Flute Concerto in D minor, Wq.22 - Allegro Di Molto - CPE Bach (Il Gardellino / Jan De Winne)

[@mantistoboggan2676]

This guys good. Very light and nimble, makes it look effortless.

[@alistairkewish651]

Yes, they do. But we only see the tip of the musical iceberg…..

[@mncjeff]

This is just phenomenal… what a great virtuosity and what a great symbiosis with the orchestra… ! ❤

[@janraffaello]

Waaw! Splendidly played by all of you. You're excellent musicians and the music is so thrilling, a discovery!

[@Flautista2001]

Complimenti a tutti per questa fantastica esecuzione.. Ho percepito un virtuosismo espressivo e non "fanatico", come ho ascoltato in altre versioni.

[@stefanodavideconti6844]

Bravissimi!!!!!!

[@millennial8441]

What a tenacity!! Brilliant and powerful! The flutist (Is he playing a Quantz model traverso?) was brave on fighting against these furious string and harpsichord ensemble. Thumbs up!

[@1727orykkl]

Japanese 素晴らしい音楽ありがとう 感謝します。

[@MichaelLynnFlute]

Beautiful performance, Jan!

[@jean-marcunternaehrer9702]

Emouvant et brillante interprétation ! Merci pour la diffusion

[@igorsivashov5436]

Today I was privileged to see the living embodiment of music. Bravo!

[@GuntherDebymusique]

Jan De Winne né à Bruges, le 24 juillet 1962 est un flûtiste baroque (traverso) belge. Biographie Modifier Jan de Winne a fait ses études musicales aux conservatoires de Bruges et de Gand, et parallèlement des études de musicologie et d'histoire de l'art à l'université de Gand. Il se spécialise en flûte baroque auprès de Barthold Kuijken au Conservatoire de Bruxelles. En 1987, il est lauréat du concours international « Musica Antiqua » à Bruges. De 1988 à 2005 il travaille avec des ensembles comme « Il Fondamento » (Paul Dombrecht), « Wiener Akademie » (Martin Haselböck), « Salzburger Barockorchester » (Erwin Ortner), « Amsterdam Baroque Orchestra » (Ton Koopman), pour finalement s'attacher aux ensembles de Philippe Herreweghe, « La Chapelle Royale » et « l'Orchestre des Champs-Élysées » ainsi que l'orchestre baroque « Les Agrémens » sous Guy van Waas. Actuellement, il se consacre avant tout à la musique de chambre avec l'ensemble « Il Gardellino », qu'il fonda en 1988 avec le hautboïste Marcel Ponseele. Jan de Winne se consacre aussi à la fabrication artisanale de flûtes baroques et classiques et enseigne le traverso au Conservatoire national supérieur de musique et de danse de Paris (et auparavant au Conservatoire national supérieur de musique et de danse de Lyon) et la musique de chambre au Conservatoire Royal de Bruxelles. Il est également directeur artistique du label "Passacaille".

[@Joy-ofMusic-Kate]

Just splendid interpretation

[@eduardocampos6826]

Esplêndido!!!!!

[@marcrives7159]

Bravissime, bravissimi !👏👏👏👏👏

[@gustavovelazco1790]

Bravo Maestro!

[@regulaschwab5017]

Fabulous! Thank you for the music. Who is this fabulous lady (amongst all those fabulous people) playing the first violin? ❤

[@LiselotteSels]

Great! Fantastic music...

[@nickcollins9973]

Wonderful and thrilling!

[@gyarakigy]

Bravo! Brilliant performance!

[@Krisha991]

Great!!! 👋🏻👋🏻👋🏻👋🏻

[@birgithausser4312]

❤hervorragend

[@marietbreeur7807]

Steeds weer kippenvel bij dit concerto.

[@syrinx1976]

Bravo !!!!

[@andremarcdelcourt]

Superbe 🌈

[@MichaelLynnFlute]

NB: if you click "show more" it lists this as Alexis Kosssenko - rather than Jan de Winne!

[@ricardoayala2023]

Very nice played. I think he is using a Quantz copy for the traverso.

[@birgithausser4312]

❤

[@alistairkewish651]

For d- minor read / interpret as c# - minor? Or did we miss something?

[@mantistoboggan2676]

Baroque tuning is typically at A=415

[@Sergio.GonzalezPrats]

You are missing that this is tuned to 415

[@alistairkewish651]

Let’s try d- minor? Anyone out there good at math?

[@JesusGonzalezLopez]

Sorry! You play very well, but the Concerto concept is not Chamber Music! 2 violins, 1 viola, 1 cello and 1 double bass????? I repeat, this is Chamber Music, not the great C. P. Bach concert!!!

[@toddsterben6647]

why not

[@dariocaporuscio8701]

At the time orchestras were much smaller than now

[@thomaskendall452]

It's not the number of instruments playing a part but rather the character of the piece that determines whether it's chamber music or orchestral.

[@ErikArenSchroeder]

Concertos at the court of Frederick the Great were usually played one person per part. There's nothing wrong (or historically incorrect) about the size of this ensemble.

[@birgithausser4312]

❤