Dieter Bohlen - You're my heart demo tape (1985)

This is rare, never released footage
Big thanks to Alex Manaev for the upscale of this video!
I have done some color corrections and i made the subtitles

[@RedRiverChannel]

this guy is legendary

[@Kikwatz]

He a good singer.

[@elgatogaming4198]

@@Kikwatz he cant fuking sing Hes only the arranger and composer

[@madamtuzam]

He's a Fake

[@awagnow]

@@Kikwatz not really

[@shkathubre]

​@@awagnow Yes really. His only contribution was the lyrics of MT and that was written initially in German by him which were later translated by another "invisible" member. Nobody can answer why Dieter has never produced a similar sound again. Well, maybe because he is clueless.

[@przemysawgrzesiak4433]

Dieter was the best in late 70' and whole 80' so many projects, master 😎

[@sosomelodies659]

An absolute genius! Very few people can produce so many hit songs like he did in a career.

[@jhna314]

Because it is/was a team

[@srxt6758]

He didnt actually do anything rly. He assembled the team and hired the right people to do it for him then got all the credit. He didnt even actually sing on the songs. He had a team and gave them roles whilst he handled the business side of band such as promotion, securing gigs. Once it was done he took all the credit and posed of as the mastermind of the project. He cant actually sing and his ideas into the project I believe were very limited. If you look at it from bigger point of view modern talking could have very well been passed off as Thomas Anders as a solo artist. Thomas Anders could have been launched as a solo artist with backing vocals with the same songs and it would have been just as popular if not more because there wouldnt be Dieter dragging him down. The blonde guy in the duo was completely useless with his cringe dancing and guitar flapping since it was all playback at live shows back then. It was Dieter and his ego he wanted to throw himself as the lead into stardom because his music career failed. Bohlen pulled one of the greatest scams in music history

[@shkathubre]

​​@@srxt6758Thank you. Actually there is also tons of proof that Dieter does not own the songs of MT either but only the "finished" work. Even though he is by law entitled to, he does not own them and neither Luis Rodriguez does. How do I know that, you need to ask the owner of this channel Dominik, because he said that 🤷‍♂️ yet, he asks himself how is that possible. They really want badly to believe there is a reason when there clearly is not. It shows Dieter did not compose the songs either. He could barely play the piano. And the songs always (!!) are composed on a piano, piano is the foundation. And who was the only one who knew how to play the piano at MT since he was a baby? :)))) easy answer.

[@shkathubre]

​@@srxt6758 And really if you want more proof that Dieter does not own the songs you have to check the album "Back for Gold" in 2017. All the songs are remixes and with a minor changes. If he truly owned the songs, if he was truly a composer, he would have done fundamental changes to the structure. He did nothing. It shows that even Luis Rodriguez is clueless and I have no idea why he gets credited for the sound when its crystal clear he does not. He worked with Dieter at Blue System too and absolutely nothing sounded like MT.

[@andyan192]

​@@srxt6758бред давно опровергнутый. Нужно быть без мозгов чтоб верить в это и тем более писать!

[@mr915764]

A small big piece of music history. Nobody noticed in that time, this is a beginning of a incomparable success

[@user-ql8yt4xn2y]

Я бы где дитера , Томаса и с. с.кетч не увидела , всегда буду ставить лайки. Очень уважаю

[@RossBayCult]

This is where his talent truly shines. He’s a music producer, arranger and song writer. He’s not meant for the stage.

[@virajweerakkody1802]

0:32 you can hear the demo version.... seems like more fantastic 🤩

[@siai8475]

My best 80's moments

[@izg93027]

Hey! The basic demo is really interesting, even catching!

[@coffeemakerbottomcracked]

Never thought we would have clip of the original You're My Heart demo.

[@dHempfler]

Woow what a rare material! Pure gold!

[@ferensisferensis4937]

Дитер на этом видео такой милый😍😍😍

[@ships8662]

& hes in his 30's that time. so young & cute with his dimples....hes a genius.. salute to him.

