Do Video Games Fake Buoyancy?

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Buoyancy seems easy to fake, but do games actually fake it? Who knows!
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Github: github.com/GarrettGunnell/
Code: github.com/GarrettGunnell/Water
References:
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Thanks for watching!
This video is dedicated to my friend, Alotryx.
#acerola #graphics #gamedev #unity3d #graphics #shaders

[@Acerola_t]

Get a free 30 day trial and 20% off an annual plan at brilliant.org/acerola ! #ad Simple topic today thanks friends happy new year

[@Levi1440p]

happy new year, Acerola

[@llMarvelous]

I have only one question - is there any correlation between buoyancy of the objects and successfulness of their distant relationships? Having trouble with my drowning simulation

[@YHK_YT]

You literally put cat videos beside the ad to keep people from not skipping?

[@Acerola_t]

and i'll do it again@@YHK_YT

[@YHK_YT]

@@Acerola_t I was so confused and shocked, does it work? Does it keep retention high?

[@dotdotmod]

I'm actually really glad the cat gag hasn't been removed because I find it genuinely fun to watch your cat

[@Acerola_t]

it unironically works to keep people watching the ads lol

[@teu009]

​@@Acerola_t lmao it works for me

[@flameofphoenix5998]

​@@Acerola_ti absolutely watch the ads for the cat dont get me wrong i want to support the channel but the cat makes a billion timee better

[@WannaComment2]

No shit, this was probably the first time in month I've not skipped an ad read and I didn't even realize until I read these comments.

[@El_Poro]

@@Acerola_t Whenever I'm about to skip the ad my brain goes "Just one more second of the cute cat plz" and suddenly the ad has ended

[@elizabethagudelo7179]

My favorite fake bouyancy is in the original half life. All they did was put a trigger plane slightly under the surface of the water, every time an object touches the plane it just kinda punches the object up a little bit And that's all it does

[@spell105]

Sometimes simple just works best. I think Acerola kinda touched on it here: at some point, the ocean becomes noise. The fact is that no one is really gonna notice if the object is tilting the correct way because the waves are such chaotic movement in the first place. You can really just fake things at this point.

[@satibel]

​​@@spell105this is how they did it in half life alix for the bottle shader "it's gonna look chaotic anyway, so the bad approximation is good enough"

[@ValeBridges]

"Did Archimedes ever take another bath?" Actually yes, IIRC there were historical records uncovered in 2011 stating that he once bathed in blood inside Heavy's ventral cavity

[@makeandbreakgames1791]

TF2 reference = like

[@h1lw]

Archimedes no!!

[@heliusuniverse7460]

eh, birds

[@h1lw]

Now, most hearts couldn't withstand this voltage... but I'm fairly certain your heart-

[@TheTicassShow]

​@@makeandbreakgames1791tf2 = cringelord

[@NateVolker]

NO BATHS, NO MATHS

[@aze4308]

NO BATHS, NO MATHS

[@Datscrazi231]

NO BALLS, NO MALLS.

[@silverXnoise]

NO CATHS, NO SYLVIA PLATHS

[@llMarvelous]

I have one question - is there any correlation between buoyancy of the objects and successfulness of their distant relationships? Having trouble with my drowning simulation

[@Starling8563]

The funny PNG computing man is back! My day has improved drastically

[@TheSourovAqib]

Indeed

[@locinolacolino1302]

Oh I didn't realise he was that sophisticated, I assumed they were Jpegs

[@myrealusername2193]

@@locinolacolino1302jpeg doesn’t have transparency so he couldn’t have done the green screen

[@marksmod]

for the last problem, maybe you can list the incoming noisy planes in a cyclic buffer, and weight each plane by the distance from the newest entry in the cyclic buffer. You sum over all elements in the buffer and get an average plane, this plane is the target plane for each frame. Since we are continuously adding new planes to the buffer and removing the one with the smallest weight, the changes over time will probably be way smoother. Another thing one could do is to instead of snapping the orientation of the buoy, you could interpolate between current and target orientation.

[@jfolz]

Sounds like you want an exponential moving average.

