Francis Poulenc - Concerto for Organ, Timpani and Strings in G minor

[@vulkanosaure]

Poulenc never takes himself seriously, his music is full of pranks, out of tone gimmicks, then he suddenly pulls out the most divine melody... his mastery of composition is of a higher class, and he makes it sound like he doesn't even have to try hard ! Poulenc makes me proud to be french 🥖🍷 🧀

[@MartinSmithMFM]

And for decades France did not take him seriously ; UK neither!

[@MelloCello7]

Not the baguette emoji😂

[@remomazzetti8757]

There are several compositions including this concerto in which the composer took himself and his art very seriously.

[@vulkanosaure]

@@remomazzetti8757 that's right, my comment was a general one and this video was probably not the most relevant for it 🙃

[@treesny]

"Poulenc never takes himself seriously" except when he does. All of his wonderful sacred choral music and much of the secular too -- such as FIGURE HUMAINE. And there's his crowning masterpiece, DIALOGUES DES CARMELITES, one of the truly great operas of the mid-20th century. One might even argue that seemingly frivolous works such as LES MAMELLES DE TIRESIAS are fundamentally serious. That is one of the reasons that Poulenc's music has endured, when so many entertaining works by his contemporaries have faded from view. People make a similar mistake in assessing the worth of the music of Liszt, another fundamentally religious composer who was deeply immersed in the attractions of the transitory, material world.

[@edgarreitz7067]

Poulenc is such a master. His music is actually stranger to me than Stockhausen. Its so crazy hes walking the line between laughter and anger. You never know if a phrase is just a joke or sublime beauty meld in sacral seriousness. You will never know, because thats what Poulenc composed!

[@baileyrob]

Now THAT is an example of how to use harmony!

[@dominiquepeter11]

Many years ago, I was maybe 16 or so, my uncle gave me a tape with this same recording of Poulenc by Maurice Duruflé at the organ. "Listen to it", he said, "I think you will like it." And I did. Back at the time it was by far the most extraordinary piece of music I ever heard. Many things happened since then and that old tape recorder vanished somewhere in history and so did the tapes. Just by accident I stumbled on this youtube page. Still sounds as good as it did more than 40 years ago.

[@hadenplouffe3976]

I love this concerto way too much.

[@olla-vogala4090]

+Haden Plouffe Yes what a great work it is! Enjoy :)

[@Djembe908]

Me too

[@charlesdavis7087]

You said, "I love this concerto way too much." If I may, why do you think that is? I love it to. I remember the occupation. I hear the rebellion of the French heart. I hear the streets of P. and the majesty of having excellence at hand. I love this work... as an act or rebellion against the Bach's Toccata in d minor. The mordant... da, da, daaaa. Francls spit in their eye. CVD

[@CrossbowManD]

Charles Davis wtf are you talking about?

[@willybear4301]

CrossbowManD is

[@aidengregg]

First time listener. This is crazy. I love it.

[@FairyForest87]

This concerto is so heartfelt. As an organist myself i adore this piece. Poulenc truly bought the organ to life

[@HowardEllisonUKVoice]

If you can't ever get to a concert hall, it's worth 'pulling out all the stops' to hear this astounding piece through the best possible hi-fi. Having just built a six-foot high bass speaker I am discovering unsuspected pedal-note depths - yes down to 20Hz, as John Rapp here noted - in a recording I have owned for years of a BBC Festival Hall broadcast. Thrilling music, verging on insanity!

[@gregoryreynolds5311]

Having just heard this live in Symphony Hall with the BSO and now with this recording I can hear Bach, a sublime piece to be savored.

[@TransitNerd]

Wow, I listened to that concert too! It was phenomenal!

[@shamsbouteille1]

Such amazing, complex, sad and joyfull music at the same time

[@vyvianspipes]

To see Duruflé as a soloist in this recording is so haunting and it makes my heart smile. The gift of perfection from his incredible technical agility was absolutely wonderful!

[@paolozeccara5860]

Tre capolavori: la musica di Poulenc, l'esecuzione di Duruflé e la direzione di Prêtre. Tutto perfetto.

[@MartinSmithMFM]

When your name is 'Pretre' . . . . Circonflet, messieurs!

[@davidholman48]

Aside from this piece being so beautiful and powerful, I've noticed something wonderful in the comments. There is no hate-mongering. It would suggest that people who have the ability to appreciate great beauty have much better things to do and say.

[@matthewp5417]

shut up - JUST KIDDING :-) I appreciate this comment and had to make an ironic post.

[@visual_novels_fan_charlie.8156]

Go f yourself,

[@steveegallo3384]

I Hate you SO MUCH for saying that........

[@docbailey3265]

Yeah. God, this SUCKS! j/k. Love it.

[@mikesimpson3207]

What a beautiful and mysterious blend during the last slow section! Awesome piece throughout, love this style of harmony.

