Hello! Great video! I'm looking to practice and understand FMOD for interactive music, and I found your video very informative. However, I'm struggling a bit without being able to get hands-on with it. Would it be possible to have the FMOD project to better understand the relationship between each loop? If that's not a problem, of course. P.S.: I tried to visit your website, but the address doesn't work anymore. :)
@ManOkaR4 жыл бұрын
This is quite helpful, but why did you decide not to do smoother transitions from low to mid/high intensity? At least by fading the stem_1 out?
@tornadotwins3867 жыл бұрын
This was a very good tutorial, thank you. Extra tip: If you notice after recording that you're blowing into the mic, add a highpass EQ at around 200hz. In my case, I routed my computer output through a mixer so my ears wouldn't pop haha. Either way, good content.
@miguelalexandresimoesneves86603 жыл бұрын
I have a question, sometimes my transitions bug a bit, like its all ok, and I even delete and do it again, and it works, but then it starts to delay a bit. Is it a problem or just a program bug
@cakemix119 жыл бұрын
Nice one, thanks for this.
@K1LL14N9 жыл бұрын
Nice video! But I was wondering why you put the FMOD timeline in 120 bpm, because the music isn't in 120 bpm but a much higher one.
@markozivanovic1178 жыл бұрын
I'm pretty sure it's 120, depends on how you count. If you count 1/8 it's two times faster than 1/4 but still in the 120 tempo.
@K1LL14N8 жыл бұрын
hmm I just checked it by tapping the tempo. If the notes of the cello are 16th notes the tempo is way under 120, somewhere around 90bpm. Even if the cello notes are regarded as 8th notes length the tempo still isn't 120. Did I miss something or count completely wrong?
@markozivanovic1178 жыл бұрын
I tapped 1/4 and got 120. I'm guessing you did the counting wrong. If you know someone in the music business ask them to show you.
@K1LL14N8 жыл бұрын
I see what you mean. But this doesn't make sense to count in triplets.
@davidcottrell13083 жыл бұрын
@@K1LL14N this is about the beat, rather than the subdivision. If, in fact, the move between events is rhythmic, the subdivision, or the unit is irrelevant.