Emmanuelle Haïm, Sabine Devieilhe & Léa Desandre discuss Handel’s Italian Cantatas

Conductor Emmanuelle Haïm, soprano Sabine Devieilhe, and mezzo-soprano Léa Desandre discuss the intricacies, the challenges, and the joys of performing Handel’s three little-known cantatas: Armida abbandonata, La Lucrezia, and Aminta e Fillide. Listen to the album: w.lnk.to/it-ca...
Written in the earlier years of Handel’s career, the three cantatas, all of which were composed in Italy, remain surprisingly overlooked among his repertoire today, despite their thrilling theatricality and charming musicality. The album, which released in November 2018, also features the instrumentalists of Le Concert d'Astrée.
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[@maryrecluse1839]

Why was juvénile translated as "mature" in the subtitles?

[@PMS1950]

Excellent interview and the perfect venue, almost as entertaining and insightful as the interview itself.

[@frogmouth]

Very illuminating interview. thanks for subtitles. just listened to Jeffrey Stivers channels and realised I knew very little of early Haendel

[@brucewhitfield8493]

Why change sexes

[@bluechazzan]

written for castrati?

[@NuanceBleue]

Elle expérimente de nouvelles choses, elle se diversifie, comme elle le dit, elle se lance un challenge