[@morgan0]

@@jfolz and an exponential moving average can be done much more efficiently with a infinite impulse response (IIR) filter rather than a finite impulse response (FIR) filter like a moving average. setting the value to some mix of the last and new values is a first order IIR lowpass filter, which would probably work just fine here, but there's endless options here

[@soliform3485]

Working on a buoyancy sim for my own ocean.. watching you go through the same thought processes as me was funny. To address the issues with the voxel approach (no control/ bad performance) i did a couple things instead of a plane fitting algorithm - Based the rotation of the object, if it aligned orthogonally with the oceans suface such that the cubes could same from ones "below" them, i could drastically cut down on the # of samples especially for ships which almost always maintain a similar equilibrium -To address control, i worked the buoyancy equation backwards to calculate the water density based on a desired height for the object to be at equilibrium for. This meant that for ships, all I had to do was set a specific y value to be the waterline and the program made it float there no matter what. It also meant the water density was different for each object, but that didn't have any effect so long as there weren't things that were Massively overweight and floating I have some questions about the gpu read back: What if you calculated, on the gpu, the lower frequency waves slightly ahead in the future such that when the packets arrived, they would be right on time instead of lagging behind (this would also help with noise). I'm not sure if its practical but I just thought of it now

[@Acerola_t]

the latency is anywhere between 2-5 frames so calculating ahead of time, while it sounds cool, would probably have the same results visually lol

[@soliform3485]

@@Acerola_t Ah, so I guess the stutter is more from the low density of updates from the gpu rather than a delay. Thanks for responding!

[@fimbulvntr]

​@@Acerola_tIt's not GPU-expensive to do so and you're not bandwidth-starved, are you? Couldn't you just pass 2-5 (or however much it is) worth of forward frame calculations to the CPU? Can you tell, after receiving a "GPU Packet", how long it took to deliver, and then pick the correct data point? For that matter, can't you just keep a "future stream" of data going? Also since the GPU is going to need to calculate the future anyways, can't you just store the future results instead of calculating them again? In effect you're just delaying the simulation. I guess it would have an effect if objects could affect the water simulation, but they can't in your example, so it doesn't matter, right?

[@donovan6320]

The problem is calculating. This data isn't reliable. It might give you the results for the current frame on that frame or it might give you the results for this frame in five frames. ​ You're essentially just dealing with a race condition. @@fimbulvntr

[@AutisticYui]

Great video! I had to create a relatively convincing buoyancy sim at work for VR interactable objects. You did a fantastic job with this break down! The difficulty I found, most of all, was creating an interface for designers to end up implementing the parameters, per object, to determine physical values. Lots of fun! Designers have such high standards but then want simple controls!

[@themariestofmars]

Funny seeing you here, I used to watch your 1 2 Oatmeal remixes back in 2017

[@AutisticYui]

@@themariestofmars Of course! Love Prof. Rola's videos lmao. Thanks for watching mine, eons ago!

[@baseddepartment9656]

Both are vital to being able to craft a good experience. They need to be able to author and tweak huge amounts of content and slowing that process tangibly impacts their output and the quality of the final product.

[@iffn]

Uh, thinking about the pressure on the surface of the object is actually way more applicable to how 3D objects in game engines are usually implemented. This can be done by using a displacement mesh, cutting it at the water surface and then calculating the pressure and area for each triangle to get the forces. Implementing things like slamming forces and surface friction also becomes possible. There is a great article by Jacques Kerner about the Just Cause 3 boat physics on the gamedeveloper website and a person called Habrador also has a Unity implementation with sample code based on it.

[@Bruno-cb5gk]

Yeah, would be interested to see how a pressure approach compares.

[@juxtopposed]

Amazing video. Love your content.

[@Furetto126]

yooooo

[@KuroNK]

love your's too

[@EuphoricPentagram]

One thing that could also work is having the gpu return a grid of water normals around the origin of the buoy to the cpu where you calculate the difference in normals over time and apply that to the buoy. That way the cpu is interpolating the data in order to calculate while waiting on the gpu, so the buoys are always animating.

