Bizet - L'Arlésienne, Suite No. 2, Farandole (New York Philharmonic) | Pyongyang Concert (7/9)

[@Dylonely_9274]

How can you not like it ? This is joyful. Rest in peace, Lorin Maazel.

[@robinmcewan8473]

They are concentrating. Close your eyes and you will hear the joy.

[@dorothywillis1]

The audience members I saw had their eyes open.

[@Rosangela161]

Lorin Maazel !! A genius. Masterful director. Thanks for sharing this beauty.😊🌹

[@jbut1208]

Look at the long faces!!! This piece is so joyful!!!!!How joyless are these people!!!!

[@margueriteGalarneau]

Get a life

[@sudhirchaudhary6512]

daily north korea

[@chroanon]

They're probably always like that, but I would have the same expression for this piece, just not for the same reason; hyper focused and in awe.

[@shinydiamondyt]

Violinists and overall and orchestra tends to have a straight face whenever playing, they do it so that way they can focus on the notes and especially the long articulations, 8ths and 16th notes. I know that because I’ve been a violinist for over eight years.

[@shinydiamondyt]

Oh, it was because some of those people are there to observe and rate their playing.

[@Richard-b5r9v]

At 0:42 we see and hear the drummer using only his one hand to produce the rapid fire pattern .Amazing

[@Lui.mahuiz]

Bravo ermosisimo!!❤️❤️❤️

[@Mahlerweber]

Enjoyed very much. This is the best piece to use when explaining counterpoint to children. ❤2:25

[@chrisraffen5980]

It's so goid to hear organ pieces for the 1st time.Such beautiful music to finish Evensong.Thankyou Michael

[@wallshootout5616]

Absolutely gorgeous!

[@jodywhitt1871]

Those dudes from 2:03 to 2:10 look like they'd rather be home watching the finance channel. Loosen up and enjoy!

[@hysteriawysteria]

That’s exactly what they’d rather be doing

[@Adriananatolian]

These guys are playing for their lives

[@Bandroom1]

Why does the tempo slow after about the 4th bar (about 16 seconds)? Did they really do this or is it a processing/production artifact?

[@veot.2869]

I believe this was done deliberately. It may have been by the maestro's/conductor's choosing or the orchestra following his orchestration. Could be that he wanted the opening to ritardando, producing a more majestic form.

[@KENSCCY823]

I feel the tempo in this finale a little too fast, so the ending stopped too rush without essence remained.

[@isaacsamuel9520]

Yep, Karajan did this better

[@teenm.t.a.1250]

Only real OGs got introduced to this song from watching Little Einsteins, WHO'S WITH ME?!

[@jamesbond4830]

2:20