Dvořák: Symphony No. 8 in G major, Op. 88, B 163 (with Score)

[@samthiel9824]

I heard this Symphony in a concert of the Houston Symphony on tour in my home town of San Antonio Texas, I was 8 years old. That evening I decided to become a musician. 20 years later I played principal horn in the Vienna Symphony and this wonderful work was on the program. It was an experience that defies description. Of all the orchestral works I was privileged to perform, this will always remain my favorite.... well, maybe next to "Das Lied von der Erde" by Mahler.

[@patesz13131]

It's just for myself. I. - 0:04 A - 1:01 B - 1:20 C - 1:51 D - 2:30 E - 3:05 F - 3:58 G - 4:59 H - 5:30 J - 5:54 K - 6:18 L - 7:16 M - 7:54 N - 8:29 O - 8:53 II. - 9:48 A - 10:29 B - 11:59 C - 12:55 D - 13:26 E - 14:16 F - 14:49 G - 16:13 H - 16:53 J - 17:15 K - 17:45 L - 18:18 M - 18:39 N - 19:22 III. - 20:18 A - 20:46 B - 21:11 C - 21:38 D - 22:07 E - 22:50 F - 23:15 G - 23:59 CODA - 26:13 IV. - 26:53 A - 27:28 B - 28:24 C - 29:14 D - 29:29 E - 30:00 F - 30:18 G - 30:52 H - 31:15 J - 31:33 K - 31:46 L - 32:01 M - 32:14 N - 32:34 O - 33:38 P - 34:42 Q - 35:45 R - 36:51 S - 37:07

[@alottafagina8698]

OMG THANK YOU

[@stoningupper]

Love this thank you so much lmao

[@anitago]

31:33 the most extatic peace of music there exists IMO.

[@coltonprivettehorn2798]

Man I wish this comment was here when I performed this in college. 😂

[@koiyae]

can you tell what is this? i don't know much about music :( i just noticed that there's a variation in these times

[@ianpolitano07]

I always thought that the opening melody was just the cellos but upon looking at the score, i can see that the clarinets, bassoon, and horns are doubling the cellos. Yet if you listen, they are so well blended with the cellos that you can't tell.

[@hjo4104]

Same. Instruments with a similar colour in unison. If you listen more carefully, you can notice the clarinets, but not the horns and bassoons. Cellos only would sound much weaker.

[@ginavingara8393]

What a great observation! How incredibly skilled musicians the Cl/Bn/Hn must be to blend their sounds so discretely into the cellos.

[@Janevelyn]

@@ginavingara8393 and the celli, playing together as one (very difficult), then blending with the blow horns.

[@oliviu-dorianconstantinesc288]

The celli are doubling the winds, not the other way around.

[@casual720]

This is so true!

[@maniak1768]

Let me say something sacrilegious if I tell you that the 8th is probably my favorite among Dvorak's symphonies. I'm serious.

[@TheButterMinecart1]

The 9th is overplayed.

[@SamDavidComposer]

@@TheButterMinecart1 quiet

[@YoungKantian]

You are probably 40 or something

[@maniak1768]

@@YoungKantian No, not really. Why do you assume that?

[@YoungKantian]

@@maniak1768 Haha, I thought it was a two set violin reference, they use the word "sacrilegious" a lot and this is one of their favourite symphonies. My bad

[@detectivehome3318]

When something hilariously funny happens in a twoset video... Editor San: 20:18

[@detectivehome3318]

@@qixiangsun6036 yes!!!

[@annakareninacamara6580]

Can't blame them for being obsessed with this piece :) found out bc of them and I'm grateful

[@TheRealLoudannIsHere]

Or Brett Yang's Lofi.

[@vince-tcturner9082]

I like all of Dvořák's first eight symphonies, but musically No 8 is by far the best crafted symphony. His orchestration is fabulous. I have played viola in this piece and the violas have a counter (or 'sub'?) theme under the cellos at the opening of the last movement, beautiful to play underneath the main melody.

[@Killerbee4712]

how bout the 9th?

