Monetize your beats on all platforms for FREE. Use the promo code “ATODDS” at www.toolost.com
@GodSpeed11056 ай бұрын
"At some point your gonna get a big record" Ma bro speaking it into existence 🙏🏻 🔥
@DJPain16 ай бұрын
You already know
@severussin6 ай бұрын
He be believing in you before you believe in you
@flavbeatz71276 ай бұрын
Favorite part of the video honestly
@DjIceCnS6 ай бұрын
Another good example is Stevie Wonder. He said to Collio that he will only clear the sample of Past Time Paradise if Collio doesnt use profanity. This is the reason why Gangsters Paradise has no Profanity. Also Aretha Franklyn. If you listen to School Spirit by Kanye West you can hear that all the swear words are reversed or removed. (Imma get on this TV Mama imma put ish down) Very intersting topic and great Video
@DJPain16 ай бұрын
Great examples
@davelordy6 ай бұрын
Stevie Wonder is a bad mother fucker, when he says there'll be no fucking profanity, you best be-fucking-lieve there'll be no fucking profanity.
@nicholasrella6904Ай бұрын
But then he gave Weird Al permission to do a parody & then got mad at him for doing the parody that he gave him permission to do 😂😂😂
@tracklib6 ай бұрын
Excellent video on this topic as always 💯 It’s not really true that a rigthsholder on Tracklib could (or so far ever has) pull the plug on a sample clearance because they don’t like/hate the new song. However our clearances do not cover songs that are mainly made for political purposes, and some other extreme use cases. So in cases where someone, for example, makes a song for a political party: our clearances (or any automated system) can’t cover that. This has yet to happen tho, with many many many licenses sold. This is also the case for anyone working with licensing/selling music, Epidemic Sound or Splice alike. It’s a right that cannot be separated/sold from a creator. What could happen is they might say “hey, I don’t like this Tracklib thing anymore, I don’t like these songs that are sampling my tracks” and they could leave the service. This would not nullify the already cleared samples, but it might mean they would not be available on Tracklib (for new producers wanting to sample it) any longer a month or two later down the line. I’d also love to add that whilst you are 10000% right about clearing samples for a beat/instrumental, and it having to be cleared again anyways for the "final" track, if you use Tracklib now: 1. Unlimited clearances can be included in your subscription (15 bucks a month), so you just need a couple minutes to clear the sample and that’s it 2. The buying party would very very much appreciate the sample being available to clear on Tracklib, which makes the clearance process very straightforward and easily doable So whilst clearing it twice is an enormous task generally, I’d say on Tracklib it’s def not
@DJPain16 ай бұрын
Thank you for clarifying 🙏🏽
@chosenonebeats6 ай бұрын
Thus why samples are cleared for the final song with the lyrics not just the beat.
@DrBigFMC6 ай бұрын
This is the most comprehensive yet straightforward breakdown of this complex topic. Thanks Pain 👍🏿
@DJPain16 ай бұрын
Glad it was helpful!
@GA5aLaProd6 ай бұрын
It actually pisses me off how there are so many people in an industry that stay clueless. You can ask questions, but I see some people fighting against the law because KZbin allowed them to post a sampled track
@DJPain16 ай бұрын
People who don’t know what they’re talking about generally make statements rather than ask questions
@GA5aLaProd6 ай бұрын
😂 this is acc accurate @@DJPain1
@TapDaddyBeats6 ай бұрын
Preach. I had a rapper tell me the other day on r/makinghiphop "It's ok if I rip beats off KZbin because it's not like these producers own the rights to the samples. They can't copyright strike something they don't own the rights to." This is where we're at. This is the level of tom foolery and bafoonary that we're working with today.
@DJPain16 ай бұрын
People are morons and proud of it
@joshuapittman46636 ай бұрын
r/makinghiphop has a lot of dumbasses tbh.
@Scyber_Official6 ай бұрын
How TF do producers NOT know that they need permission to interpolate a sample? Rock, metal & country bands/acts always need permission to release a cover of a song - the only time they don't need permission is during live performances (unless they record the live cover version and plan to make money from it.)
@ItsJustAdrean6 ай бұрын
Right! You might be able to get away with it on YT but you can't release any cover without a license!