[@Acerola_t]

that's an interesting idea, it requires even more data to be read back though which sucks. i wonder if maybe you could estimate the normals from the read back height data and get a similar result

[@idontwantahandlethough]

Your thumbnail made me realize where the word buoy comes from, so thanks for that random little insight :) (seems kinda obvious in hindsight, but then again I suppose most things do)

[@ChrisFloofyKitsune]

I kept thinking, wouldn't it be better to ask for the data in bulk? The time to make lots of little requests scales way faster than making few big requests. This is due to the individual overhead attached to each request. (Now imagine instead of talking to the GPU, you're sending data over the internet. Had to tackle that in my job.) Probably just shoving the heightmap into a render texture and reading that.

[@Acerola_t]

yes you could do that, as I said, there are many ways to do the exact same thing

[@AlexTuduran]

Since you mentioned the signal domain, the "noise" can be filtered with a simple damping filter (also known as Exponential Moving Average Infinite Impulse Response filter): o = lerp(i, o, t). This effectively removes high frequencies from your signal, simulating inertia and mass. Of course, you don't have to stop to just one filter (1st order), you can have up to 3 filters chained one after another for an even smoother frequency cutoff.

[@MattHassing]

i remember doing this myself and following a bunch of tutorials and what we ended up doing is getting the bounding box and then at the 4 corners of the intersecting plane with the water use spring physics to pull the current “plane” into alignment. i by no means came up with his myself but it’s a neat solution that gave really nice results, especially since we had a full copy of the water shader living on the cpu and could then use this copy to interact with the rest of the cpu things

[@Xaymar]

Isn't it possible to just stream a downscaled height texture of the water back to the CPU? That should be much faster than individual reads for each object. Also you can set a spring constraint in many physics engines, even the one unity uses. If you add an X/Z (or X/Y) lock to the body, you end up with a buoy that doesn't move and doesn't topple over (artist control) while still being physics based.

[@Acerola_t]

yeah that's one option, like I said there are many ways to go about it lol either way it's taking awhile

[@SillyOrb]

@@Acerola_t That's no joke. I find it genuinely impressive how fast you manage to make these videos at the high quality and the topic's depth, given that in production (albeit possibly with broader scope, more restrictions, artist requests and systems interacting etc.) these things can easily take up person months or years and then there's still a video that you need to writte and produced at the end.

[@4crafters597]

@@Acerola_t what is a while in this context? With 60fps frametime is around 20 msecs and gpu and cpu frequencies are much faster than that? Where is the bottleneck?

[@Acerola_t]

no matter what there's going to be latency, I would consider anything >1 frame of latency to be 'awhile' because it's visible at that point already@@4crafters597

[@monad_tcp]

@@Acerola_t I wish PCs eventually got an unified memory bus, but its not happening. So the best possible case scenario is at least 1 frame of latency.

[@notablink2560]

I like the part in the intro where it's just a color background with texts, reminds me of monogatari series, so nostalgic ahhh😊

[@qlwdy]

Yo Ace I’m loving binging your whole channel as I learn blender

[@Relics_tv]

Fantastic video as always! We need more of what you have to offer! Your work researching, explaining, and covering topics without just talking about what your code does and showing code allows us to learn to code it on our own in our own ways. Keep this up! I'll for sure be subscribing to your Patreon!

[@Bit_Crust]

I hadn't noticed this. These videos have even better presentation than I thought.

[@torstonvodesil6709]

I don’t know what it is about the way you make videos but don’t stop, your videos feel so casual while still being informative and it’s great.

[@TenThousandBlocks]

Great video. You have one of the best and most informative channels on the internet! Love to watch your stuff!

[@qubit1788]

I think you might be able to optimize considerably the voxel technique by using different shapes. With that buoy example, 4 or 5 well positioned voxels might be sufficient to do both the height and the tilt, with one in the center and the rest in corners...