[@owenxayboury]

currently working on it with viola too :)

[@klop4228]

@@Killerbee4712 as nice as it is, it relies a little too much on self-quotation without development. At least in my view, it sounds like it's trying to ride on its own coattails a bit. Obviously not every example of old material coming back is bad (the 2nd-movement chords at the end of the finale are amazing), but a lot of them give the piece a sort of 'pot-pourri' feeling. Still a great symphony, though - just a nitpick that pushes it a touch behind this and the 7th (which our dear friend Vince has left out :P).

[@haomingli6175]

Well, critical opinion would suggest that the 7th is the best musically.

[@dariusgoh5314]

playing this on viola too 😂 Dvorak never forgets the viola; his American quartet is a clear example of this

[@navleawang2809]

The first movement is so good! Every instrument has a very important part in the peice!

[@navleawang2809]

Also, the 3rd movement is very melodic!

[@magorzataziokowska6518]

And every can feel important! 😊

[@nakchauchau]

1977年弘前大学でオケに入って初めて弾いた曲。青春時代を思い出す。

[@alexv3357]

この頃クラシックをまだ弾いているの？

[@JoedPlayz]

20:18 the part of sadness and failure in twosetviolin's videos

[@chijeubeibi_6v6]

flute III 29:14 - 30:02

[@Eva11092]

1 часть Вступление Экспозиция ГП - 1:02 ГП1. 1:02 ГП2 1:20 СП - 1:57 ПП - 2:14 ПП1- 2:30 ПП2 3:04 ЗП - 3:30 Тема вступления - 3:59 Разработка - 4:39 Кульминация - 6:49 Реприза ГП - 7:26 ПП - 7:56 (ПП2 8:29) Кода - 9:16 3 часть 1 раздел 20:19 2 раздел 22:08 3 раздел - 24:22 Кода - 26:14 4 часть Вступление - 26:54 А - тема 27:29 Var1 - 27:57 Var 2 - соло валторны 29:15 Var 3 - соло флейты 29:31 Var 4 = var 2 30:01 B - эпизод 30:30 Фанфары вступления - 32:02 А1 (var5) - 32:37 Var 6, var 7 - 34:10; 36:17 Кода: var 8(var2=var4) - 36:52

[@klop4228]

This is one of those pieces I love to listen to either when I'm already in a good mood or when I want to be. It's in a similar class to Brahms' 2nd and Beethoven's 6th and 7th.

[@davidcottrell1308]

That guy was one happy dude......

[@derianalveswolanski9855]

Look for the Cypresses of him (he write those after a broken heart)

[@isaiahthorne7707]

I. - 0:04 A - 1:01 B - 1:20 C - 1:51 D - 2:30 E - 3:05 F - 3:58 G - 4:59 H - 5:30 J - 5:54 K - 6:18 L - 7:16 M - 7:54 N - 8:29 O - 8:53 II. - 9:48 A - 10:29 B - 11:59 C - 12:55 D - 13:26 E - 14:16 F - 14:49 G - 16:13 H - 16:53 J - 17:15 K - 17:45 L - 18:18 M - 18:39 N - 19:22 III. - 20:18 A - 20:46 B - 21:11 C - 21:38 D - 22:07 E - 22:50 F - 23:15 G - 23:59 CODA - 26:13 IV. - 26:53 A - 27:28 B - 28:24 C - 29:14 D - 29:29 E - 30:00 F - 30:18 G - 30:52 H - 31:15 J - 31:33 K - 31:46 L - 32:01 M - 32:14 N - 32:34 O - 33:38 P - 34:42 Q - 35:45 R - 36:51 S - 37:07

[@lucyfoshay5259]

You are seriously the best

[@chloeross6559]

uva fall 2024 orchestra audition excerpt starts at 21:07

[@itsnotatypo]

1:25 first excerpt 20:17 second excerpt 30:00 third excerpt for upcoming seating audition :,)

[@JavierVillamorLugo]