[@edisakhnovich7207]

Еще молодой...лет 30 парню

[@luhas1luhas158]

Everything what he touched, become a gold

[@Ibeangela80]

Thanks for the great love and support you show me as a special fan of mine, I hope you won't stop listening to music..🥀🥀

[@shkathubre]

You should learn more about him then...

[@srxt6758]

​@@shkathubreyea hes a scam artist.

[@MoFernandez]

Touch of midas, voice of destruction

[@shkathubre]

​@@srxt6758true

[@eusebiaaragon5676]

"IDOLO". Inolvidables. Impecable. Excelente. Gracias. DIETER Tus Admiradoras Fans te Adoramos. Pareses un Ángel. Besitos. Bendiciones. 03/11/2022/. Argentina.. Gracias...

[@russianvegangirl]

Woooow, this is precious!

[@dietergunterbohlen1972]

thanks honey

[@dominikkarkowski]

Where do I need to send your mail

[@russianvegangirl]

@@dominikkarkowski to me?

[@dominikkarkowski]

No, to "dieter Gunter bohlen" haha

[@russianvegangirl]

@@dominikkarkowski you think he's real?))

[@TheMagicStar80]

Listen to Dieter playing You're my heart-soul sample recorded with his own voice on the reel to reel tape! That was the sound that Dieter had for that track at that time before Luis found the new groove that was used for all the other Modern Talking tracks! A big thanks to Luis for his innovative sound that made Modern Talking sound unique at that time! Many other groups from those years copied the sound that Luis came up with for Modern Talking.

[@dietergunterbohlen1972]

thanks alot

[@TheMagicStar80]

@@dietergunterbohlen1972 gerne geschehen

[@TheMagicStar80]

@Konstantin Vercetti Creative Connection with YMHYMS was arranged by Lee Davis & Luis that special disco version in 1985 but not for Modern Talking in 1984! Even though some sources show it that way, that is incorrect information! You can ask Lee, Luis, Dieter and Josy and they will tell you!

[@coffeemakerbottomcracked]

@@TheMagicStar80 he's fake Bohlen (that what thanked)

[@nicholaskolaric343]

@@TheMagicStar80 Leeory actually was the creator of the piano melodies for the 1st Album, YMH and YCWIYW

[@user-ue1rp4yc6z]

Дитер Болен гений.🎶🎸👏💛💜🎧🎙🎹🎼🎼🎻😘🤗😁😀🤔🤓🤓💯🇷🇺🇩🇪

[@sweetmusic1571]

Однозначно

[@dieterbhonlen3320]

Спасибо за комментарий😍🥰

[@joezava8257]

0:33 la voz de Dieter en YMH YMS...👏👏👏

[@user-gi7km1je7w]

Ждём полную демо

[@user-rn5rb3kr5i]

Интересно иногда послушать предверсии композиций.

[@bluenature3022]

You're my heart 🤗

[@Will-sx3rz]

The demo of you re my heart you re my soul is very good, it would be great if it leaked and could be heard in its entirety 🙏🙏🙏

[@MargoMargotka2024]

🥰 MT forever

[@mustafabeyazyuz4]

Forever dieter bohlen

[@carlosvieira4282]

Dieter Bohlen o maior compositor do Euro Disco, um abraço aqui de Canoinhas SC Brasil 🇧🇷🇧🇷

[@SEOmarketAcademy]

Легенда

[@amulpatel]

wow this is italo gold!!

[@Sergey_Naumov]

Офигеть, какой молодой, да звонкий здесь -- истинный ариец!) ☺

[@Sergey_Naumov]

1984-ый это ещё, нет?

[@Romcitos]

Ему здесь всего 31

[@BBDragon09]

We wait for full version, please

[@sibfox]

HIs is playing back his demo on the Fostex B-16 reel to reel recorder/reproducer. The original retail price back in 1984 was 5900 usd. This was a Fostex flagship model back then.