[@boggybolt6782]

One thing I think could quite improve the simulation is drag. Objects in water experience significant drag which slows them down (tried running through a pool? Impossible). Moving objects, like ships, rely on there being far more drag sideways than forward/back in order to be able to turn properly. I made a game in 3rd year in high school where I implemented water simulation. The boats I used would sink noticably when jumping into the water, and would slide across when turned. Adding drag (high drag sideways, very high vertically) mostly fixed the issue. I don't remember much from his previous water sim video, but if the simulation isn't incredibly compute heavy, you can in fact just simulate it on the CPU for every point you need. I sampled 7 points on a boat's hull in order to determine the buoyancy.

[@adrien5568]

My first idea would be to sample the 4 corners, use a plane approximation, and filter that using a moving average window.

[@Acerola_t]

that's an interesting idea i wish i thought of that

[@znorfis]

I made the water physics for Aqua Moto Racing Utopia. I used something similar to get a plain around the floating objects. If the object was deeper then a hardcoded value, I added a force in the water normal direction. If the object normal was not in the same direction as the water normal, I added a torque to push the object towards the water normal. A lot of movement friction removes jerkiness.

[@SillyOrb]

Great video. Presenting vastly different solutions is very important, if you need to decide which solution fits your project the best with a limited time budget. Thank you for providing this to everybody, Acerola. The voxel solution looked very promissing here. It could be something that might become feasible in future games. Almost then years ago I worked on a game with a large body of water and wrote a full height field sim on the GPU and a per-sample sim on the CPU. They were deterministic and ran synchronised and used artist-controlled wave patterns to improve control over visuals and gameplay. It was similar to sum of sinuses, it makes several things simpler, but less realistic, as was pointed out in this and an earlier video. You could perform multiple thousands of CPU side "samples" (they were pattern samples and computations instead of actual samples of a map, the height field did not exist as such on the CPU side) within a reasonable budget (a single / few ms out of 33 / 16 ms per frame) on then-current consoles (with very weak tablet-level CPUs), of which we only used a small fraction in the final game (probably low hundreds, it never came up in the profiler, so I don't know). To reduce the CPU side overhead, you could bundle multiple samples that were then computed in one go. That yielded some meaningful savings for scenarios like the one in the video. The approach in that game was otherwise quite similar to the last solution. I was a little worried for a while, that I had missed an obvious better solution. 😅 Seriously, there is always something new to learn in these videos, even if you've already got some experience in the topic. PS: This is one of a few select channels where I don't mind the in-video ads. I usually don't skip them anyway, but with these channels, I genuinely enjoy the presentation, as weird as that might be.

[@excrubulent]

Yeah, I was thinking that since you can sample a single point out of the field, taking a handful of points on the CPU should work just fine.

[@crestofhonor2349]

I'd love to see you take on some rudimentary water interaction physics pretty similar to how RDR2 detailed theirs in the GDC paper. I think that would be an extremely interesting thing to add to your ocean simulation. Plus it'll help as you add more objects to the world

[@beamshooter]

Dude your videos are so good. Your timing between images is impeccable

[@RandomProduct]

Love that you named your cat Brilliant, and that they sponsored this video 💕

[@KoshakiDev]

I learned something new, the video is enjoyable, and there is variety of options presented! 🎉 10/10 video

[@Trigger0x10c]

Happy new year Acerola! Great vid as always)

[@julianlanty2066]

what a nice way to end the year with another acerola graphics adventures

[@oliverx65]

an acerola video a month keeps one feeling comf

[@yrus7802]

It would be interesting to see how the amount of voxels, (and maybe their shapes & distribution in the cube) changes the simulation. Great video as always !

[@bs_blackscout]

Ayy new Acerola video! Happy New Year

[@brownspottedcat]

that's so cool, acerola. happy new year. edit: i just watched an entire ad read because cat videos were playing off on the side. genius?

[@SpringySpring04]

I always get such a happy feeling of excitement when this dude uploads I love the silly and random cool and interesting programming videos, it's so fun!

[@morgan0]

16:00 so my suggestion is to use a first order lowpass filter here (there's some similarity between ideal springs and lowpass filters), each frame setting the value to partway between the last value and the updated value. any changes too far above the filter's cutoff will be reduced and that smooths it out. it can completely remove changes if they happen too fast, so sometimes it requires scaling up the input or output to compensate, but a higher order filter could more easily allow changes you want while still smoothing it out. a higher order filter could have a higher Q and rock back and forth faster when the frequency is just right, as often happens. there's possibly some overlap between this and what you were doing but hopefully it gives you some ideas to explore.

