Glorious ….. Beautiful ending for my week Watching a sunset 🖤🎼
@DenZhdanovPianist11 сағат бұрын
🌅 Have a great evening! Thanks for commenting!
@VitoLombardi114 сағат бұрын
You are great
@DenZhdanovPianist13 сағат бұрын
Thank you!😊
@andrescorrea382119 сағат бұрын
hi, the fingerings that appear on the score are those you applied most, right?
@DenZhdanovPianist18 сағат бұрын
Most of the time, I don’t give much thought to which fingers I use, unless there’s a specific challenge that requires comparing different options. Additionally, the scores I display are in the public domain, although I typically work with Urtext editions, such as Henle or Bärenreiter. However, that doesn’t automatically mean they have better fingering. In fact, Henle often has rather poor fingering suggestions compared to some Soviet public domain editions.
@bartoszmaniecki180623 сағат бұрын
very nice video
@vickieechelli6302Күн бұрын
Hello Denis. How I wish my piano teacher all those years ago had the teaching skills to provide me with this knowledge and a good understanding of these skills. You inspire me to continue to play the piano and improve. Thank you so very much. I’m grateful for your instruction and thrilled to have found your channel.
@DenZhdanovPianistКүн бұрын
Thank you for your feedback, happy to help! Teachers like therapists, you just have to try several to find the one that suits you best! Keep up!👍
@yubinp1791Күн бұрын
This rendition is by far the best one I found. Nothing is muddled and it brings out such clarity and crystalline quality of the piece! Hats off to you Denis!
@DenZhdanovPianistКүн бұрын
Thank you!😊
@andrescorrea3821Күн бұрын
Hi Danis, what fingering do you recommend for mesures like 14.. or 51... Thanks!
@jolenemalone69762 күн бұрын
I have medicine which causes tension can I still do this
@giladeilat61342 күн бұрын
You are truly an inspiration
@timothyhayes81282 күн бұрын
Thank you for playing Bortkiewicz! He's so amazing and very unknown
@LiliVG2 күн бұрын
This artist is always at the service of the composer and the music itself not to his ego. His enormous talent and sensitivity is always present. I love listening to this incredible pianist.
@DenZhdanovPianist2 күн бұрын
Thank you kindly😊
@jonasmutter4573 күн бұрын
Nice video! Just got accepted at the best music uni in vienna for piano! Really looking forward to that Followed you :)
@DenZhdanovPianist3 күн бұрын
Best of luck!
@PedroCristian3 күн бұрын
Great tutorial with very practical advices.
@cunite92633 күн бұрын
Denis is really a good teacher and the visuals really help!
@cunite92633 күн бұрын
When playing a piece of classical music like a beethoven sonata I usually analyze the chord progressions and the form of the music 😊
@user-we5mi6zl2s4 күн бұрын
Too difficult for me. Great playing.
@lolloren87444 күн бұрын
Fantastic
@bargledargle79414 күн бұрын
"Composition like science - needs skill", finally. This must be said, when we stop treating it like magic - we can finally improve. I really dislike however Claire De Lune... Debussy I don't like him. Maybe I am just too much of a beginner to get how it's not "annoying", Debussy's music. Maybe my issue is just how he develops them, because the beginning alone is a nice tune that could be used in a way that I find pleasing.
@mitchnew30374 күн бұрын
So awesome and poetic 🎹🙏🏻👏🏻👏🏻
@TheMostImprovedDog5 күн бұрын
I paid money to get the full version for this tutorial but I only get this short version. Please give me the link. Thanks.
@DenZhdanovPianist5 күн бұрын
If you followed the link in the description and paid for the full course on Teachable, you would automatically get an account on Teachable, where you can find all your purchased courses. Please log in to your Teachable account in order to access the course, by following this link: pianoskillsandmagic.teachable.com/
@ransomcoates5465 күн бұрын
Who taught him his unorthodox technique?
@nickk84165 күн бұрын
Great stuff Denis! Thank You so much. Lots of great ideas to take away from this video. I've been having some trouble with this so I can't wait to try your ideas.
@DenizInanComposer6 күн бұрын
😊 a wonderful video. I am very happy you address healthy piano techniques. Pianist, all musicians in general, must learn to take good care of their hands and muscles in order to keep this high level of artistic ability. I would love to see another which maybe focuses on Glenn Gould's technique. And maybe the German pianist teacher Peter Feuchtwanger.
@rinzai5436 күн бұрын
Denis, when your long awaited technique course will be published? I was very lazy in summer and need new motivation for practicing 😔
@DenZhdanovPianist6 күн бұрын
Work in progress, it’s massive so takes time😅
@sungvin6 күн бұрын
All of the tips are very mind-opening, really recommend for watching!
@anhducduong01056 күн бұрын
impressive octave technique!
@robertojr266 күн бұрын
Is this course for beginners as well?
