Dussek: Complete Sonatas & Sonatinas

[@BrilliantClassics]

Thank you for watching. Tracklist: Bart van Oort: Sonata in A Major, Op. 10 No. 1, Craw 60: 00:00:00 I. Allegro moderato 00:09:12 II. Adagio cantabile 00:13:19 III. Rondo. Allegro assai Sonata in G Minor, Op. 10 No. 2, Craw 61: 00:16:35 I. Allegro moderato 00:21:55 II. Vivace con spirit Sonata in E Major, Op. 10 No. 3, Craw 62: 00:29:11 I. Allegro maestoso ed moderato 00:39:47 II. Presto con fuoco Sonata in D Major, Op. 31 No. 2, Craw 133: 00:46:50 I. Allegro non tanto 00:52:24 II. Adagio con espressione 00:56:16 III. Pastorale. Allegro non troppo Piet Kuijken: Sonata No. 2 in D Major, Op. 25 C.127: 01:01:03 I. Adagio maestoso - Presto 01:07:08 II. Larghetto 01:09:47 III. Rondo. Allegremente Sonata No. 1 in G Major, Op. 39 C.166: 01:13:16 I. Allegro 01:20:49 II. Andantino ma moderato e con espressione - Allegro ma non troppo Sonata No. 2 in C Major, Op. 39 C.167: 01:26:42 I. Allegro moderato 01:34:21 II. Andantino quasi larghetto 01:36:48 III. Rondo. Allegretto Sonata No. 3 in B-Flat Major, Op. 39 C.168: 01:40:42 I. Allegro con spirit 01:48:19 II. Rondo. Andante sostenuto cantabile Alexei Lubimov: Sonata No. 18 in E-Flat Major, Op. 44, Craw 178: 01:55:35 I. Introduzione. Grave - Allegro moderato 02:06:35 II. Molto adagio e sostenuto 02:14:12 III. Tempo di menuetto più tosto allegro 02:17:54 IV. Rondo. Allegro moderato ed espressivo Sonata No. 28 in F Minor, Op. 77, Craw 259: 02:25:34 I. Allegro moderato, ma energico 02:38:03 II. Tempo di menuetto con moto 02:42:40 III. Adagio non troppo, ma solenne 02:48:41 IV. Rondo. Allegro moderato Tuija Hakkila: Sonata No. 3 in A-Flat Major, Op. 5, Craw 43: 02:58:06 I. Allegro 03:10:13 II. Rondo. Allegro non tanto, con spiritoso Sonata in B-Flat Major, Op. 24, Craw 96: 03:13:27 I. Allegro con spirit 03:19:23 II. Rondo. Pastorale, allegretto moderato con espressione Sonata in A Major, Op. 43, Craw 177: 03:25:16 I. Allegro moderato con espressione 03:37:09 II. Rondo. Allegro Sonata in F-Sharp Minor, Op. 61, Craw 211: 03:41:53 I. Lento patetico - II. Tempo agitato non presto 03:53:04 II. Tempo vivace e con fuoco quasi presto Wolfgang Brunner: Sonata No. 7 in A Minor, Op. 18 No. 2: 03:59:25 I. Agitato assai 04:06:07 II. Rondo. Allegretto moderato Sonata No. 19 in B-Flat Major, Op. 45 No. 1: 04:11:18 I. Allegro cantabile 04:20:51 II. Adagio patetico 04:26:05 III. Rondo scherzo. Allegro da ballo Sonata No. 20 in G Major, Op. 45 No. 2: 04:31:34 I. Larghetto sostenuto - Allegro di molto 04:40:42 II. Rondo. Andantino con moto Sonata in D Major, Op. 45 No. 3: 04:46:38 I. Allegro moderato 04:55:44 II. Larghetto con moto 04:59:09 III. Rondo. Allegro moderato assai Viviana Sofronitsky: Sonata No. 1 in B-Flat Major, Op. 9 No. 1: 05:04:16 I. Allegro non tanto 05:12:48 II. Rondo - Allegretto grazioso Sonata No. 2 in C Major, Op. 9 No. 2: 05:17:07 I. Allegro con spirito 05:25:59 II. Larghetto con espressione 05:30:13 III. Presto assai Sonata No. 3 in D Major, Op. 9 No. 3: 05:36:43 I. Allegro ma non troppo 05:45:21 II. Prestissimo Sonata No. 27 in