[@xXscissors_61Xx]

Incredible. This is inspiring and really well done. As an audio guy looking to begin game dev, I wish there was a channel just like yours but for us audio nerds… but as you know in the industry, who gets their data compressed and cut first? Audio 🤣 thanks a million for the inspiration!

[@user-iz1nx2qd6r]

i love your vids SO MUCH! thanks, Acerola.

[@SadeN_0]

My immediate thought in regards to the lag is that since it, gameplay-wise, doesn't matter what time the ocean simulation is at, if you could hold back the clock for the rendering time, you could have the wave visual sync up with the values you got from the gpu->cpu reads. I'm too lazy to go back to the previous vid to chek how the sim was stored, but given it's not just a simple function of time like a sum of sines would be, I suppose this might require a circular history buffer of wave maps or something

[@lordquintus1419]

At 16:00 I would recommend a dashpot/damper rather than a spring, I don't wanna overexplain if you know what it is, but basically instead of resisting based off distance like a spring, it resist motion from its current point, this prevents it from being pulled to the normal and instead allows it to drift around without being erratic

[@themumfortofflying6415]

I think adding a little blip noise when notes/corrections are put on screen would be helpful because I'm a listener not a watcher and wouldn't know what I heard was incorrect unless I saw the screen.

[@H0mework]

Happy New year bro love your Christmas special

[@RayznGames]

Beautifull! I loved the plot twist with reading data back from the GPU!, and seeing you go through a similar thinking process for bouyancy,, even though, i never went with the voxel approach for performance concerns, i did, stategically placed a number of "buoyant detectors" arround what i decided would be the bouyancy line of a given boat model,, theese detectoirs simply read a few data points for our ocean, and apply the bouyant force at a rigidbody at each detector location., if they are below the ocean water., they push up, and if not they fall, by gravity, wich ensures that the rotation of the bouyant object will match the waves outline arrount it, although that push up or down is running in cpu, is constantly in motion riding them with no lag. I love to see you took the simulation approach! Amazing!!

[@monhi64]

I love this video because the topic is one of the most obvious things that regular game players haven’t ever thought about. How I went my entire life without questioning how they make things float in games is wild

[@elbodomo8875]

Hey, i made something similar a year ago. I was inspired by a part of the sea of thieves documentation, were they talked about having a complex visual ocean (gerstener waves) based on a more simple combination of sine waves. So my solution was having a nice looking shader(back then only shdergraph, bc i just started on cg) and calculating the the hight of the water with the biggest waves represented as sine waves. it looked nice and was really easy on the pc(my plan is to redo that stuff at somepoint and make the vr sailing expierience or puking simulator).

[@DamianReloaded]

Very nice. I imagine that if the object wasn't interactive you could simulate it all in a shader.

[@TopConductor]

Great video as always. Wish I had more time to try it myself.

[@hohohaha5297]

But Acerola?? How do you make these informative and entertaining videos about an obscure topic that is very hard hard to learn?? On a serious note your channel just became my favorite, thanks for all the hard work!

[@dvshkbm]

you are such a legend, i love your videos

[@CAxPH]

You could set a linear interval to sample the gpu requests to smooth out the raw data coming in. That could be a "sample rate" variable that you can set wherein a higher sample rate is more accurate but has more noise, whereas lower sample rates result in less accurate but smoother motion. You could also simply bake the motion if the object is static. Since the sin waves won't change at that exact position after a each cycle.

[@novadea1643]

For the more realistic simulation a thing that came to mind that would give quite a bit of artistic control and shouldn't be that much heavier to compute, just have a buoyancy multiplier for the voxels/areas and then you can easily make different parts of the object more or less buoyant. With that just making the top more or the bottom less buoyant should make the buoy auto correct unless it's completely inverted.

[@reputin8428]

Another banger! Man I like this channel!

