Documentary Edited After 40 Years

[@glenndoty739]

This movie was fantastic!

[@arricammarques1955]

Gary Graver was a fine gent. Graciously offered me a copy of Working with Orson Welles.

[@hefferwolff3578]

Thanks for posting this!

[@jmalmsten]

"the best film I ever made" I do prefer F For Fake. But to each their own, mr Welles.

[@ian87294]

My favourite film!

[@user-bj2lu9qt3o]

Just saw it and love it!

[@James_Bowie]

That 'visual static' background framing the video is both unnecessary and damned annoying!

[@immakingamovie1379]

It is there to avoid auto copyright strikes. But here…. kzbin.info/www/bejne/iXK0XoaDrZ2EgKcsi=Dd8H3BY-TiJEo8ka

[@user-bj2lu9qt3o]

@@immakingamovie1379 that is much better...

[@phuuchai40]

Is there Gesualdo in the score? I recall Albinoni. Maybe I hadn't yet become aware of Gesualdo, last time I saw this.

[@JanPBtest]

There is no Gesualdo, Welles misspoke. And he did notice something odd about that piece: the composer was doing things seemingly way ahead of his time. And it was true because that piece was actually composed by Remo Giazotto in 1949 (supposedly based on a few notes from Albinoni although that melody fragment was never found, the story was probably Giazotto's invention).

[@user-bj2lu9qt3o]

@@JanPBtest are you talking about the Jazz Part?

[@JanPBtest]

@@user-bj2lu9qt3o No, the main leitmotif, e.g. during the opening and the ending.

[@NickSayers]

FLIMING? (Poster image) Oops!

[@immakingamovie1379]

Thanks for pointing that out. Only re did the thumb nail yesterday