E-Flat Major, Op. 75: 05:51:50 I. Allegro ma non troppo 06:08:22 II. Andante moderato 06:15:24 III. Rondo - allegro moderato grazioso Zvi Meniker: Sonata No. 22 in D Major, Op. 47 No. 1: 06:23:23 I. Allegro con spirit 06:29:23 II. Adagio sostenuto ed espressivo 06:31:59 III. Rondo a la militaire. Allegretto moderato Sonata No. 23 in G Major, Op. 47 No. 2: 06:35:58 I. Allegro ma moderato ed espressivo 06:43:15 II. Rondo con espressivo. Andantino con moto Sonata No. 26 in A-Flat Major, Op. 64 "Retour à Paris": 06:48:04 I. Allegro non troppo ed espressivo 07:02:34 II. Molto Adagio, con anima ed espressione 07:10:54 III. Tempo di minuetto, scherzo. Quasi allegro 07:14:45 IV. Finale. Scherzo, allegro con spirit Petra Somlai & Bart van Oort: Sonata in C Major, Op. 14 No. 1, C.71: 07:23:07 I. Allegro 07:29:12 II. Andante poco larghetto 07:31:54 III. Air Russe. Rondo. Allegretto non troppo Sonata in G Major, Op. 14 No. 2, C.72: 07:34:53 I. Larghetto con espressione 07:43:00 II. Molto allegro Sonata in F Major, Op. 14 No. 3, C.73: 07:49:30 I. Allegro 07:59:50 II. Rondo. Allegretto Sonate Pour Le Clavecin Où Le Forte-Piano in G Major, WoO, C.40: 08:04:52 I. Larghetto col espressione 08:10:28 II. Allegro Petra Somlai: Sonata in B-Flat Major, Op. 35 No. 1 Craw 149: 08:19:33 I. Allegro moderato e Maestoso 08:34:42 II. Finale. Allegro non troppo ma con Spirito Sonata in G Major, Op. 35 No. 2 Craw 150: 08:43:08 I. Allegro 08:54:04 II. Rondo. Molto allegro con Espressione Sonata in C Minor, Op. 35 No. 3 Craw 151: 09:00:53 I. Allegro agitato Assai 09:11:31 II. Adagio patetico ed Espressione 09:19:12 III. Intermezzo 09:19:45 IV. Finale. Molto Allegro Sonata in D Major, Op. 69 No. 3 Craw 242: 09:24:16 I. Allegro maestoso e Brillante 09:33:25 II. Larghetto Espressivo 09:37:00 III. Finale. Chasse, allegro Scherzo Ursula Dütschler: 12 Progressive Lessons, Op. 32: 09:44:08 I. Allegro non troppo in C Major, C.106 09:46:31 II. Andante sostenuto in F Major, C.107 09:48:48 III. Rondo a la turca in F Major, C.108 09:51:38 IV. Molto allegro in F Major, C.109 09:54:34 V. The Empress of Russia's Favourite Air with Variations in C Major, C.110 09:57:19 VI. Pollaca in F Major, C.111 10:01:21 VII. Allegro vivace in B-Flat Major, C.112 10:06:31 VIII. In the Dead of the Night, a Favourite English Song with Variations in G Major, C.113 10:11:24 IX. Oak Stick, a Scotch Reel Arranged as a Rondo in B-Flat Major, C.114 10:14:59 X. Con spirito in G Major, C.115 10:20:09 XI. Romanella in G Minor, C.116 10:24:33 XII. La retreta, an Original Spanish Quick March Arranged as a Rondo in G Major, C.117 6 Sonatinas for the Piano Forte, Op. 20: 10:29:57 I. Allegro non tanto - Rondo. Allegretto. Tempo di minuetto in G Major, C.88 10:33:56 II. Allegretto quasi andante - Rondo. Non presto in C Major, C.89 10:38:58 III. Allegro quasi presto - Rondo. Andantino, con espressione, C.90 10:46:08 IV. Moderato - Menuetto. Tempo di ballo in A Major, C.91 10:51:22 V. Allegro moderato - Rondo. Allegro moderato in C Major, C.92 10:55:31 VI. Allegro - Rondo. Allegretto in E-Flat Major, C.93