[@user-dx3ph1jy6y]

Когда всё ещё впереди... Человек - машина постоянной радости и прекрасной музыки

[@MVShe]

Тут слышно оригинальный голос Дитера. А

[@sueleneoliveira9287]

Além de lindo é um gênio

[@dieterbhonlen3320]

Спасибо за комментарий😍🥰

[@luciacarfagna5573]

Come era giovane era proprio un ragazzino bellissimo

[@mrkumaran]

This guy is the heart and soul of Modern Talking

[@rafsweet6820]

j adore DIETER il est trop beau ❤❤❤❤❤❤

[@Squamousepithilium]

Amazing and interesting, wonder how such simple looking instrument made huge success and history back in that time😢😮❤🔥

[@ritahorvath8207]

The music was simple and the masses loved it .

[@Tivoo99]

super, Klasse!

[@franciscojavierpradas140]

Mr. Bohlen is the modern Mozart 😉👍

[@anapskiylive]

Super Good!!!

[@angelinapinayrua]

Beautiful Beautiful Congratulations Thank You Teacher 🇺🇾❣️👈🎼🎵✌️👏👍👌👌👍👏👏✌️✌️👈

[@nawletorre7136]

genious

[@MrNono5150]

Very Cool!

[@krm3345]

0:15 he started synthwave

[@azucenaamaya1340]

El gran pop titan dieter bohlen gran artista compositor productor 🔝🔝💎💎👑👑🎧🎧🎷🎷🎸🎸🎹📣🎹📣🎙🎙🔉🔉🪕🪕🎺🎺

[@andyan192]

Все те кто пытается подстроиться по хейтеров Дитера, глупцы. Для начала прочитайте книгу Томаса. Все знают что когда он ее писал, они не особо "дружили". Но всё же правду он не скрывал, и честно написал что именно Дитер писал все песни для дуэта. И аранжировки делал он же. А не Родригис,которого Томас назвал в книге обычным звукорежисёром. Если бы все это сделал кто то а не Дитер, то уже давно мы слушали песни похожие на МТ. Но этого никогда не будет. Пока Дитер снова не напишет что-то новое.

[@andiamo24]

Full demo is coming soon? When?

[@aqponin_66]

" он сидел здесь пока это не пришло ему в голову".В смысле - Брату Луи в голову)))))

[@alicjaherman7643]

Is there a full demo of this? I would love to listen!!

[@krzysztofzwolinski4958]

Brzmi jak piosenki Ryana Simmonsa. Wydaje się być o wiele ciekawsze. Czekam z niecierpliwością!

[@SKIMER]

Ryan Simmons to Dieter Bohlen pod innym pseudonimem XD

[@krzysztofzwolinski4958]

@@SKIMER Jakby to powiedzieć, odnosiłem się wówczas do Ryana Simmonsa ze świadomością, że jest to alias Bohlena. :)

[@me40puh28]

This demo sounds a lot like first (Ryan Simmons) cut of Lucky Guy. Looks like when Luis put “his” new groove onto Dieter’s demo of YMH YMS anyway Dieter used what’s left for one more song :-) On top of that Lucky Guy (in German and in English) was one of the other tracks recorded same afternoon in Star Studio. Looks like the forth recorded one is Thomas B-side “Und Wenn Die Sonne Schlafen Geht”. All production- YMH YMS, Lucky Guy and Es Geht Mir Gut Heut’ Nacht (Lucky Guy in German) were promptly released as 9/84. Indeed in the first business day of 1985 Thomas called record company asking how are going the sales of Es Geht Mir Gut Heut’ Nacht - reply was - not so good but YMS YMS jumped from 8.000 to 60.000 around the New Year’s week. This is how it took shape…

[@Patrus.]

Маэстро .

[@PassiRaccoon]

So entsteht die Kunst man spielt ein wenig und aus Zufall fällt einem etwas ein ^^

[@Zitacity]

Super

[@Ibeangela80]

Thanks for the great love and support you show me as a special fan of mine, I hope you won't stop listening to music..🥀🥀

[@hadicell9925]

Grande Dieter

[@nowave3483]

Попали на кухню!

