Ecco il punto, o Vitellia...Non piu di fiori - Barbara Frittoli

La clemenza di Tito, Met 2012

[@barbaranorthwood]

I never tire of viewing this. A wonderful example of stagecraft and dramatic truth in the depiction. Thank you

[@Sir.Larselot]

She sings this masterly with always rounded and lyric, noble and soft glimmering sound. Beautiful.

[@กิจจาโพธิ์หอมศิริ-ป4ป]

แจ๊วดีจังนะนะจ๊ะ

[@AMQ11]

Kitcha Phohomsiri Jae good.

[@AlfredoBorras-e8r]

Grande Barbara!..en este Aria luce unos graves rotundos y una forma espectacular de canto....La descubri hace años con Otello donde me emociono,especialmente el Ave Maria del ultimo acto...Brava!!

[@peteradaniel]

mozart is a killer

[@krowapaulinka4351]

Alex Daniel Oh yes he is - especially for sopranos. And Vitellia is one of his most difficult roles...

[@coppiainiqua470]

No more flowers, no more bliss, my life has ended...What misery...Sublime. Brava La Frittoli

[@XPRT10R]

Troppo ostico il ruolo per un Puro Soprano Lírico.

[@krowapaulinka4351]

You're right, it is an horribly difficult role. In my opinion, she was too old to sing this at that point. There are however live recordings of her singing the two arias in 2001 (i think, or 2003? early 2000s either way) and she sounds WAY better. You should listen to those too!

[@fabriziomariagarzi5534]

Di tante che ne ho ascoltate la sola e' la Deutekom. Veramente straordinaria. La Frittoli ha un fraseggio moscio, molto poco imperiale, al massimo una Mimi.

[@orion8835]

Frittoli yum, yum here.This is perfect and the expression is very developed. Often do many voices just moan this aria and completely miss the points of resignation and bitterness. This aria is not a love song. The text is chilling. It sounds like one love song till- the end that is . Her belting is exciting. And her Elettra is also ideal.

[@krowapaulinka4351]

Frittoli is first of all a great actress, then a singer. That's what I've always loved about her. Even if her voice isn't in the greatest shape, she still delivers a stunning performance!

[@gowanhewlett745]

Vitellia as a lyric form......Frittoli is a superb exponent. Brava.

[@mirjamdevries9376]

E' un brano molto contraltico mi sembra, quindi difficile per un soprano. E' forse più facile per un mezzo. Brava Frittoli : bella voce molto versatile e morbida. 🤩🌹🌹🌹

[@hesiode7560]

Je verrais bien Elina Garanča dans cet air qui descend très bas !

[@andysbg77]

WONDERFUL!!!!

[@guzepppi]

❤️. 🇲🇹❤️☘ XIXXA

[@dzieciarnia]

Love

[@hamoukemmoun7544]

Merci! mais où trouves-tu ces vidéos!! is it possible to upload "vengo, aspetatte, sesto! "

[@krowapaulinka4351]

hm kmn Sure! I'll try to do this today ;)

[@krowapaulinka4351]

hm kmn Wow I just noticed that Frittoli sings that trio a bit... differently than it's in the score. She sings it lower. There's no high D at the end. It doesn't sound bad though (and it's better to sing it lower than to screw the high notes). She does the same thing in Deh se piacer mi vuoi at the end. I'll try to upload it too. Sadly she's not so young and her voice is sometimes overpowering her. Still, she's one of my favourite artists :)

[@hamoukemmoun7544]

Krowa Paulinka thank you for your explanation. We should be "clement" :-) with Barbara! she is great!

[@krowapaulinka4351]

It's up! Sorry it took so long, I wanted to upload it yesterday but had problems with my computer.

[@jamescottone9882]

@@krowapaulinka4351 Frittoli sings the role as written earlier in her career from Covent Garden. Its magical.

[@rubenlardies8490]

Brava❤️