@Bthelick6 ай бұрын
Thanks for helping spread the facts. So many get this mixed up, especially in the hip-hop community.
@DJPain16 ай бұрын
No problem, thank you for watching
@egmusic50426 ай бұрын
Excellent video ! this video should be shared and liked a million times over. This such a difficult topic to explain to musicians , people in general. I can just use this video now . Thank you.
@DJPain16 ай бұрын
Wow, thank you!
@ProdMattButler6 ай бұрын
Pain dropping gems constantly
@DJPain16 ай бұрын
Thank you for watching
@empiresoulmusic6 ай бұрын
I just stopped using samples, or, if I use samples it’s my own work, resampled to get that sample feel 😛
@sahpreemking11635 ай бұрын
That is a smart move. With a little bit of time and creativity, you can make something as dope as something you would sample.
@empiresoulmusic5 ай бұрын
@@sahpreemking1163 Exactly!
@sahpreemking11635 ай бұрын
@@empiresoulmusic I come from the era of MPC60, S900/950, and SP12/1200. I sampled everything because I was DJ and not a musician. Too be honest, I didn't even know what music theory was, all I knew was, if it sounded good, and felt good, it was GOOD! Looking back after almost 40 years of producing hip hop, the biggest mistake I made was waiting to learn music theory, instrumentation, arrangement, and most importantly, how the records I used to sample were made, well past the halfway point of my career. Lessoned Learned!
@empiresoulmusic5 ай бұрын
@@sahpreemking1163 better late than never, right? And it’s so much fun!
@Bthelick6 ай бұрын
Regardless of track lib, you're correct anyone involved with the original record can pull permission or use, provided they have vito rights on their own contract in the first place.
@mastersurreal6 ай бұрын
You mean "veto" but otherwise you are correct
@sahpreemking11635 ай бұрын
As a multi-platinum producer with over three decades in the business, I can attest to DJ Pain 1's statements - they're spot on! My own journey echoes this; sampling Quincy Jones and Prince on my first major release was a lesson in itself. Quincy asked for half of my producer royalties and publishing rights, and Prince didn't grant clearance at all. Take it from someone who's not just experienced this firsthand but has also taught the ins and outs at a collegiate level.
@DJPain15 ай бұрын
I wish all the people I sampled were as generous as Quincy tbh
@arijevacgaming9216 ай бұрын
Once again you're doing the heavy lifting for us! Keep it comming brother!
@DJPain16 ай бұрын
Will do!
@Bthelick6 ай бұрын
FYI the cover songs law changed not that long ago, if you want to release anything you need both permission and a mechanical licence.
@Tayajoh6 ай бұрын
Thank you for continuing to provide helpful information! ❤🙏
@DJPain16 ай бұрын
Any time!
@thomasmatthews88736 ай бұрын
Sample Clearance through the long route is tedious and headache forming. Years ago, I contacted Next Plateau Records and their publisher concerning a certain sample I wanted to use. The process came to a dead end because the dialog and relationship just couldn't be properly established. I asked all the right questions and spoke to all the right people but they just didn't want to do business with me. So, I ended up not using the sample or releasing an alternative version without the sample because the sample was the whole purpose. But now that Citizen DJ, Splice and Tracklib is a thing, I don't have to go through all that madness.
@DJPain16 ай бұрын
It probably wasn’t, and I don’t mean this disrespectfully, worth their time.
@thomasmatthews88736 ай бұрын
@@DJPain1 Maybe or maybe not but for what it's worth: it actually benefited me not to deal with them type folks period.
@d_man_beats6 ай бұрын
Always giving great information!!
@ot-mills6 ай бұрын
Thanks for clearing that up, I asked Tracklib directly about this years ago, and they didnt seem to have the answer at that time, and said since they weren't sure, that both I and the artist that purchases the beat should clear it. That never seemed right to me, so Im glad to have some clarity on it now..Thank you!