[@dieterguntherbohlen8158]

Danke für die große Liebe und Unterstützung, die du mir als einem besonderen Fan von mir zeigst, ich hoffe, du wirst nicht aufhören, Musik zu hören, und danke für deine Aufrichtigkeit und Liebe zu meiner Musik❤️❤️möge Gott dich segen, ich kann es kaum zu erwarten höre von dir.

[@bigfluffyclaud1464]

Im you're 1k like! Woot woot!

[@grantorino3171]

Ganz schüchterner Bohlen damals..heute gaaanz ANDERS ;-P

[@azderty228]

Где взять такой ёмаха-ёмасо?))

[@mv3184]

Как не крути, а голос Томаса тоже обрабатывается на студии для лучшего звучания. Живой голос у Томаса по грубее звучит. Не так как на студийных альбомах МТ.

[@mattrx1185]

Живой голос у томас звонче звучит! Кто слышал Томаса вживую меня поймёт!

[@BiseUshery]

@@mattrx1185 Ах да, также конечно голос Томаса Андерса в старых студийных аудиозаписях Modern Talking, это тоже было круто😎🤗. Хотя были ещё слухи, что якобы в 1980-е годы, в группе Modern Talking, в этих старых студийных аудиотрэках Modern Talking, в студии звукозаписи Томас Андерс пел своим настоящим голосом (мужской главный вокал), но также в студии Томас Форстнер и Нино Де Анджело пели своими голосами (мужской бэк-вокал), типо в разных фрагментах голос Томаса Форстнера и голос Нино Де Анджело звучали одновременно с голосом Томаса Андерса (хор, микс похожих голосов Андерса, Форстнера и Де Анджело). Конечно же голос Андерса звучал громче на первом плане, а голос Форстнера и голос Де Анджело звучали тише на втором плане. Может это и миф, хз 😎😁🤩

[@BiseUshery]

Это возможно во многих старых студийных аудиозаписях Modern Talking 1980-х годов, в студии звукозаписи на настоящий голос Томаса Андерса примешивали и накладывали голос Томаса Форстнера и голос Нино Де Анджело, микс. Ведь голос Томаса Андерса, голос Томаса Форстнера и голос Нино Де Анджело похожи, хотя есть различия

[@nikone7738]

Это пустой бред. В фонограмах только Томас Андерс, лишь в некоторых местах присутствует бэк-вокал, но о в основном в припевах в припевах.

[@Moudmenn]

FULL VERSION plz.

[@clovisantonioribeiro5346]

Forever 😅

[@SKIMER]

Kurna, to jest dopiero unikat. Minął rok, a "pełnej wersji" dema nadal nie ma Masz może przynajmniej pełną wersję wywiadu?

[@douglassantanna5889]

this demo version was good

[@BarbieChaite]

I prefer this early version

[@Scania143mV]

Wann kommt den die Vollversion des Demo-Tape?

[@rodrigoeduardo003]

Basic demo version, very good

[@gregorispb2648]

0.35-0.40 Dieters real voice)

[@user-ub2br6kr5k]

😍❤️👏🌸👍🌹💞🐈

[@jenslamer7811]

Soso, in einem späteren Interview erzählte Bohlen aber was ganz Anderes ... ;) Nämlich, dass er YMHYMS in 5 Minuten geschrieben habe, nachdem er im Urlaub war ... ;) Wie er an all die Songs _wirklich_ rangekommen ist, das wird er wohl nie verraten ... Es ist aber auch nicht so schwer, draufzukommen ...

[@vladimirrus1219]

Это звучание !!!!!!!!

[@michaeltraskunov5334]

My friend. When the full demo is going to be published? I remember you said you were working on the sound recreation

[@michaeltraskunov5334]

Are we going to have a full demo ever?

[@andy_mrz]

Rolf Köhler voice is Great ❤

[@MVShe]

У Келлера другой голос. Хватит писать не правду.

