Film Restoration Quick Tips: Channel-Separated Grain Reduction and Restoration

[@conformondemand8752]

Excellent video, mate!

[@모모-m2k]

Oh this is what i want to learn it. I wanna try some remastering some DVDs from japanese tokusatsu. the TOEI should do alots of works on old classic TOKOSUATS

[@fabiocolor]

I have always had a desire to work in a complete Japanese film, but it seems that the media companies there are very possessive about their material.

[@helloitsmehb]

Dont give away your secrets man! ;)

[@fabiocolor]

My primary role is that of a teacher, and I cannot escape it.

[@helloitsmehb]

@@fabiocolor then if that’s the case could you tell me the best solution for removing splice bumps at edit points in Pheonix? Wrap the bump with cut points and apply Steady 2? I’m looking for the best solution. I originally applied Steady 2 to the entire film but the client isn’t pleased since I stabilized the picture too. They just want the spice bumps removed. Thanks

[@fabiocolor]

To accurately remove splices, reel footage must be scene-detected. In the Steady DVO, there's a specific setting for handling significant splicing interruptions. An alternative approach is to utilize the recently introduced DVO frame lock. If you wish, I can review your footage and provide some recommendations. Please feel free to reach out to me at [e-mail].