@DenZhdanovPianist6 күн бұрын
No, I would suggest these exercises for rather intermediate players
@icedream19847 күн бұрын
Привет, Денис. Совершенно случайно вчера наткнулся на твои видео. Молодцом, так держать. Желаю тебе успехов, в исполнительской и педагогической сфере.👍 P/S: Как тебе этюды таких авторов как Николай Капустин и Дьёрдь Лигети? 😎
@DenZhdanovPianist6 күн бұрын
Лигети играл пару, есть тут на канале. Лигети, конечно, священный мутант, как и Мессиан. До Капустина как-то еще не добрался
@icedream19846 күн бұрын
@@DenZhdanovPianist Забыл сказать. Окончание этюда (джазовые аккорды) - огонь. Так неожиданно. Мне очень понравилось. Отлично придумал.
@maksimivanov54177 күн бұрын
This is very well explained! I was *not* wondering why my piano teacher doesn't let me do Chopin in my 1st year of learning, but now I know very well why exactly :) And it helps me find extra motivation for dealing with Baroque music and classical-style etudes.
@agathe92777 күн бұрын
What a gorgeous sound, wow!
@mayna.m.m8 күн бұрын
Cerny is Franz Lizt teacher am definitely doing his études
@aloziecnwachukwu15158 күн бұрын
Horowitz was NOT a great pianist. His interpretations were NOT/NEVER based on intellectual constructions. Yes he has a pretty “ singing tone” in the melodic lines BUT without architecture. YES I SAID IT.
@mitchnew30378 күн бұрын
Two awesome musicians 💖
@mitchnew30378 күн бұрын
My goodness me 😮😮😮this is so detailed and beautiful 🤩
@adun819 күн бұрын
Thank You❤ you are a great teacher a fantastic pianist👍
@mitchnew30379 күн бұрын
I’m addicted to this channel GOAT 🎉🎉
@mitchnew30379 күн бұрын
This ACTUALLY HELPED ME WIN FIRST IN MY FIRST LIVE COMPETITION 🎉🎉
@DenZhdanovPianist9 күн бұрын
Congratulations!
@yvesjeaurond49379 күн бұрын
The refusal of teachers to teach transposition---beyond scales, arpeggios and simpler three note chords. To expand technique, transpose a Bach invention in all twelve keys. Chopin études are ok as transposition exercises, while keeping in mind Wim Winters' documented notion of using metronome values from Chopin Czerny and Beethoven as pendulum values--not as we do today. A last word on transposition: heed Art Tatum's maxim to "transpose the tune in every key and it will come to you." (If you aren't impressed with Tatum's pianism, he certainly made an impression on Vladimir Horowitz. :-) Another reason students are not ready for Chopin etudes. It is not just technique but also missing knowledge of cord forms. How to use variety for dominant seventh chords and half diminished chords and all manner of cords described much more effectively in jazz than in classical Harmony. Functional Harmony is important too. To solfege the degrees of the scale rather than perfect pitch the names of keys on the piano. One has to do both. And counting. Students are taught to count from the beat rather than to the beat and 1], and 2]. Leonard Bernstein was of that opinion as well indicating it's in between the Beats that a conductor is counting from. Rhythms shouldn't follow visual patterns. Musical typography in the 18th century was limited and inspired by mathematics. Music is aural, not visual. We don't count the pulse like a mathematician. Musicians cycle. Brian Brown, a student of Oscar Peterson's used to tell me that the pulse is like a great giant walking in the hallway who must lift his foot BEFORE he puts it down on the beat. This Counting towards the beat makes Baroque music and much of classical music come alive. Of course there are exceptions, but generally counting towards the beat is much more effective for articulating the pulse.
@DenZhdanovPianist9 күн бұрын
Very nice points. I agree, and actually much of that was covered in the previous videos.
@joyceb663410 күн бұрын
Great teaching. You are an excellent teacher, thank you. Thank you for dividing it up so well and showing the different ways. I'm definitely subscribing.
@mitchnew303710 күн бұрын
So detailed ☺️☺️
@mitchnew303710 күн бұрын
Thank you so much Professor 👍🏻🙏🏻
@kumarBLR698010 күн бұрын
Trying and trying to master these simple notes these past few years - most of the other etudes are normal pieces not this one😢
@DenZhdanovPianist10 күн бұрын
Yes, it’s very tricky😅
@mitchnew303710 күн бұрын
Phenomenal 👏🏻👏🏻
@mitchnew303710 күн бұрын
Thanks for the advice 🎉🎉
@mitchnew303710 күн бұрын
This is so good 😊
@DenZhdanovPianist10 күн бұрын
Thanks for watching!
@mitchnew303710 күн бұрын
Can I use an alternating fingering ( 23-13 )? Thank you!! And another wonderful video !!!
@DenZhdanovPianist10 күн бұрын
Yes absolutely, I even mentioned this option in the Rubinstein’s video recently, he did that in Beethoven’s 3rd concerto.