@bruceleeds79884 ай бұрын
This situation (DJ Pain's example) Happened to Bad Boy records: DJ Premier and Jeru Da Damaga made a song for Angie Martinez' radio show called "Top Five At Nine" The song contains a sample of Public Enemies "Shut Em Down". Puffy heard the beat and asked Preem if he could give the beat to Biggie. Despite previous issues, Jeru said yes to giving the beat to Biggie. This song was then turned into the legendary "Ten Crack Commandments" However, One person who was extremely upset was Chuck D. Chuck was angry that his voice was now used in a song that teaches people how to sell drugs. he cleared the vocals to be used for a DJ segment, not a Gangsta Rap song. Fortunately, the situation was resolved without having to pull the record from the album.
@brandonmcbee37766 ай бұрын
I work for an ad agency that does a lot of TV commercial shoots. We regularly use classic songs that are very iconic in our productions. If the rights clearance is outside our budget, we will work with a local producer to create an interpolated version because the clearance is often cheaper. With that said, the song/sample still has to be cleared, no question. This is even more important now that the lawyers who represent big music production companies are using AI tools to find uncleared samples and targeting the musicians who use them. now, is the worst timeline to try to skirt the system.
@user-bn8di6cy1b3 ай бұрын
If someone steals your underlining composition, copyright it and clear it without the original creator permission, It’s called statutory or willful copyright infringement. Contributory infringement is when a second party knows didn’t directly infringe but benefits from it. Respondent superior means let the master answer “ Employer” take on the responsibility of knowing the infringement existed allowing the artist to infringe. The Record Label has to pay actual damages to the plaintiff, court cost, law fees and give up the rights of stolen music. Usually this is settled out of court. If it’s reaches the court the defendants may have to pay in full. Copyright infringement can land you in prison 5 to 10 years.
@adxthree41993 ай бұрын
Speaking as an independent singer-songwriter and recording artist, I’ve found the easiest, most effective means of avoiding music-business legal troubles is to commit yourself to exclusively creating music no human being will ever willingly listen to
@thegnsinc6 ай бұрын
Ok, man, THANK U for this! VERY helpful & gave me somewhere to start from - IF I ever decide to sample something 🤝🏾✊🏾
@KISEwun6 ай бұрын
If you write your own rhythms, harmony's and melodies you can eliminate this headache and be a more creative talented artist
@pjohns926 ай бұрын
Yeh for sure, until someone from the Marvin Gaye estate comes along lol
@JamBurglar6 ай бұрын
Appreciate trying to set bright line rules. I think you are missing an important caveat on the clearance of the composition but still believe your overall result is correct. See Newton v. Diamond, 388 F.3d 1189 (9th Cir. 2003). Importantly, in that case the Beastie Boys cleared the copyright on the recording but did not clear the copyright on the composition. James Newton (the composer) sued the Beasties claiming that they violated his copyright on the composition. The Court ruled that "On the undisputed facts of this record, no reasonable juror could find the sampled portion of the composition to be a quantitatively or qualitatively significant portion of the composition as a whole. Quantitatively, the three-note sequence appears only once in Newton's composition. It is difficult to measure the precise relationship between this segment and the composition as a whole, because the score calls for between 180 and 270 seconds of improvisation. When played, however, the segment lasts six seconds and is roughly two percent of the four-and-a-half-minute "Choir" sound recording licensed by Beastie Boys. Qualitatively, this section of the composition is no more significant than any other section." In its conclusion, the Court said "Because Beastie Boys' use of the sound recording was authorized, the sole basis of Newton's infringement action is his remaining copyright interest in the "Choir" composition. We hold that Beastie Boys' use of a brief segment of that composition, consisting of three notes separated by a half-step over a background C note, is not sufficient to sustain a claim for infringement of Newton's copyright in the composition "Choir"." So, the good news is, the Beasties won the lawsuit on the basis that their use of Newton's composition was not quantitatively or qualitatively significant enough to constitute infringement. In other words, there is no bright line rule when it comes to sampling the composition. The Court ruled that the Beastie's use was insignificant enough that there was no liability. The bad news is that they spend hundreds of thousands of dollars defending the lawsuit. The other bad news is that every case is going to get decided on its facts, so you can't really rely on Newton v. Diamond to determine that you are "safe". The takeaway is that you're playing with fire by not clearing.