[@user-lc9kx7qk5t]

Привет! Получилось определить источник тембр баса?

[@dominikkarkowski]

Yes! It’s prophet

[@user-lc9kx7qk5t]

@@dominikkarkowski Prophet Arturia?

[@moderntalker8535]

​@@dominikkarkowski Also, some info about synths and e.t.c coming down here! The first setup came to Louis together with the studio - the walls were bought together with stools and "some kind of half-dead pieces of iron", with which absolutely all rooms, including the kitchen, were filled. The enterprise was absolutely unsuitable for professional recording and closely resembled a communist communal apartment with an entrance at the garbage dump. For more than 20 years, almost nothing of the "legendary" hardware has been lost, because they work like everyone else, and they bought a lot of things from the population for spare parts - there was a clear understanding that sooner or later all this junk from the load risks going down in history. >All five consoles of those times are alive and are still involved in production (in scoring and projects). >I am not familiar with the studio museum (I have never been interested in it), but I attach a list of what is actively used now. In a nutshell, this is: a lot of Messenburgs (even at the auctions of sisel there is a pair of 10-channel liners), a lot of vintage, a lot of Rolands and "the same studer". Although they say that Modern Talking became possible only thanks to the arrival of the first digital devices, - I will upset some, - even before the third "twilight" for the Blue Systems album, everything worked strictly on tape. It is very easy to make sure of this - the tempo in all the songs floats quite strongly due to multiple rewrites, and with the medjik symphony it is already "branded" - not rounded, but absolutely even. >SSL 4064G + Total Recall (eq off) >Custom made equalizers for SSL >Massenburg line mixer for aux-return >Studer D820 48 tracks digital >Apple Power Mac 7100 with Notator Logic Audio >Digidesign ProTools HD 3 Direct to Disk >Studer A820 2 tracks analog with Dolby SR >Studer CD Recorder D740 >Lexicon 2400 Time compressor/expander >DAT Panasonic 3900 >Nakamichi Dragon cassette deck >Studer D731 CD player with Digital Out >Technics SL1210 Mk2 turntable >EQs Neve System 9098 >Focusrite ISA 115 HD >Massenburg 8200 series II >K&H UE1000 >Dolby 740 (1998) >Orban 674A >Roland E660 Digital >Urei 1178 >Urei 1176 LN >Massenburg 8900 series II >Focusrite ISA 131 >BSS DBR 402 >Barth U211 >Valley People Gain Brain >EMT 266X >Texaco >Summit Audio tube leveling amplifier >Lydkraft TubeTech CL1A >Valley Audio 730 Dynamap (Digital Compressor) >Drawmer DS201 >Valley People Kepex >Lexicon 480L >Lexicon 224X >Lexicon 300 >Quantec QRS/XL >AMS RMX16 >Klark Teknik DN780 >Ursa Major Space Station SST 282 >Oldschool Custom Reverb plate >TC 2290 >Korg SDD2000 >Korg SDD3000 >Sony DPS D7 >Spatializer Type C D/E 16 ch. >Base >Studio Technologies >Eventide H3000 >Korg A3 >Yamaha SPX 90 II >Sony DPS M7 >Sony DPS F7 >TC 1210 >Roland SBF 325 >Roland SPH 323 >Studer D19 Mic Preamp Valve with AD converter >Studer 8 channel Mic AD converter >Jensen 990 mic preamp >Massenburg mic preamp >Summit Audio TPA200A dual tube mic preamp >Klark DN60 Analyzer >EXR Exciter >SPL Vitalizer >BBE 802 exciter >Vocalist II >Panscan >FriendChip SCR-AT Synchronizer >Urei 809 >Tannoy PBM >Lockwood >Auratone >JBL 4333 A >Yamaha NS10S >Art Electronic >PPG Wave 2.2/2.3 >PPG Masterkeyboard >Oberheim Matrix12 >Emu Emulator II >Oberheim 4 Voice >Korg Mono-poly >Roland SH09 >Roland SH2 >Roland SH101 >Minimoog midi >Moog „The Rogue“ >ARP Odissey >Korg SQ10 analog sequencer >Korg MS20 >Casio CZ101 >Spectral Audio Protone >AKAI S6000 >S1100 >S1000 >ME35T drum to midi >DOEPFER MS404 analog >DOEPFER Analog Sequencer with Midi >Emu 6400 >Emu IV >E64 >ESI 32 >Vintage Keys >Morpheus >Proteus 2 >Planet Phatt >K4r >K1r >KORG Wavestation >M3r >01/W >01/W Pro >M1r >NS5R >Trinity >Prophet >EA-1 >DXP1 sample player >Matrix1000 >VS >Technox >Quasar >Rave-O-Lution 309 >JV 2080 >JV1080 >Super JX10 >D50 >D550 >JD800 >Juno1 >JX8P >S750 samplers with 88MB HD removable >DJ70 sampler with scratch pad >S330 sampler >A880 midipatchbay >MC505 >MC303 >DX7 >TG55 >TG33 >FB01 >TX81Z >QS300 >Microwave >Microwave II >Pulse >Novation Bass station >Super Bass Station >Drum Station >Supernova >Access Virus >Clavia NORD LEAD >Deep bass nine >Ensoniq VFX >Dynacord ADS sampler >TransistorBass >TeeBee303 >I omit the microphone park and software - everything is traditional there: bruels with neumanns and virtual guitarists with other "savels". >It should be understood that Louis is not a "Bohlen's" tonemaster, but he is responsible for the sound of most tracks. But since Louis left Germany, today's Bohlen's works are being done out of hand "in a variety of ways": either in a conveyor way - demos and steams are being made by Louis, and facelifting and mixing of Akhim, - or without Louis at all, - the benefit of those who wish to participate more than enough - which greatly affects the unstable sound of tracks from album to album. The title of "Bohlen's" today is the studio of Akhim Mezei. It is also called "Build's" here. This is a fairly equipped studio that uses hard and soft in equal proportions, but there is nothing on which the dust of the success of modern talking would be in it. The studio only serves Dieter's own production projects. The studio does not conduct commercial activities. >Bohlen's favorite synth is Prophet 5. >Both are too fat. Here's my Christmas present for you, yourself with these make noises and sort it out. I'll come check it out. >I hope I have satisfied your curiosity, gentlemen from Hamburg. My fervent greetings to you.