La octava sinfonía de Dvorak es para mí la que más me gusta del mundo mundial, ya que ella hay cohabitación de fenómenos tan dispares cono son lo lírico y lo grandioso, lo bucólico y lo vivaz, lo reluciente y lo entrevelado. Todo ello en perfecta armonía hasta el punto de llegar a preguntarme humildemente si tengo dotes para la interpretación. La música a veces arroyuelo, a veces océano discurre sabiamente de manos del compositor imprimiendo a cada momento el matiz preciso. El último movimiento es él en sí una coda desde la primera nota de la fanfarria. Un lujo para los oídos. A disfrutar ❤ 😊

[@JavierVillamorLugo]

Soy Javier Villamor Lugo

[@JavierVillamorLugo]

The perfotmance which I love the best is the only one with Rafael Kubelic, wich is the unly one that I have.

[@sveinungnygaard1505]

Performed this in youth orchestra once. The build-up and climax at 31:52 was absolutely EPIC

[@yaeiziquality]

31:05 からホルンフルートとメロディー吹いてる？？？

[@theodentherenewed4785]

Fantastic symphonic work, Dvorak was so good at finding leading motives.

[@jeffgrubin1874]

I've gotten to play the 3rd, 5th, 7th and 9th on trombone, but I still haven't gotten a chance to play this beautiful symphony.

[@GrotrianSeiler]

It really is such a wonderful piece...so much excitement. Nice!

[@funkehdoot]

Trumpet excerpt 6:48 - 7:20 for YOLA kiddos

[@jancowell]

Orchestral excerpt: 6:05-6:45 16:53-17:18

[@GraceBero]

This is just a bookmark for myself 1:26 and 20:19

[@LFont]

9:46 Such celestial music

[@averyhoerman8254]

Riiiight put a commercial right in the middle of the fourth movement trumpet solo got it..

[@Funnyredhouse3453]

I came here from the 1985 video treasures logo

[@lilahsenibaldi]

Flute excerpt: 29:13 0:35

[@alemeza10]

Soooo trueeee!!!!! You really don’t miss!!!!

[@gaelalvarez4050]

Bass excerpt at 21:32

[@paulwl3159]

Every bar is dripping with inventiveness, tunefulness and imagination. And the ending one of the most satisfying and exhilarating in all music.

[@michaelajones5633]

05:30

[@petergoldstein1075]

Excuse me but not only is Dvoraks 8th symphony his best symphony BY FAR , it gets my vote for best symphony ever written

[@DavidPerez-wd6tx]

Mi favorito en esta versión de la filarmónica Checa con su director Newman.hermosa sinfonía.

[@firecreeper1926]

about 1:15 the violin daayo auditions start (sorry, this is for me)

[@feemo5065]

29:15

[@wyattwahlgren8883]

Also 30:30

[@Ltd.Exp._AYAKAZE_for_Yumeshima]

ええわー。痺れるわー。

[@milizamo9393]

I'm so greatful i watched Portrait of a lady on fire.

[@martinlee5604]

I am listening to each of Dvorak's symphonies in turn. I am not sure whether I agree with Gervase Hughes ("Fifty Famous Composers", 1972) when he says, "Structural deficiencies are even more noticeable in symphony no.8 in G major (1889) and no.9 in E minor (1893, 'From The New World'). The first and third movements of the G major are close-knit and attractive, but the second is long-winded, and the finale, which sets forth confidently as though it were to be a theme with variations, ends by chasing its own tail."

[@herbiecactus6687]

I like the chunky, run on second movement. Feels like a journey and gives the piece gravity.

[@phild1977]

Yes; Gervase Hughes' Symphony no. 8 is far superior.. lol. 🤣

[@derianalveswolanski9855]

Dvorak loved to experiment stuff, this is why the critic always go crazy about him! Like how his piano concerto (aside from being hard for pianist) is more about a conversation between orchestra and piano than a fight like how was common in the concertos of his era!

[@stephenluttmann3432]

Being British doesn't mean you can't be a nincompoop, and Mr. Hughes demonstrates that amply.

[@AndreyRubtsovRU]

@@derianalveswolanski9855 hm. i think compared to his peers dvorak was quite traditional. interesting comment tnough

[@bryanlu1268]

This is for my auditions, please ignore it Violin start: 8:37 Violin end: 9:41 Bass start: 37:08 Bass end: end of mvt.