[@Taka-Musics-Labo]

To Brilliant Classics channel staff team. As usual, all of the chapter counts are obviously wrong. You must correct them.

[@RitaPas]

Good job indeed but why Dussek and not Dusík?

[@Taka-Musics-Labo]

@@RitaPas That sounds obvious to me. "Dussek" is the spell in English, and the other side, "Dusík" is the spell in Czech. You don’t know that? You are really stupid person, haha...😁

[@Taka-Musics-Labo]

@@RitaPas Dussek is the spell in English. Dusik is the spell in Czech.

[@RitaPas]

@@Taka-Musics-Labo yes, of course, but… he was Czech

[@mosheknoll1653]

As a longtime Dussek fan, I thank you for posting this outstanding collection! A true feast for those of us who appreciate Dussek.

[@MenelionFR]

Awesome collection, thank you!

[@classicallpvault]

The man in the painting is Louis Ferdinand, Prince of Prussia. He was a friend and patron of Dussek, as well as a composer in his own right who wrote 13 works (all of which have been recorded decades ago) in the style of Beethoven. Musicologist Dr. Marten Noorduin, whom I went to secondary school with, once told me that the Prince and his composer friend were also notorious for their epic drinking binges together.

[@marckg6950]

That's Bob from the corner bar.

[@notaire2]

What a nice compilation of all the sonatas and sonatinas composed by the famous Czech composer! The sound of all the period instruments and the virtuosity of all the pianists are truly amazing!

[@Schleiermacher1000]

Thanks, Brilliant, again something I wouldn't have heard without you.

[@johnkathe-pianist719]

I think it particularly cool that Alexander Scriabin's granddaughter is a contributing pianist on this album.

[@PianoCantabile1989]

El gran Jan Ladislav, un artista genuino.

[@ЗояВинникова-х4ц]

Мне 77 лет и ,,открыла,, для себя Душека! Благодарю!

[@MargaretGeorgila]

Είναι ωραίος και διακριτικός ο Düssek. Είχα κάνει ένα κομμάτι του σε σολ ματζόρε sonatina op.20, όταν ήμουν στην Β' κατωτέρα. Τώρα είμαι τελειωμένη στο πιάνο, δίπλωμα με άριστα παμψηφεί.

[@monicabrondo4149]

Que belleza de obras,de un compositor quizá no tan reconocido!!!!!!....❤

[@dustinlaferney3160]

Woah, that fortepiano has a beautiful tone! Props to the performers and engineers

[@anigiuran109]

A lovely music for this peacefuly afternoon ! Thank you Brilliant Classics !😊😊😊😊😊❤❤❤❤❤

[@W.ClassicMusic]

You're giving me strength again today Thank you for the wonderful music

[@marckg6950]

I've sorta lost everything, but your right about the strength from music. And my adoring dog. And a cigarette, but I havnt smoked in 25 years.

[@Taka-Musics-Labo]

10:30:30 Sonatina Op. 20 - 2

[@류순열-h6i]

아름다운 피아노 연주곡 잘 들었습니다~감사합니다~🎵🎹🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕

[@Schleiermacher1000]

감사합니다. 여기 오시게 되어 반갑습니다.