@DJPain16 ай бұрын
This is the shit I’m talking about. One case with one judge doesn’t define anything and some new producer is going to read this comment and think, ‘cool, I don’t have to clear a replay.’ Just because some legendary and incredibly wealthy major act spent tens of thousands of dollars on a defense in court and won doesn’t change anything I say in this video. ‘If you replay a sample, you need to clear it.’ I’m not hiding from this statement.
@JamBurglar6 ай бұрын
@@DJPain1 I think you might be misreading what I said. What I said was that even though they won they still got SUED and spent HUNDREDS OF THOUSANDS OF DOLLARS on legal fees. AND, there is no guarantee a different case would turn out the same. If some new producer reads that and thinks "cool, I don't have to clear a replay" then I can't help that person.
@crnkmnky6 ай бұрын
@@JamBurglar You _could_ help that person by putting the "bad news" and the "takeaway" into separate paragraphs.
@JamBurglar6 ай бұрын
@@crnkmnky Haha! 100%. And maybe not put it at the end of a super-long thesis in a KZbin comment 😂
@RealAuthenticWorkMusic6 ай бұрын
Was always curious about this topic. Thanks for the clarification pain!
@lyricsmatter_University6 ай бұрын
Appreciate The WISDOM, Ish Only Comes From Putting In The Work ... Peace.
@Robultrabeatz6 ай бұрын
Appreciate you! Thank you for breaking things down in a way we all can understand. If you’re not paying attention to this break down. Then I don’t know
@octavianjoseph85446 ай бұрын
If I had pain on my team my chances of success would be higher than where I’m at currently
@DJPain16 ай бұрын
I am on your team
@fentanyljones69566 ай бұрын
Tracklib says in plain english that you must clear it as a final product, be that the beat or the actual song. They actually advertise that you have to clear them to even shop the beats.. I clear mine to shop them then let the artist know they have to clear it as well.
@GriffinPoole6 ай бұрын
word, that's exactly how it should be done...
@joshualane17166 ай бұрын
@@GriffinPoolethat’s a waste of money. If you’re selling beats on a store page then yeah. But if you’re sending beats to artist directly, and no money changes hands until you get the placement in the record, I wouldn’t even bother. Artist could pay you just like a session player.
@GriffinPoole6 ай бұрын
@@joshualane1716 why would u send beats to an artist directly without money changin hands? if ur just startin out, ok... but how long are u gonna do that? u should be gettin paid once u kno what ur doin, and don't do anything for an artist who can't afford it... it costs money to this right, especially if the artist plans to release it...
@MikeMulahMusic6 ай бұрын
Then Splice is better
@SekouTV6 ай бұрын
Great educational drop here!!
@DJPain16 ай бұрын
Thanks for watching 🙏🏽
@lconfident15843 ай бұрын
Just wanted to say thank you for all the great educational content you provide. Much respect. Many thanks my brother. 🙏🏾
@busywl696 ай бұрын
Too many folks out there do not even want to pay for music period. But these search algorithms are way too good now. They will find you.
@father3dollarbill3 ай бұрын
Lol, the way I flip and chop the sample, no one will ever know what it originally was.
@osmvexi6 ай бұрын
dont ever stop posting these vids bro
@DJPain16 ай бұрын
I’m losing my patience ngl
@ThatJerseyBloke6 ай бұрын
Love and shared this video! Trying to keep my audio friends from getting sued.
@DJPain16 ай бұрын
Thank you i
@PITTSBURGHPRODUCERS6 ай бұрын
You’re 100% correct on everything you said in this entire video ! Great way to break it down for those who don’t understand copyright law.
@DJPain16 ай бұрын
🙏🏽
@ItsJustAdrean6 ай бұрын
This madness is why I almost exclusively use royalty free clips, or I don't bother trying to distribute a track with samples I haven't had cleared
@therapcave6 ай бұрын
You da man, DJ PAIN! I'm a producer from Pittsburgh, PA. Thanks for all the good info you put out!
@DJPain16 ай бұрын
Thank you for watching 🙏🏽
@Trioptic3D6 ай бұрын
If you sample or record anything on February 29th you don't need to get clearance because it's leap day and contracts and copyright law don't apply unless explicitly written into the agreement! You're welcome! 😅
@DJPain16 ай бұрын
Somebody is gonna spread this as a fact on Reddit
@GrimGren6 ай бұрын
holy crap man i knew i recognized that producer name from somewhere you made that dope joint with royce da 5'9" trust the shooter! amazing work man keep it up and great video!