[@dominikkarkowski]

@@moderntalker8535 who wrote this message?

[@moderntalker8535]

A people that was very close friends with Dieter.

[@moderntalker8535]

Hmm, bass is really the same as original version. Pad sounds almost same as original. I think Luis Rodriguez just changed some synth patches and melody parts+recutted the Dieter's demo

[@Sergey_Naumov]

А где продолжение? 🤔

[@Martin_Andersen]

Where did you get that?

[@sevchyk]

Where is the demo version?

[@michaeltraskunov5334]

Hi Dominik. I remember you said you will recreate the full demo. When is it expected?

[@dominikkarkowski]

Hi, we are currently working on a new remix🙂 cheers my friend

[@peterkorner1457]

...wenn da nicht noch seine Musiker alles harmonisch abgestimmt hätten.

[@alice7704]

музыку делали производители синтезаторов, потом этот ритм-бас использовал Fancy, а МТ пошел по другому пути kzbin.info/www/bejne/lYDOqKCgrt1qfaM

[@mv3184]

Fаncy Вроде как тоже работал с Дитером в начале.

[@dieterguntherbohlen8158]

Danke für die große Liebe und Unterstützung, die du mir als einem besonderen Fan von mir zeigst, ich hoffe, du wirst nicht aufhören, Musik zu hören, und danke für deine Aufrichtigkeit und Liebe zu meiner Musik❤️❤️möge Gott dich segen, ich kann es kaum zu erwarten höre von dir.

[@misiu692]

Materiał jak biały kruk :)

[@stevebensonchannel5671]

where full version ?)

