Don't Sound Robotic Anymore with These Simple Tips | Phrasing Explained

[@gabrieleannadr.lorenz-meye8545]

Thanks!

[@colinjames2469]

I just learned K332 by heart… without any lessons ever. However…. this info is what my playing is missing. Thanks Denis.

[@agustinussiahaan6669]

Thank you, Denis.

[@lalahohoable]

Hello Denis, your channel is one of the best related to Piano music and piano playing! Bravo! Gio

[@DenZhdanovPianist]

Thanks a lot!

[@s.n.b5511]

❤❤❤❤❤ Denis you’re awesome. I work hard and mindful (hopefully) to get my piano skills up enough to comprehend your contents. Thank you. How fortunate we’re whom have access to your knowledge virtually. The new course will be Christmas gift to myself 😊

[@DenZhdanovPianist]

Rock on! Thanks for commenting!

[@crp5898]

Hola Denis, me encantaría tomar aunque sea una clase en algún momento, pero para nuestro país que tenemos que multiplicar por más de mil veces tanto dólares como euros, se nos hace muy difícil acceder a los precios internacionales.Recién en Argentina con la bendición que hemos tenido con la presidencia del señor Milei la economía se ha empezado a estabilizar, lo que me dá esperanzas de que en un tiempo más podamos disponer de servicios y bienes del exterior, cosa que teníamos negadas por gobiernos corruptos, siendo ellos los únicos que podían disponer sin límites de las divisas para darse los lujos más extravagantes. Mi agradecimiento es infinito por tu generosidad, ya que tus conocimientos son muy pero muy valiosos.Un gran saludo.

[@mitchnew3037]

Can’t thank you enough sir !! ❤

[@DenZhdanovPianist]

Most welcome!

[@mariadoloresvidalpianista3225]

😅😅😅 título y miniatura geniales, siempre fantástico 🎉

[@Pianoayeaodg]

5:04 is taubman technique also explained in the course?

[@DenZhdanovPianist]

There are many similarities, as I have studied this approach, and respect it very much. Although I have a different approach to some things, and in some situations offer more than one option. Strictly speaking, it’s not a Taubman approach course.

[@3213470]

Hey Denis, I already enrolled in the course. By the way, I didn’t see in the section of Chopin etudes op 10 no 2. Are you gonna about it as well?? I understand it’s quite difficult

[@DenZhdanovPianist]

This etude is already on KZbin

[@3213470]

In the example 1, dose that mean we should look out for those notes that aren’t part of the scala? And the last example to se if I’m understanding, is it like in Beethoven patgetic sonata the first bars with the broken octaves where we’re going up but a bit of sf and then the cresc shows up when going down?? I know Chopin is romantic and bethoven is classic but I’m trying to see if I got it right. Also does that mean every time there’s some context intuitive thing the composer have to mark it or do we sometimes have to see on our own??

[@DenZhdanovPianist]

Composers typically highlight elements that contradict a general tendency, serving as a warning to performers not to fall into the trap of clichés. From a melodic perspective, any alteration to the scale creates a moment of heightened tension, which demands acknowledgment by the performer. Listening to great artists like Volodos, Gould, or Sokolov with the score in hand, you can observe how masterfully they capitalize on these moments to amplify emotional impact.