Fragment DAS RHEINGOLD «Weiche, Wotan, weiche!»

DAS RHEINGOLD de Richard Wagner
(L'or del Rin)
«Weiche, Wotan, weiche!» (escena 4)
Ewa Podles (Erda)
Albert Dohmen (Wotan)
Direcció musical: Josep Pons
Direcció d'escena: Robert Carsen
Orquestra Simfònica del Gran Teatre del Liceu
Gran Teatre del Liceu
www.liceubarcelona.cat

[@christiaandhooghe]

Her Erda is as Ewa is herself...a Gift from the Gods. Fabulous voice and complete personality in this work, amazing. The dark colours, metalic top! Wow!

[@dgbx6]

Unique and wonderful.

[@AdrianoSpampanato]

Magnifique, remarquable. Ewa Podles THE best !!!

[@yukio84]

THANK YOU THANK YOU ENDLESS THANKS FOR THIS UPLOAD!!!! (Capslock is on 'cause I'm screaming for happiness!! :D)

[@baritonebynight]

She has legs!! (Anna Russell reference)

[@marcomicheletti9957]

3:35, ein düstrer Tag, arpeggio verso il basso,

[@teresamogollon9242]

Ayyy.

[@erichmayr7299]

Hooty

[@baritoneblazzin1965]

LOL Yes.. Contraltos are hooty at sound, but powerful.

[@baritoneblazzin1965]

What yr was this released

[@SpintoTenor25]

Is this for a mezzo or soprano? Either way ewa is a contralto

[@drtslim]

This role was written for a contralto; but it is often performed by mezzo sopranos.

[@greatmomentsofopera7170]

She's lost her legato here. Each note is separate - perhaps it's age?

[@Altonahh10]

This is Wagner, not Italian opera ;-)

[@onigbajamo]

@@Altonahh10 Legato is important for Wagner as well. The first Wagnerians were bel cantists after all.

[@otyliaostrowska-jouie5455]

She didn't lost anything. She decided to sing like that. That was her artistical vision.

[@teresamogollon9242]

Esa voz tan gutural,con apoyo laríngeo y continuos golpes de glotis,y cortando las palabras para ponerles más fuerza.No,que pena.No.De joven cantaba hermoso.

[@dramaticsoprano5168]

This is really bad...

[@kaan5631]

so bad

[@로보티니콜라스]

Awful

[@victormardellat7294]

Horrible...