[@artfishu4552]

Posłuchajcie pierwsze 10 sekund Paris Latino (Original Version 1983) kzbin.info/www/bejne/qKbEpq1pZpqio9U, a później powyższe nagranie You're my heart demo tape (1985) od 7 sekundy. czyżby didi od poczatku kopiował?:)))))))))))))

[@neurokillbill88]

Where is the full demo?

[@shkathubre]

It's probably not his demo and he just put his voice there to make it like its his. They say its a demo but Bohlen doesnt explain anything how he did it. This version sounds like a much clearer production than a demo

[@christiandahlke8174]

Ich finde nicht, dass der Bass der Selbe ist wie in der späteren Originalversion. Jedenfalls ist der Bass völlig anders, wurde in der Originalversion eher im Achtel- Raster eingespielt.

[@dominikkarkowski]

Ich habe über den Patch gesprochen und nicht über die Melodie

[@andreasbauer6652]

hey die Dame kann hellsehen ;)

[@ludgergesler3815]

Im TV erzählt er unentwegt, dass er keine 10 Minuten für einen Song benötigt!😂😂😂👍

[@synthesizerhome2041]

Wenn die Konzentration erstmal erreicht ist, sicher

[@ludgergesler3815]

@@synthesizerhome2041 😂

[@synthesizerhome2041]

@@ludgergesler3815 Das ist kein Witz, ich kenne das von mir als Musiker auch... bis man "reinkommt" in das Workflow dauert es eine Weile, aber dann ist man auch kreativ. Ich denke, das ist in allen anderen Bereichen auch so, wo man kreativ sein muss.

[@ludgergesler3815]

@@synthesizerhome2041 ...bin ganz bei Dir. Im Flow kommen die Ideen nur so angeflogen und die Arbeit geht so von der Hand. ...ist in manchen Abteilungen, Projekten,... kaum noch möglich!

[@Miicrowahvei]

Anyone know of a full demo?

[@dominikkarkowski]

Coming soon

[@user-ch4jx6mg8c]

Coming soon???где??скорее

[@grafen3teiner]

das was man da gehört hat ist ihm eingefallen, der rest vom song anderen, sonst wären ja die teile keine hits geworden :-)

[@user-rm9kc6fz1s]

Эдакий алхимик

[@user-fz1pl6hb3e]

М

[@krzysztofzwolinski4958]

To nie jest ta tonacja, tak w razie czego. Oryginał - c#, na nagraniu - c.

[@dominikkarkowski]

"original" bo bylo nagrywane w c ale master byl przyspieszony do c#

[@krzysztofzwolinski4958]

@@dominikkarkowski Słyszałem, że takie akcje z taśmą były bardzo często w latach 80. Stąd też często coś takiego można spotkać w piosenkach z tamtych lat, że tonacja jest pomiędzy jakimiś dwoma tonacjami. Takim przykładem u Modern Talking to idealny jest "Geronimo's Cadillac". Wracając do YMH, YMS to myślisz, że takie jaja były, że oni w C nagrali razem z wokalem i potem to podciągnęli do C#?

[@dominikkarkowski]

Tak, napewno nagrywali YMh tak bo był kiedyś wywiad z dieterem i on tam właśnie o tym mówił. Ale już nie ma na KZbin

[@Alexander1305]

yeah Cm is the original key, that's why Classic Mix sounds Cm but still pitched up (not that much as they did with album and '98 version that sounds basically C#m)

[@krzysztofzwolinski4958]

@@Alexander1305 Really really interesting. Moreover it has that issue I described above. This song is NOT in pure C#m (in 440hz), it's quite lower. Does someone knows why they did so?

[@user-qz8uq8nb1f]

Слушал первые версии Modern Talking на немецком языке , нето польто

[@1984DINUWAN]

Great Composer but not good as a singer Dieter Gunther Bohlen.

[@sergiomansillameneses5884]

Hmmmm.... ok, but now sing 🤣🤣🤣 is horrible

[@thorodinson5753]

классно