@thereal_a_ali6 ай бұрын
This is why I am perfectly fine with not being a producer. This is also why I take my hat off to them because that's a lot of hard work and stress to endure, especially if you don't know what you're doing.
@DjIceCnS6 ай бұрын
Sampling is a great Art Form but I think its over. Especially with A.I. Sample snitches are everywhere now. They sit all day long on their computer and use A.I. to discover samples on tracks.
@airfixx_89526 ай бұрын
Knowing the ins and outs of all this is simply the price one pays for trying to earn a living whilst leaning on the material of those that came before you. These laws are 30+ years old.... It's nothing new and let's face; it one can always choose to write and produce sample-free music instead...... Just depends how strong their creative urges are, I guess.
@lavenderllamamusic6 ай бұрын
My world is more in electronic music, I'm primarily making jersey club tracks as well as some electro house music. My jersey bootlegs sample heavily while my original tracks may only ever, at most, sample the Lyn Collins "Think (About It)" drum break that's ubiquitous among club music as a whole. I'm currently working on a full length album that takes inspiration from Justice's debut album, _Cross_, but i'm thinking of not sampling at all and just recording my own instrumentation and whatnot. Even Xavier from Justice said he doesn't think an album like that could be released today due to the heavy microsampling they did throughout the record. So many of those samples would have to be cleared, lots of money to be spent on that alone. 2007 was a different time where they could get away with more of that (in electronic music, at least)
@Sneakycat19716 ай бұрын
I wouldn't worry about it unless your song starts trending. If it starts trending pull the song off the internet and then try to get sample clearance. Unfortunately the technology is getting where you won't even be able to upload a trash song without the sample being recognized.
@DJPain16 ай бұрын
You contradicted yourself 🤷🏽
@Sneakycat19716 ай бұрын
@@DJPain1 explain
@Sneakycat19716 ай бұрын
@@DJPain1 the technology is there and probably open source waiting for someone to create the service for labels to find their copyrighted material in other people's music. The service may not exist yet so keep sampling kiddies and don't worry about the law. Young people's music is supposed to be rebellious anyway.
@kcrosley6 ай бұрын
I don’t need to tell you this, but this was exceedingly well explained. Bravo.
@DJPain16 ай бұрын
Thank you
@MACE__176 ай бұрын
Based on what you’ve observed throughout your career, what’s the most common reason an entity would deny clearance of a sample?
@DanielleKingdjdinosaur6 ай бұрын
i sometimes do productions but as nearly no one is listening or watching i just go ahead and do whatever i want .I am never going to have a huge hit or a tune that goes viral so i will just fck around and no one will notice.The worst that ever happens is that youtube get upset ..a bit.As i am a nobody its not for ever and im right back to what ever it i am doing but not to worry i have no top forty ambitions
@DJPain16 ай бұрын
Don’t be so fatalistic man
@Bthelick6 ай бұрын
Regarding the Donna Summer track even with the master recording it might no longer be owned by Atlantic, older song's contracts terms may have expired and the master rights have been reclaimed by the artists (or estate) or sold on to another entity. You gotta get your detective on and investigate where it's all gone, that's on you.
@DJPain16 ай бұрын
Doubt it. Master reversion is rare today and unheard of back then, especially when it comes to black artists
@Bthelick6 ай бұрын
@@DJPain1 Definitely rarer today. Seeing so many kids sign without knowing what "Term: perpetuity" means 🤦🤦
@austinedeclan106 ай бұрын
Compose your own original music or stick to free sample libraries and public domain music for your samples
@DJPain16 ай бұрын
Or learn about sampling procedures, IP law, the music business in general, and stop fearing information 🧠
@austinedeclan106 ай бұрын
@@DJPain1 When one has the time and resources for all that, sure. As you're learning, the creative commons license is your friend. Awesome video.
@Iaintthesharpesttoolintheshed6 ай бұрын
Sample clearing is such a bureaucratic scam
@DJPain16 ай бұрын
I hate how convoluted it is
@Ouvii6 ай бұрын
Even if you do something *actually* transformative it's probably a bad idea to not clear the composition, unless you really want to try taking it to court.