[@avelynlee8432]

1:20

[@annakareninacamara6580]

Thanks Editor San (TwoSet) :)

[@angebluee]

Personal bookmark: 36:51

[@teaneck_]

Allegro con Brio has a similar melody to Norwegian Wood.

[@AcaciusR]

6:47 bro my soul left my body this is so good

[@kho-z3u]

9:45

[@ChaseMC215]

1:13 Theme for the Vidro Treasures logo

[@randumb_teto6965]

29:07 All state Excerpt

[@theflipeechestthefunbob535]

2nd mov absolute beauty

[@prodabber0222]

My high orchestra is playing this but it may be cancelled because of omicron

[@_winston_2503]

I. - 0:04 A - 1:01 B - 1:20 C - 1:51 D - 2:30 E - 3:05 F - 3:58 G - 4:59 H - 5:30 J - 5:54 K - 6:18 L - 7:16 M - 7:54 N - 8:29 O - 8:53 II. - 9:48 A - 10:29 B - 11:59 C - 12:55 D - 13:26 E - 14:16 F - 14:49 G - 16:13 H - 16:53 J - 17:15 K - 17:45 L - 18:18 M - 18:39 N - 19:22 III. - 20:18 A - 20:46 B - 21:11 C - 21:38 D - 22:07 E - 22:50 F - 23:15 G - 23:59 CODA - 26:13 IV. - 26:53 A - 27:28 B - 28:24 C - 29:14 D - 29:29 E - 30:00 F - 30:18 G - 30:52 H - 31:15 J - 31:33 K - 31:46 L - 32:01 M - 32:14 N - 32:34 O - 33:38 P - 34:42 Q - 35:45 R - 36:51 S - 37:07

[@toejam749]

37:10

[@onecelliano3593]

32:29

[@dclxvi9162]

29:23 excerpt for flute

[@akiramalik3301]

28:25

[@nickjarvis30]

stacatto playing in flutes in 1st mvt seems way too short?

[@Dylonely42]

Nice.

[@rjcunn]

36:51 ignore this

[@RamiDarhali]

10:29 17:45

[@grey7685]

Mov 3. 20:15

[@WilliamPaik]

1: 6:08 2: 13:27 3: 30:01

[@idkany293]

1:13 for video treasures

[@gracebyrne8785]

1st : 1:25

[@youmightveseenmycommentsbe7493]

36:50 to 37:29

[@filipjandus4537]

Bravo! Bravo!!! Such a beautifull symphony!!!

[@cocozhang6695]

13:26

[@willzerafa3089]

15:55

[@shivssd4338]

5:39 reference for myself

[@abirch3301]

Notes for myself: 13:00 29:25

[@gracebyrne8785]

2nd : 13:26

[@welcometotheworldofjoey]

29:55

[@unaako5521]

Работаем)

[@ianr7442]

1:15 - 2:00

[@duckface524]

john fahey brought me here

[@Futo_Mo_times_two]

4:00 Cello F Start

[@sangayoon3152]

02:30

[@wawawa-s3m]

H: 5:30 & H: 29:14

[@meme-supreme]

1:24 note

[@naomivana]

Note: 29:22

[@MrBrandenBurn]

26:54 North Korea?🤣

[@TheButterMinecart1]

?

[@misterMysterie]

1:15 (sorry)

[@암투애니원]

죽으라는거에요 지금?

[@bobbytm8]

36:51

[@ohyeahididthat8547]

0:00 37:08

[@im0ez]

7:50 14:07 21:04

[@naliburg]

28:26

[@carlien_ou]

29:28

[@wawawa-s3m]

29:14

[@-snow-7158]

29:30

[@wawawa-s3m]

5:30

[@dwin5143]

8:29

[@Jason-uq5lz]

9:18

[@BELLA-OFFICIIAL]

8:33

[@lagoonthedragon22]

26:58

[@rkansdjthdus]

1:13

[@alancanales7986]

28:25

[@lovell3530]

2:30

[@amyrodriguez2248]

36:50

[@yutakato1568]

37:49