4 ай бұрын
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@marthmarthmarth Күн бұрын
Please tell me you have the ending song too it's beautiful❤
@JoacoWinx 6 күн бұрын
Oh my GOOOD!! Thank you for doing this 😭 This anime is SO underrated and seeing somebody remastering it is so exciting!! Did you thought of remastering more clips of this anime?
@fabiocolor 5 күн бұрын
Yeah hopefully I can finish this episode but this process takes a lot for r&d to properly run
@모모-m2k 7 күн бұрын
Oh this is what i want to learn it. I wanna try some remastering some DVDs from japanese tokusatsu. the TOEI should do alots of works on old classic TOKOSUATS
@fabiocolor 6 күн бұрын
I have always had a desire to work in a complete Japanese film, but it seems that the media companies there are very possessive about their material.
@yoeldero Ай бұрын
good presentation
@fabiocolor Ай бұрын
Thank you
@yoeldero Ай бұрын
the dubbing with elevenlabs was good
@fabiocolor Ай бұрын
It does the job pretty well, but there are a few things that could be improved.
@78zappaf Ай бұрын
There are so many Argentinian movies that needs restorations. I remembered getting a Jorge Porcel video in the 1980s that had a huge splice in the film transfer. Possibly 30 seconds of lost footage. I was really surprised seeing a recent TV broadcast showing a different transfer with the missing bits (yet the visual quality for the whole movie had lots of scratches on the film). I was happy seeing that a Sandro film got a restoration (I don't have it in my collection to fully compare) but seeing SOMETHING from Argentina being restored made me quite happy. This video really was informative!
@fabiocolor Ай бұрын
Yep, in Latin America there’s a lot of footage that needs even to be digitized, let alone restored.
@Dionys72 Ай бұрын
Can you do a step by step on NUCODA/Phoenix
@fabiocolor Ай бұрын
Indeed, I will provide detailed explanations of the most challenging restoration projects.
@gmytech1384 Ай бұрын
Hello Mr. Fabio, thank you very much for all your efforts on this channel. I have a video clip with light leaking from one side. Can it be solved this way or is there a better solution? Thank you. drive.google.com/file/d/1V20iwtKMnteg1kMder6BlbTajeHQfkwh/view?usp=sharing
@bakaniomakase 2 ай бұрын
LOVE IT!!! Finally someone's done this, thanks a LOT!!!! I'd like to refer to a better color reference (the Russian version as of episode 12 until 25, I believe). But apart from that, this is PERFECT!!!!! I still can't believe at least the japanese opening finally exists in such good quality!!! Thanks a LOT🥰🥰🥰🥰
@fabiocolor Ай бұрын
Thank you for the suggestion! I also received an 8mm print of this episode; all good ideas.
@dragonmagico8349 3 ай бұрын
Woah this is so cool! Where's you get this?
@fabiocolor 3 ай бұрын
A community collects lost media and has shared an example for my experiments.
3 ай бұрын
@@fabiocolor Wow that's so cool! How can I find this community? :)
@fabiocolor 3 ай бұрын
There's a group on Facebook also on archive.org
@MUZUKUN-YT 3 ай бұрын
Hello! Just wanted to put my 50 cents. It's nice that you have a 16mm print of Candy! Although the color correction tactic (through machine learning) is slightly off and that's what bothered me considering you used the DVD PAL version, Candy's hair is a bright yellow-green color and I discovered this as I have tapes and other material. I have a low quality creditless scanned video of the opening, and I plan on color correcting it soon to demonstrate, although it doesn't have the title screen. The color correcting methods look too yellow for my liking as seen on the supposed white parts. Also, mind if I have the digital scan to experiment with? Thanks!
@fabiocolor 3 ай бұрын
I made some adjustments to the training data in the final output because the greens and yellows weren't quite right. Please send me an email, and I'll share the files with you.
@MUZUKUN-YT 3 ай бұрын
@fabiocolor Juat curious is this a full episode you'll be sending me? I kinda wanna see the episode in this forma thanks! Also, my email is on my about page of my channel you can find it there
@fabiocolor 3 ай бұрын
Is the full 16mm episode, degradation is kind of similar but the ending suffers the most.
@MUZUKUN-YT 3 ай бұрын
@fabiocolor Ah okay, please send the full episode then! ^-^
@MUZUKUN-YT 3 ай бұрын
@@fabiocolor@fabiocolor Sorry if I did not send my email right away; KZbin will not allow me to send my email through comments; you're gonna have to go through my channel to get it. If you have PC or Desktop App you can through my about me page and go through "7 more links" and hit View email address.
@t6404 3 ай бұрын
Why not just use the difference mat - set the proper matte settings, add all missing pixels back to the "restorated" version and afterwards add DVO Dry Clean?
@fabiocolor 3 ай бұрын
This workflow assumes that someone else has already done a "cleanup" job, leaving you with no option but to create a composite.