@showbread93666 ай бұрын
I ❤ not clearing samples. Too slick 😎
@blamemonkey26 ай бұрын
Brilliant video, thought I knew most of the ins and outs, I wasn’t even close
@DJPain16 ай бұрын
Thank you for watching
@thaiboxing676 ай бұрын
the same technology being used to alter samples in an attempt to "get over" is the same technology being used to uncover altered samples lol. Better to just pay the money which is basically equivalent to what one might pay for high end equipment to make the song using the sample in question as opposed to taking a chance and getting sued which will cost you even more money.
@uploadmusic696 ай бұрын
Would love to hear an example behind a sample being successfully cleared for a hit song and what it took . I wonder how successful a song has to be in order for making all this money and process worth the trouble
@damirvucic4 ай бұрын
I just had a copyright claim launched against me by UMG. I believe this 💯 The owner let me keep the beat but I decided to remove it. I would have been fucked if this beat made millions. But…my beat had only 6 views…i am not popular but was dope as fuck the last 20 years!!!
@MystrXmas6 ай бұрын
This was so informative. Thank you.
@DJPain16 ай бұрын
Appreciate that
@chillyblanco80016 ай бұрын
Thank you. Very helpful and informative. Cleared up a lot and dispelled a lot of false info out there
@MurderToCassette6 ай бұрын
Very informative and concise, thank you for the excellent information. I do have a question regarding replays/interpolations in one particular song. "I Got A Story To Tell" by Biggie was denied sample clearance multiple times by the original artist Andreas Vollenweider according to Buckwild (who produced the original track containing the sample). As a result, the song almost didn't make the "Life After Death" album until Chucky Thompson replayed the sample. However, if you read the liner notes, the track that was interpolated is not credited. In this case, should they still have cleared the composition?
@DJPain16 ай бұрын
Liner notes don’t always tell the full story
@alfredmuveestarrmickens68416 ай бұрын
People want stuff for free. I grew up during a period in music where sampling didn't exist. You had to know how to play an instrument or use studio musicians.
@DJPain16 ай бұрын
The first sampler came out in the late 60s and was cost-prohibitive.
@marcusklein25036 ай бұрын
Samples are nothing but notes that create sound waves… no one can own a note(s)Who cares, I’m still going to sample… 😂 Damn gatekeepers… sue me for what, a change in air pressure?😂
@SynkGD5 ай бұрын
would not hold up in court
@CatDribble5 ай бұрын
A painting is just some paint on a canvas, so who cares if I make the same picture and then say it's mine..... You'll care when it's your sample being used and you're losing millions. This mindset, is the sort you have when you feel no one's gonna hear your stuff.
@Tayajoh6 ай бұрын
I’m too lazy to use samples.
@Tayajoh6 ай бұрын
@YoungNarcissixt I’m not sure how you’re disagreeing with how lazy I am, and I didn’t mention anything about Hiphop. Was this comment for me or did you reply to the wrong person maybe?
@Tayajoh6 ай бұрын
@YoungNarcissixt no problem brother 😊
@tontonder82716 ай бұрын
Same 😂
@paavoilves54166 ай бұрын
Man I bought a record player to sample from vinyl but I don't even sample anymore because of my laziness 😂
@DJPain16 ай бұрын
@@paavoilves5416 it’s fun man come on
@WillieTonka5 ай бұрын
If the amount of money you plan to make from a song is less than what the artist is willing to pay for a lawyer and you don't live in the same country as the artist you are sampling, then just forget the rules and sample it and let them come find you. Most times, they won't come after you until you sell 50-100 k copies.
@DJPain15 ай бұрын
So intentionally exploit impoverished artists, got it
@718King6 ай бұрын
Thank you very much breaking that down
@doziermuzic6 ай бұрын
That was broken down perfectly. Thank you Pain.
@DJPain16 ай бұрын
Thank you
@jazzylamel6 ай бұрын
DJ Pain you could give a play-by-play step on how the music game works And people still won't get it. You should offer a master class for people who don't get it.
@DJPain16 ай бұрын
The people who don’t get it are separated into two categories: People who want to learn and people who are stupid and proud to be stupid. The latter will never buy a course because they feel they already know it all.