[@hannawagenknecht6378]

Begeistert höre ich zu, ist bezaubernd ,das Spiel. 😊❤

[@thomashattey8037]

I played a sonatina by Dussek age 12. Thoroughly enjoyable. He should be more often performed and better appreciated.

[@S.W.I.F.T.]

❤ Благодарю! Прекрасная музыка в чудесном исполнении ! ❤

[@joseantonionavarro7557]

GRACIAS BRILLIANT CLASSICS POR TANTAS MARAVILLAS.

[@canman5060]

This is a super great treat. Thanks a million !

[@fransmeersman2334]

Music on period instruments can be very satisfying as this great upload with Dussek's magnificent works and with excellent artists on the pianoforte. Thank you B.C.

[@stephanebelizaire3627]

Wonderful Music Forever !

[@albertbarbeverte1216]

Bien agréable cette intégrale...

[@ANTIAVISOSPORFIN-ii1cu]

Thank You Very Much For Share! A New Perspective!

[@dessiner5351]

8:15:53~8:20:03 Blank ㅠㅠ 하지만 업로드 감사합니다. 듀섹 너무 좋네요. ^^ ❤

[@andreaETbernagozzi]

The same for me!

[@lluisbofarullros3223]

Dussek, a pupil of CPE Bach

[@Dyzzzma]

Thanks for upload

[@thomasc390]

Thank you! 🌹

[@arturocastillo7068]

siempre he pensado que si no hubiera Beethoven ni Mozart nos quedaría Shubert y Dussek

[@joseagustincandanedo2998]

Great music! It sounds like late Mozart or early Beethoven. Well, not surprising :)

[@rosannamasini2075]

❤❤❤

[@canman5060]

Beethoven likes his sonatas very much.

[@amorfati9519]

This is typically the kind of classical music that i feel boring, even as a soundtrack for old movies. How do you call this style/era?

[@YukiEhms]

Sounds somewhere between classic and romantic

[@marckg6950]

I'm felling it, not bored

[@clavichord]

It's only 11 hours long 🤓

[@canman5060]

Beethoven and Haydn complete piano sonatas and sonatinas are about this length.

[@clavichord]

@@canman5060 I've got all of Haydn and Beethoven's keyboard sonatas ☺️

[@glennlubomirskynovitch3254]

From 8.16.00 to 8.20.00 a Blank, no sound.?

[@andreaETbernagozzi]

It seems so!

[@glennlubomirskynovitch3254]

Has Dussek met Mozart during his life?

[@peterschobben1194]

He was a great friend of Mozart. M. stayed at his house outside of Prague in 1787 , where he finished Don Giovanni.

[@davidwaddell2688]

Wrong Dussek. Mozart's friend was František Xaver Dušek (1731-1799). @@peterschobben1194

[@davidwaddell2688]

Mozart's friend was František Xaver Dušek (1731-1799). There's no evidence that he met Jan Ladislav Dussek (1760-1812).

[@canman5060]

@@davidwaddell2688 I think Jan Ladislav Dussek may have met Beethoven.

[@glennlubomirskynovitch3254]

​@@canman5060has he met J Haydn?

[@tomfurgas2844]

I would have bought this set if it had been performed on a modern concert grand. I like period instruments with regard to harpsichords and clavichords, but to my ears fortepianos sound like they are badly tuned and regulated. Tinny treble and tubby bass.

[@johnkathe-pianist719]

Makes me wonder if Dussek would have been of the "I have the whole piano, I'll *use* the whole piano" mindset and would stick to the fortepiano.

[@lBJamiel]

But a Steinway would not have been what Dussek heard.

[@johnkathe-pianist719]

@@lBJamiel There are two schools of thought (at least among Classical art music pianists): that of trying to imitate the nuances of the work in its initial form, and those who try to envision the work if the composer had a full perception of music thought in the present day and if he had a modern piano. The former is prevalent and I could hypothesize that this division is a derivative of Schumann and Liszt's opposing musical ideas.