@t6404 3 ай бұрын
you can also track the perf hole and lock it, or try to use keyframes in ROI settings
@fabiocolor 3 ай бұрын
Certainly, your approach should be effective provided that the previous generation didn't misalign anything in the transfer, that happens occasionally on internegatives and positive prints and it can cause some issues. So, relying on the frame borders is your best bet.
@t6404 3 ай бұрын
@@fabiocolor Also, there is a use-case for keeping the "Outside frame" switched on - when you have optical soundtrack and you are using DVO Flicker. What happens is that when you just stabilise in lets say using only DVO SteadyII, you are going to get a lot of light fluctuations in DVO Flicker when you do not mask the optical soundtrack.
@fabiocolor 3 ай бұрын
The blanking in frame lock is indeed quite useful for most procedures. Typically, I only restore the borders for the final delivery.
@carlseiler 4 ай бұрын
Great video, explained what you did well.
@TollyWood-w7n 4 ай бұрын
india film ❤️ male artist name is Surya popular actor in tamilnadu state
@TollyWood-w7n 4 ай бұрын
Bro i have old dvd9 there is a line sync horizontal black line problem in that dvd is there any solution i tried deinterlace but not working sry for my bad english
@fabiocolor 4 ай бұрын
Line sync issues can be mitigated using DVO line sync in Phoenix or an AviSynth script. However, from my experience, most problems with magnetic media, including line sync, are resolved before digitization through physical restoration methods.
@yoeldero 4 ай бұрын
good work
@fabiocolor 4 ай бұрын
Thanks
@sjasmint 4 ай бұрын
absolutely amazing omg i love this!!!
@fabiocolor 4 ай бұрын
thank you
@retrolopez8321 4 ай бұрын
Can you colorized some b&w cartoons too like Felix the Cat?
@fabiocolor 4 ай бұрын
Indeed, the same method can be applied universally; however, the challenge arises when presenting black and white colorization, which can lead to criticism from some FIAF individuals. If you possess a high-quality digitization, I could attempt colorizing a minute or so of the footage.
@Marcos.Souz4 4 ай бұрын
Muito bom trabalho Fabio, posso te enviar um trecho de um video que começei a restaurar?, tentei estabilizar mas o problema é que os textos tem um batimanto diferente dos batimentos do filme escaneado, se puder analizar e me dar alguma idéia agradeço, obrigado
@fabiocolor 4 ай бұрын
Sure send me a clip to [email protected]
@bennmordecai6395 5 ай бұрын
Oh how exciting! such great work, Candy Candy has literally never looked better!
@fabiocolor 5 ай бұрын
Thank you, I'm just getting the finishing touches so I can it publish it as a standalone video
@ryans-archive 5 ай бұрын
Did you match colors to a DVD?
@fabiocolor 5 ай бұрын
Indeed, the concept is to train a compact model to extract the chroma from the reference. It's a time-intensive and GPU-heavy process, yet it's valuable. However, the simpler method of using LUT/color matching isn't half bad either.
@LucinhaSouza-m7s 5 ай бұрын
How adorable!!!😊
@ocpmovie 5 ай бұрын
Looking good.
@yoeldero 5 ай бұрын
looks good, and it has a catchy tune
@ComicMelon 6 ай бұрын
Do you have any tips or solutions for dealing with warped film, such as heat damage; causing it to shrink in a pattern every few frames?
@fabiocolor 6 ай бұрын
In Phoenix, there is a filter called DVO Warp that automatically detects and corrects vertical warping. It's a convenient 'set it and forget it' solution for most cases.
@ComicMelon 6 ай бұрын
@@fabiocolor Thank you! That's actually what I've been using, I may just need to tweak it better since I neglected to read the manual on it. ❤️❤️❤️ Most of my issue is ironically horizontal warping.* It shrinks inwards 😭
@fabiocolor 6 ай бұрын
A neat trick is to rotate the image with a pan and scan and disable blanking a bit convulated but works fine.
@jetwayartisman 6 ай бұрын
Which software you using
@ComicMelon 6 ай бұрын
Filmworkz Phoenix / DVO
@fabiocolor 6 ай бұрын
For film restoration work, I prefer using Phoenix. When it comes to color correction, I find Resolve and Nucoda to be quite effective. And for more challenging tasks involving VFX and complex restorations, I rely on NukeX.
@yoeldero 6 ай бұрын
you have a very good explanation of your process
@fabiocolor 6 ай бұрын
Thank you :)
@helloitsmehb 7 ай бұрын
Dont give away your secrets man! ;)
@fabiocolor 7 ай бұрын
My primary role is that of a teacher, and I cannot escape it.
