EURYANTHE by Carl Maria von Weber {Full Opera, Audio + Score}

pf: Staatskapelle Dresden, cond: Marek Janowski
Year/Date of Composition: 1822-23
LIBRETTO: www.operatoday.com/documents/E...
Jessye Norman: Soprano
Renate Krahmer: Soprano
Rita Hunter: Soprano
Harald Neukirch: Tenor
Nicolai Gedda: Tenor
Tom Krause: Baritone
Siegfried Vogel: Bass
Ouverture - 00:00
ERSTER AKT, INTRODUCTION - 9:19
Nr.2, Romance - 18:29
Nr.3, Chor - 21:51
Nr.4, Terzett mit Chor - 25:58
Nr.5, Cavatina - 31:44
Nr.6 - 40:44
No.7, Duet - 47:06
Nr.9, Finale, Fünfte Szene - 56:02
ZWEITER AKT, NR.10, SZENE UND ARIE, ERSTE SZENE - 1:05:03
No.11, Duett - 1:18:07
No.12, Arie, Dritte Szene - 1:22:22
No.13, Arie, Vierte Szene - 1:28:33
No.14, Finale, Fünfte Szene - 1:31:30
No.15, DRITTER AKT, RECITATIV UND DUETT, ERSTE SZENE -1:50:22
No.16 - 2:01:11
No.17, Szene und Cavatine, Zweite Szene - 2:05:00
No.18, JÄGERCHOR, Dritter Szene - 2:15:32
No.19, Duett mit Chor - 2:17:52
No.20, Arie mit Chor -2:20:26
No.21, Leid mit Chor, Vierte Szene - 2:24:55
No.22, Solo mit Chor - 2:36:05
No.23, HOCHZEITMARSCH. Szene und Chor, Fünfte Szene - 2:36:57
No.24, Duett mit Chor -2:43:45
No.25, FINALE. SECHSTE SZENE - 2:45:42

[@Mahlerweber]

❤❤❤One of Weber's most prophetic works. Thank you for posting music/full orchestral score.

[@JohanHerrenberg]

Thanks for all the hard work! Will be listening!

[@Churchcantor]

One can always recognize Weber; those wide-ranging, angular melodies...Beethoven liked Der Freischutz, but said this opera was "a collection of diminished seventh chords," as if he should talk. Plenty of diminished seventh chords in Beethoven! Really, Weber is the Classical composer who is the real bridge to Romanticism, not Beethoven... At 23:30 one can hear how Wagner's recitative style was VERY profoundly influenced by Weber!

[@davidwelch8288]

You're not going to have too many people agreeing with you on that one.

[@therealrealludwigvanbeethoven]

@@davidwelch8288 Weber was the bridge to Romanticism in the _operatic_ sense; Beethoven fulfilled this role in most other ways.

[@therealrealludwigvanbeethoven]

@@davidwelch8288 I think it's pretty much a consensus that Weber was the founder of German Romantic opera.

[@therealrealludwigvanbeethoven]

THANK YOU SO MUCH!!!!!!!

[@TheOneAndOnlyZeno1889]

NO PROBLEM!!!!!!!!!!

[@detectivehome3318]

You recorded the entire opera by yourself!? Brilliant work!

[@TheOneAndOnlyZeno1889]

It was a hard slog, especially as there is missing score at parts, where I had to just let the score sit while music is playing not on the screen, but for the most part the music is there, and was worth doing.

[@emmavitalie6166]

Thank you so much for this ! Very much appreciated !!

[@wab4100]

ein musikalisch interessantes werk in einer hervorragenden interpretation!

[@marcosPRATA918]

Escutei a abertura e excertos dess ópera; tê-la aqui é uma oportunidade muito boa! Agradeço.

[@Dylonely42]

Very useful, thank you for this video.

[@TheOneAndOnlyZeno1889]

My other Weber score-videos > kzbin.info/aero/PLafpqg3vsKmcXpuZ5WnTDlmt5pbpPI2NJ

[@Dylonely42]

31:45

[@user-iu6ug5cr9g]

I'm here because of Victor Hugo

[@coltinanderson]

2:53:06

[@Dylonely42]

2:15:33

[@user-ys5ib2kt6d]

19세기 [독일] 오페라 - 독일 오페라 = 철학적/ 신화적/ 종교적 사고를 바탕에 둠 베버 - [오이리안테]

[@jacquesgillet3449]

Un opera plein de promesses tombé dans un inexplicable oubli. Quelle tristesse pour un tel chef d'œuvre où pour la première fois Weber introduit des récitatifs accompagnés et chantés. Finis les dialogues parlés façon singspiel...cette version vaut surtout pour la beauté et la grandeur d'une magnifique staatskapelle de Dresde et la belle prestation de Jessye Norman. Dommage que Gedda soit vraiment horrible !

[@Dylonely42]

1:48:28