Fernando Sor - Etude No. 5 (Segovia)

[@aalb1970]

Very nice performance. I'm learning this right now 🙂

[@yikmowong5633]

Lovely piece, well played! I'm learning this piece now, on the harp though. I'm glad that I found this original guitar version =) Thank you for playing!

[@tinadube6163]

I had this piece on harp a kid, I should go find it😍

[@nicolekeijzer1920]

Love it, beautiful🌷good gitarist!

[@ClassicalGuitarMusings]

Amazing

[@КоляЧопык]

Top

[@themusiccovenant]

Master guitarist

[@michaeljking]

beautiful playing, can I ask what guitar is this that you are playing?

[@jigglestumps]

NO MICHAEL! NO YOU BLOODY WELL CANNOT!

[@pink_addict]

your playing doesn't depend on the guitar, your drawing doesn't depend on the pencil. if you're terrible you're terrible anyways

[@danielmassey3732]

Yeah, but it's still a fair question. It's not Karate Kid, he's just interested in the equipment.@@pink_addict

[@bernardfrancois7174]

j'ai le droit la guitare est toujours au -delà ,mais elle prends toujours des formes différentes come L"iss

[@tommypreludio6566]

Why Segovia stole Sors compositions and sign it Segovia? Thats disgusting.

[@biancagiosa57]

From the publisher’s note: “The essence of the edition is that Segovia selected and assembled 20 studies from Sor’s enormous output of music, based on their musical and technical qualities. He went on to add fingerings, dynamics, articulations and, in many instances, tempo indications. In effect, he imparted his own musical and technical expertise and created a true performers edition.” Segovia never claimed he wrote the studies and he certainly didn’t steal them. He merely organized them and annotated them based on his interpretation of how they should be performed, thus adding a lot of his own ideas that he does indeed deserve credit for. The book is credited to Sor (“by Fernando Sor”), but labeled “The Segovia Edition. It’s like when scholars publish annotated works of Shakespeare.

[@tommypreludio6566]

@@biancagiosa57 Ok, that's make sense.

[@jweyek]

The name of the piece is Sor's opus 35 number 22 etude in b minor.