@brendnbrendn6 ай бұрын
Jaylib’s The Red is a great example of this too, the sample was cleared until the original artist heard Madlibs lyrics in the track
@DeyquanBowens6 ай бұрын
Hey man, I teach piano and I often open my videos up with advanced chord progressions. An artist interpolated my chord progression from KZbin without permission, is this something I can pursue? 🤷🏾♂️
@DJPain16 ай бұрын
I’m not a lawyer unfortunately
@yungmentalproblems6 ай бұрын
Oh boohoo. You don't own chord progressions lol
@wizkid34653 ай бұрын
Great info thanks my brother
@GASSounds6 ай бұрын
information is power! u been told!
@rumblefield5 ай бұрын
This was helpful, thank you.
@DJPain15 ай бұрын
Happy to help!
@alfredschnozzenstein16576 ай бұрын
Maybe I'm not understanding fully, but from what I got from the video is that for producers, if you do sample, continue to do so without having to worry about sample clearance because at the end of the day, the artist is the one that has to deal with that. I love sampling, and I will continue to do so until it's brought to my attention.
@DJPain16 ай бұрын
I’m not giving legal advice; just telling you how clearance works.
@alfredschnozzenstein16576 ай бұрын
@@DJPain1 No worries Pain! I understand. To me, I was “reading between the lines”, if you know what I mean. lol Thank you for taking the time to interact with us. It means a lot, and I really appreciate it.
@KAUTIOUZBEATZ46 ай бұрын
Noted thanks pain🤜🏾🤛🏾
@DJPain16 ай бұрын
No problem 👍
@1bornbishop6 ай бұрын
Appreciate the info. 💯🙏🏾
@DJPain16 ай бұрын
Thank you 🙏🏽
@necolekey6 ай бұрын
I am currently negotiating with Future and Metro Boomin use of Rodney O track Everlasting Bass. As well filed the recent infringement lawsuit against Who TF is Up my trap for failure to obtain mechanical license and failure to resolve split dispute. YES two sides must be cleared only Publishing needs to be cleared for interpolation. MASTER owner usually is the label or can be the artists like in my case. The publishers are the ones that approve the composition and represent the writers so you get approval from them. Depending if the publishers have a non exclusive or exclusive agreement depends if you need all of their approval. Also when you make the deal and end in a split dispute on the composition side that doesn't add up to a 100% make sure you resolve it 30 days after the release. If you don't the sample owner can terminate the composition mechanical licenses agreement which in turns makes the it infringement to reproduce distribute on streaming sites. Hope that helps
@hereforthefreewater6 ай бұрын
Important info. Great video, mate
@DJPain16 ай бұрын
Glad you think so!
@oregonvibez6 ай бұрын
Pain, could you share a line about your overall experience making the Enter Sandman Remix beat for Jarren Benton? Absolute epic banger of a piece, I know it was just a remix but was there anything you had to do to make sure it didn't get copyright claimed??
@DJPain16 ай бұрын
It was a replay, not sure what his label did
@supergg2k5 ай бұрын
Well said! Liked and subscribed
@skyd66926 ай бұрын
So even if i ninja the hell out of a record it still needs clearance ?
@DJPain16 ай бұрын
Do whatever you want man. I made the video, my job is done.
@kakehavata5 ай бұрын
Hey, when I make enough money with my beats to actually pay for anything, I'll clear my samples lol
@olima021prod6 ай бұрын
💯
@juliusgeeza5 ай бұрын
Well explained, appreciate that!
@DJPain15 ай бұрын
Thank you
@thegeenius6 ай бұрын
dope!,, thorough & truthful take-,,appreciated
@DJPain16 ай бұрын
Glad it was helpful!
@jamescampbell24875 ай бұрын
Just started the follow you my G. Appreciate all the legit info
@DJPain15 ай бұрын
Thank you for the sub!