[@a52productions]

15:40 If you measure and plot the normal vector angle fluctuations, and then tune the spring and damping constant so that the angular spring has a similar resonant frequency, the motion won't be quite as smoothed out. Alternatively, if you all you want is to keep the buoy upright, you could apply a similar angular spring to the physics-based system. That way you could keep the nice angular displacements, while having a tunable parameter that keeps it mostly upright.

[@tequt]

I was just thinking multiplying the non-"up" coordinates and then smoothing out that data to exaggerate the buoyancy and then make it look smooth.

[@AwareOCE]

Awesome video man, really interesting project and great script!

[@ronylouis0]

A physics video starting with a monogatari reference? What kind of dreamscape did i just stumble upon

[@Hazzel31337]

great video, great explanations 10/10

[@jonathanfaber3291]

a nice relaxing Acerola video (I'm shaking and out of breath from grinding out AC6's NG++ final boss (I was so damn close last time))

[@casperes0912]

Acerola must’ve tried a long distance relationship that went bad. Cause that was very accurate

[@entangledatoms7153]

It’s a bad game if the developers don’t take into consideration Quantum Entanglement.

[@ihonestlydontcare5894]

Why did acerola have to go so far with the longterm situationship? Definitely hit a bit too close to home for me😂

[@aqueleindie]

there was no need for the long distance relationship gag because that literally happened to me and now I'm crying great video tho

[@boggo3848]

I feel like doing as many FFT computations as there are voxels in the object to get the water height only at that point might not be too expensive to do on the CPU, as long as the grid is sort of coarse.

[@swanijam]

thanks for continuing to provide the good knowledge acerola

[@ArenSpace]

cant wait to see you fully simulate the wind forces and buoyancy of a pirate ship having the sails and rudder actually work

[@9klass100]

It amazes me how similar is sound/music field to video game/grogramming. All these algorythms pretty much work the same but with different data. It makes me optimistic that if i understand one i'll eventually undarstand another.

[@blackbriarmead1966]

This was my final project for my computer animation class in my last semester of college

[@rytan4516]

One idea is to do a bit of time smoothing so that the CPU snapshot has less intermittent effects. Sure, it'd make there be more latency between the water movement and the buoy movement, and you'd have to draw the water to a texture to do the time smoothing on the GPU side, but maybe it'd make up for it with the buoy being less noisy

[@chronickat5453]

3:50 was not expecting that to hit way that close to home for me. reopened some wounds there

[@Hydraxouz]

Super interesting. Nice job man!

[@SvenWM]

For the voxel aproach you dont need the volume displacement for them. if we have a dence enough voxel field we can approximate the displacement by just sampling the waterhight.

[@DKarkarov]

i like how this video has floated to the top of my youtube suggestions. I hope it has the staying power to remain afloat and garner many views!

[@miep165]

New acerola video!!

[@tozpeak]

Feels like spring has "too tough" coefficient. It takes several guessing iterations to find a nice look. At least in cloth simulation from scratch it took for me.

[@snared_]

yay new years graphics vid! Wonderful!! Thank you!

[@MarcinP2]

You can cut your simplified cylinder with the water plane and find volume and center of mass of the submerged part. That gives you a bouyancy vector. You can do a series expansion on cpu to get the value in single point.

[@itachi2011100]

a monogatari and persona 3 ref in first few seconds, you have my sub

[@proosee]

TBH buoyancy feels so unpredictable IRL because of all inertia that I can imagine that this spring physics with some tuning will give believable effect. The fact that delay didn't affect subjective feeling only shows how much one can cheat on this.

[@ripper132212]

for natural looking movement you would want a 2nd order ODE, say like you'd implement a PID controller for a reference height (1dof sim) or normal angle (2(?)dof sim)

[@lineriderrulz]

The spring thing you mention towards the end sounds like a PID controller. Maybe that kind of implementation could lead to good results, but I imagine the implementation is somewhere between as expensive as the approximation and the voxel simulation so probably less desirable when you have many buoyant objects.

