos.
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[@Chucosan]

Dream job!

[@danhectic5629]

ha! i was recently asked what my dream job would be- and this was it! haven't been able to stop thinking about it... should prolly pursue...

[@bethredmondwalsh2008]

Fascinating. I love seeing how you bring sound and live action together. Very cool hearing how you use the contact mic on your throat and change it to make monster sounds that work with the footage

[@PFZ]

Great video. Would love to see this as a series.

[@EleniEliades_]

Quite intriguing...I'd love to see and hear the complete Animation ~💡🎶👏🏽🎛🎵💥✨🐉❗

[@robcontra427]

Awesome! I hope you guys post more sound design/scoring videos like this

[@markgriskey3055]

Good stuff! My career has mostly been creating music, but I did some sound design work back in the 1990's (Long before eurorack was a thing) I have been using computers for music since the 1980's (Fairlight CMI). I own a Mini Moog and the ARP Odyssey remake, but am just now getting into modular. My first Analog Synth was a "Cat" built in the 1970's but was mainly using DAW software and didn't touch any analog gear for decades. Thanks for posting this. The throat mic technique you demonstrated was pretty cool! Thanks for sharing.

[@gaterbusket]

Maybe some day if I work hard and play my cards right I can make gurbily goobly sounds of a child turning into a monster for a living.

[@garettgioia1238]

They’re dope! Love Modular education in the context of video art / animation!

[@SimonHutchinson]

Very cool stuff! Thanks for sharing. That animation looks fantastic too.

[@Justin_Shadow999]

So awesome. Thanks for this inspiring video.

[@Elkenders]

Would also like the hear the synth sounding creepy bit in context with the fuller scene. Didn't hear it at the end example.

[@Damonkang]

Such a good video! More post production tutorial please! Love you guys

[@killiun55]

Fantastic!

[@250eddie]

I’m curious what are the 2 modules next to pams new workout and the one to the right of clouds?

[@threeinitiates8260]

What’s the synth with banana cables? Looks like Loren mill?

[@PerfectCircuit]

that's the Double Knot !

[@JoshBeavers]

Brian!

[@Tofu_Pilot]

My favorite part was when they looked totally relaxed and calm. I had never actually seen an 11 minute anxiety attack until today. It's awesome how Shuwen literally can see that she is being filmed and does not make eye contact with the camera. That's a pro move right there. This is like they actually captured an "this edible ain't shit" moment from a very unique perspective. I forgot I was to be checking out the score they made. I think this duo made all of the training and welcoming videos for the fast food industry a few years back.

[@user-ld8hh2il7v]

A nerdo and a robot.