@BartSch1pper3 ай бұрын
Should you rip an entire beat to use it in your song? probably not. Should you rip a single hit or sample to use in your own song creatively in a different manner? legally speaking no, but you probably can. Sampling has historically always been a part of electronic music. It is a cultural phenomenon. We often assign a certain value to culture. Entire genres were built on the amen break of example. Not to vouch for the fact that the Winstons basically didn't receive royalties, but the importance of sampling cannot be understated. There are basically two scenarios: -Either you are not big enough and if you sample you probably won't be found out or it isn't worth the trouble to pursue you. In this case trying to clear a sample can actually land you in trouble. The artist and label will probably say no and you may get in actual trouble. Your song also probably won't have that much effect on the artists you sample -You are big enough and will draw attention. You should absolutely clear your samples. Also, you probably make enough money to actually give royalties to the artists you sampled. This is my take and summary of the whole problem basically. Everyone is entitled to their own opinion of course. I feel to an extent sampling is okay if you don't steal the core concept of the sample, and use it creatively in a new way. This has always been a part of electronic music culture. But always ask yourself if you are doing your fair share to support other artists, and not harm them in the process of sampling. Sampling is why electronic music has a history, and its importance should not be understated. I hope everyone has a good day.
@pheenixdown6 ай бұрын
The ROI for clearing samples is just not really within our best interests as producers. I’d rather collaborate with sample/loop creators 🫡
@DJPain16 ай бұрын
That too
@freudianslipandslide4 ай бұрын
Easiest solution is to actually do the work and learn music. It will reduce the value of the record labels power and you will create something of your own. Win win!
@djnizzi5 ай бұрын
"if you catch me it means I've failed" - El-P
@DJPain15 ай бұрын
“If you’ve never failed, you’re lying” -el pain www.whosampled.com/Company-Flow/
@djnizzi5 ай бұрын
@@DJPain1 cool, I trust whosampled, but how can you be sure they caught'em all? At the moment I don't have the time to verify. Also in the latest song I've published, there's an uncleared sample. ok I'm nobody, but I bet that whosampled won't ever catch it, even in the unlikely event that one day I become somebody
@DJPain15 ай бұрын
@@djnizzi that’s not the convo at all.
@karmmark95852 ай бұрын
Thank you for everything you do for producers. If I sample someone's laughing in a video, do I have to reach out to the individual that recorded the snapchat video?
@conchobar6 ай бұрын
The number of lawsuits from music owners suing producers of AI music will blow up in the next few years, that legislation will be passed to mitigate it.
@DJPain16 ай бұрын
Time will tell, but it’s gonna be messy
@peepholepeople44906 ай бұрын
“Not the current genocidal fascist… the dead one” Okay that makes things clear… unlike Kanye’s samples. 😆
@Swodie_Jeetin5 ай бұрын
Benn Jordan talked a while back about a good (IMO) idea to fix our broken copyright system whereby rights holders across all media types could be paid by federal taxes, collected using an income-based sliding scale - thus all media would be in the public domain and freely usable by anyone. Best part: since everyone is paying in, the costs for the top income bracket are less than the average person spends streaming tv per year.
@StLaRok6 ай бұрын
Ken Lewis recreated samples on College Dropout. Kanye would send him the beat and Ken would work on it from his own studio. I remember reading an interview where he talked about it maybe a year after the album dropped.
@DJPain16 ай бұрын
Which ones?
@StLaRok6 ай бұрын
@@DJPain1 I just checked all the songs on Spotify and he’s credited on Last Call, which is the specific song I remember him talking about in the interview, so maybe that was the only one.
@StLaRok6 ай бұрын
@@DJPain1 Or maybe he recreated more, but that was the only one that was used or was cleared.
@Gainn6 ай бұрын
Here's a conundrum for you. I made a track in 99 that contains a small melodic sample that I snipped off a CD I had, but I cannot remember what it was from or find the original. I've tried everything I can think of to find out where I got it from, but no luck. How the hell do I climb out of that rabbit hole?
@Ryanez932 ай бұрын
One can only imagine..
@storexxmuzik6 ай бұрын
I thought you were gonna talk about Bob 😂
@katyg38735 ай бұрын
Ken actually did a ton of stuff on college dropout. Even some of the ‘female’ vocals 😂
@Tora_Dj6 ай бұрын
Always super informative! Question, so for me an upcoming producer who samples what woud You say is the best place to get samples? Because I feel like every time I go to make music I’m Stuck thinking dam how can I release this will It get taken down etc.