[@AmaroqStarwind]

Inertia (physics) and interpolation (simulation) would lend themselves well together. You can also use bounding boxes, coordinate systems, etc, as a performance optimization. Also, coarse grids progressively being refined into more granular grids only in small areas... Dividing the water into "chunks", etc.

[@ThatChronomancer]

I didnt remember why i was subbed to you until i saw that tony the tiger thumbs up image. THAT of all things is what reminded me of who you were

[@rocksfire4390]

get avg height of water in the area that's being touched, then lerp the results. movement up and down + rotation can be controlled with a variable. this also gives you control over the "sim", it's not going to look the best but it's certainly good enough in most cases.

[@txikitofandango]

Watching your videos with the sound off is like solving a rebus puzzle

[@kinghotcoc0]

An interesting idea is to just combine them both! Have the cheaper method applied on buoys far away, where accuracy is not the greatest concern, and then when the buoys enter a close range of the player, switch it to physics mode.

[@shinobuoshino5066]

Buoys are irrelevant background objects for the purpose of a game and literally noone cares if they're realistic or not except people who don't play games to actually have fun but to instead whine about things that don't matter. If I wanted to look at buoys floating I'd rent out a boat and go check them out.

[@gabrieltrevisan3624]

Maybe the "spring physics" lacks a bit of mass for the object. I believe you could add in the dynamics of the filter you're using to smooth it out, sort of like when you change the dynamic behaviour of a system using a PID controller

[@piskamil7315]

just found out your channel. loves the extensive use of persona ost 😭😭😭

[@lebro4401]

Happy new year

[@rmt3589]

You say bad game design, but I think it's perfect. I want large waters to be anti-player boarders in my dream game. Having rough seas that actively move the player is perfect! I want a 99% game over, but with a real possibility of survival. Like an irl rip tide. They don't automatically kill you, miracles can happen, but you're probably dead.

[@cinderheart2720]

Acerola uploads, we watch.

[@Johnyknowhow]

the long distance cpu and gpu relationship hit way too close to home and tells me that I'm still not really over my 7 year relationship... thank you for the happy new year video computer game png man

[@buzbuz33-99]

Very entertaining. It seems that this is a case where the delay is not only helpful, but you want more of it. Because water is compressible, objects (especially heavy objects) don't react immediately to changes in height or direction. Thus you could send some portion of the changes into an "accumulator" that would release an average of the changes. I did this with a flight sim where I wanted to add a little lag into the time between inputs and results - to reflect that controls wires stretch and contract (like springs) and air is compressible. It worked like a charm. That might just be the tweak that you need.

[@AR-cy6uj]

Air is compressible, but water is practically incompressible. It takes a ridiculous amount of force to compress water by a non trivial amount.

[@buzbuz33-99]

@@AR-cy6uj You are absolutely correct. When I used the term, I was thinking about the ability of the water to flow around the object - the thing that allows me to dive into a pool of water and not go "splat". Perhaps the term I should have used is density. And perhaps the true explanation even more complex - having more to do with the weight of the object and how far the object is submerged in the water. In any case, this appears to be one situation where lag is not a bad thing - it is just a matter of making that lag look smooth and realistic.

[@QuroWebArchive]

My favorite math daddy

[@CodyDreams]

Hey why you want use point upward force, basically I mean sample the ocean surface at some point divide by you then add upward force at point. Also gpu is better because it doing all vertex, but CPU can do that little times like 10 to 100 times with no problem. That mean no need to take data from gpu to CPU, just directly run the algorithm in CPU, also point that I mention is preferred by you, for me 4 to 6 point enough for your model

[@bluesoman]

You need to set your center of mass on the buoy to be lower to automatically correctly avoid the stuck on its side problem and apply the force at the voxel position not at center of mass. It will then naturally want to tip to an upright position.

[@Acerola_t]

stuck on its side wasnt a problem i was just using the same model to demo how it would look if it did topple over

[@joycezhang140]

I just want to say Acerola’s cat + advertisement segment is the smartest thing ever.

[@Owl90]

I can't believe you changed the thumbnail. The original one was SO GOOD!

[@salvatoreocello]

Happy new year!!!!!