5 Producer Habits That RUIN Your Mix!

[@HOLLASOUNDS]

Back in the day I would have way to much going on with no idea about EQ and clashing frequencys but I saved everything so as My skill improved I went back and fixed those old tracks and there some of My best works.

[@Quant-Beat]

Of course, mixing/design shall be contrast. 1. Not everything should/shall be clear. 2. Not everything should/shall be wide.

[@css172]

Thank You so much for sharing all your knowledge. Big Thumbs up!

[@AnymMusic]

the only real time 10 EQ points are okay, is when sound designing

[@storah-raw]

thank you for sharing your knowlege! You should deserve much more attention

[@nemfasis7184]

These are absolutely impressive good tips! I am guilty on a lot of them which I am trying to fix ;-) (due to other guys suggestion the same). So very helpfull information here.

[@thexprmnt6407]

Could you please make next video on how to make that classic hardstyle kick cuz I am not able to get at that point where I can say my kick a classic kick.........hope you understand🙏🙏

[@alessandrog5261]

Very helpful tips 3-4-5, especially 5!!!

[@AnymMusic]

10 layers for just the top lead? was it Ultra Sonic?

[@Luftbubblan]

I like number 4. And it can apply to so many other things, even outside of music.

[@JusticePreyHDM]

Also, use a global reverb so that it doesn't sound chaotic

[@Philliepjeffr3y]

nice information! most of manny actual hardstyle dj just put 999 layers on everyhing and its just sound awful af, back in da days just a gate kick and catchy synth with a pair of layers do the thing!

[@basadaya]

Nice video! Learned some new things! Hardstyle kicks in the climax. So the kicks that play under the leads. Should they be in mono or stereo as well? Or only the punch mono or only the tail? Thanks in advance for answering!

[@marmolejomartinezjoseemili9043]

Defenetly mono, the lead is in stereo in the drop, and as he said: compare wide to narrow, and in this case the kick is the narrow, so do put it in mono

[@vipuldive6091]

💐🙏💐

[@kendydrechsler4956]

I don't agree 100% with all the mistakes, especially point 2. In other genres, especially those guys who are working with real hardware units, there are some counteractions used to create a specific sound for a mix. One example of this is using a Pultec EQ taking out almost all the low end of a sound source, then a LA-2A style compressor to compress this sound heavily and then another Pultec to reindroduce the low end we took away in the beginning. This leads to a specific and realy smooth sound in the top end, especially on vocals or guitars. Also, there are some hardware units which are designed in a "push pull" manner. Of course it wouldn't make much sense if you use 2 Pro-Q's in a row performing a counteraction if you do not use something different like distortion, compressor etc. between them.

[@tarmaccio]

Man what do you need to be paid to upload a tutorial every week? I‘m sure we as a community would be able to cover that

[@Eternize]

I would love to have the time to do that!