@helloitsmehb 6 ай бұрын
@@fabiocolor then if that’s the case could you tell me the best solution for removing splice bumps at edit points in Pheonix? Wrap the bump with cut points and apply Steady 2? I’m looking for the best solution. I originally applied Steady 2 to the entire film but the client isn’t pleased since I stabilized the picture too. They just want the spice bumps removed. Thanks
@fabiocolor 6 ай бұрын
To accurately remove splices, reel footage must be scene-detected. In the Steady DVO, there's a specific setting for handling significant splicing interruptions. An alternative approach is to utilize the recently introduced DVO frame lock. If you wish, I can review your footage and provide some recommendations. Please feel free to reach out to me at [email protected].
@yoeldero 7 ай бұрын
good work
@fabiocolor 7 ай бұрын
Thank you! Cheers!
@yoeldero 7 ай бұрын
impressive
@lemonlime8949 7 ай бұрын
It’s really cool how old film could always look beautiful but just didn’t have the tech to, shows how far ahead and behind they were. But seeing old music videos be remastered and looking incredible, yet different to digitally recorded videos, is a really cool thing.
@fabiocolor 7 ай бұрын
Movies have way more flexibility and visual range than we usually think. Even old prints can look stunning if taken care of.
@hesselfridyanto 7 ай бұрын
Nice!
@Notelu 7 ай бұрын
Very interesting, but im assuming it only works on clips that have an alternate cleaner source? Also it seems like the edges become very messy. Still a really cool proof of concept though!
@fabiocolor 7 ай бұрын
Certainly, additional training time and a more comprehensive set of frames are necessary to achieve production readiness.
@silvesterstaloney8838 7 ай бұрын
This gonna blow soon.
@conformondemand8752 7 ай бұрын
Excellent video, mate!
@Marcos.Souz4 7 ай бұрын
Ola Fabio, qual GPU voce esta utilizando?
@fabiocolor 7 ай бұрын
I went from a 3070 to a 4070, and now a A4000 mostly for the VRAM copycat uses a lot of resources
@Marcos.Souz4 7 ай бұрын
@@fabiocolor A quadro p5000 ou p6000, funcionaria bem com copycat?
@fabiocolor 7 ай бұрын
@@Marcos.Souz4 Yes, it works, but it's significantly slower because Copycat utilizes RT cores for acceleration, both Apple Silicon and AMD GPUs are also slow. A good budget-friendly option would be an RTX 3060 with 12GB of VRAM.
@Marcos.Souz4 7 ай бұрын
Ola Fabio, trabalho interessante, eu trabalhei um tempo com restauração na empresa Cinecolor Digital do grupo Chile Filmes, se vc vier a São Paulo - Brasil, gostaria de conversar com vc e ver seu metodo de trabalho com o Phoenix de perto, valew
@fabiocolor 7 ай бұрын
Sure write me an email to [email protected]
@Marcos.Souz4 8 ай бұрын
Boa noite Fábio, a quanto tempo você trabalha com Phoenix?
@fabiocolor 8 ай бұрын
From 2020, before that I was on Davinci Revival, so it was a big jump.
@Marcos.Souz4 8 ай бұрын
@@fabiocolor eu já trabalhei com Diamant, PFClean, o Phoenix é mais rápido que esses que eu utilizei?
@fabiocolor 8 ай бұрын
@@Marcos.Souz4 Diamant has improved with the addition of machine learning in its latest versions. Although pfclean is no longer under development, some people continue to use it, but I never favored it. I prefer Phoenix because it allows me to handle the entire process from beginning to end, and if a tool is missing, I can create it using the available compositing tools. It also comes with Nucoda, offering a comprehensive color-restoration package.
@luisfuentes5695 8 ай бұрын
Buenos tips!
@fabiocolor 8 ай бұрын
Gracias luis
@afarid18 9 ай бұрын
Excellent tutorial Fabio, I Love Your Channel, Hope you can teach us on Scratch removal on your future video.
@fabiocolor 9 ай бұрын
Will do!, scratches are always a pain to deal with
@greeeeeeeeeeeetg 9 ай бұрын
Awesome to find content like this, I’m a digital restoration artist with 7+ years of experience, mostly on Diamant, but Phoenix is one of my favorite tools also, great tips! I found your tutorials trough LinkedIn 👌
@fabiocolor 9 ай бұрын
Thank you. Hopefully, I can create more content like this in a timely manner. Many valuable tips are often only taught during personal training sessions, and most users never get to learn them. I intend to change that by making such information more accessible.
@ochoypico2425 11 ай бұрын
Hi Fabio, thanks for your lessons, what screen-tablet are you using?
@fabiocolor 11 ай бұрын
I recently upgraded to a Huion RDS-220 tablet. The bigger screen helps a lot when doing manual cleanup. Additionally, I have an XP-Pen 15.6 Artist for when I need to travel.
@buddhabas 11 ай бұрын
thanks for these gifts Fabio!