[@thierrypiano]

La perfection musicale absolue . Une oeuvre divine !

[@timothywilliams1359]

Oui, absolument!

[@marinmili75]

Quel coloriste qui sait jouer avec toutes les possibilités et la variété de l'orgue et de l'orchestre. Un concerto magistral.

[@underiaash2737]

On a joué ça juste avant le moment où je vous parle, c'est pour fêter l'armistice qui est demain, j'étais en violon 2. Je ne me lasse pas de ce concerto! J'aimerais tellement pouvoir le rejouer avec un orchestre, sans oublier le ou la soliste!❤

[@MartinSmithMFM]

@@underiaash2737 Elle parle - bien entendu - de la guerre qui suivrait! Mais nou l'ecoutions , le 1 April 2022 - *en moment de guerre!* C'est . . .. ca !

[@MartinSmithMFM]

@@underiaash2737 Great!

[@klimentmilanov]

Dude those chords kill my entire soul

[@genewakefield3757]

yeah, at 22:35, goosebumps!

[@MegaCirse]

Toutes les grandes idées inspirées, musique, films, philosophie, inventions, révélations viennent toutes de l’inconscient collectif. Très souvent les artistes utilisent l'inspiration du dehors, la logique déductive, l'extrapolation de l'évidence et du raisonnement connus pour dévoiler la droiture somptueuse et magnifique d’une architecture sonore construite avec patience et ténacité. C'est une vérité qui nous est révélée spontanément à l’écoute ou qu’avec le temps nous devons vérifier par nous-même afin de savoir si tel ou tel compositeur peut changer nos esprits et notre existence. J'ai pas peur d'écrire que Francis Poulenc nous a bouleversé. Quel impressionnant et mystérieux mélange au cours de la dernière partie lente! J'aime ce style d'harmonies 🤠

[@MartinSmithMFM]

No not at all. The collective unconscious s just the seed-bed of individual talent. Man can be a God. But not with advisors like you!

[@MartinSmithMFM]

Toutes les grandes idées inspirées, musique, films, philosophie, inventions, révélations viennent toutes de l’inconscient collectif. Très souvent les artistes utilisent l'inspiration du dehors, la logique déductive, l'extrapolation de l'évidence et du raisonnement connus pour dévoiler la droiture somptueuse et magnifique d’une architecture sonore construite avec patience et ténacité. C'est une vérité qui nous est révélée spontanément à l’écoute ou qu’avec le temps nous devons vérifier par nous-même afin de savoir si tel ou tel compositeur peut changer nos esprits et notre existence.

[@MartinSmithMFM]

Hardcore Cartesianism. The French 'probleme' !

[@MegaCirse]

@@MartinSmithMFM C'est beau comme la rencontre d'abord improbable, puis messianique d'un parapluie et d'une machine à coudre sur une table de dissection cher Martin👑

[@MartinSmithMFM]

Yes - the 'Dead March'

[@barbarabsmith6626]

Just heard this at the Boston Symphony Orchestra, Alain Altinoglu conducting, Thierry Escaitch, organ....the crowd went wild. I still have chills.

[@johnrapp8873]

What a most beautiful concerto! And performance! I love the 20 hz pedal notes!...John Rapp

[@stephenritchings8135]

This has got to be a definitive performance of the work, wouldn't you say ? So fine---and well recorded, too.

[@dariodangelo8938]

Capolavoro assoluto...opera immortale. Nessun musicista è più "francese" di Poulenc, credo.

[@Troubleshooter125]

This piece and indeed this very recording have been a part of my collection for a good number of years. I have always loved both its delicacy and its power, and it's grand to find it here!

[@arabesque52]

A magnificent work. Wonderful to listen to this concerto with the score. Thank you Olla-Vogala.

[@MuseDuCafe]

Wonderful piece by a great composer. This recorded performance, with the score; Sir, what a great service you've done.

[@kenmannes2612]

So wonderful to see the score!! It's always been my favorite organ concerto

[@2906nico]

God, this is briliant. This recording knocks nearly all the others out of the park.

[@cacamalapasa1508]

yes, by far

[@philippeconne6148]

Thé best performance ! Thanks to Georges Prêtre and Maurice Duruflé !

[@davidrehak3539]

Francis Poulenc:g-moll Orgonaverseny FP 93 1. Andante 00:05 2. Allegro giocoso 03:24 3. Subito andante moderato 05:30 4. Tempo allegro - Molto agitato 12:17 5. Molto calmato - Lento 15:06 6. Tempo de l'Allegro initial 17:46 7. Tempo introduction - Largo 19:36 Maurice Duruflé-orgona Párizsi Konzervatórium Zenekara Vezényel:Georges Pretre

[@davidrehak3539]

Köszönöm az értékelést

[@davidrehak3539]

Köszönöm az értékelést

[@davidreece6193]

Yes this is the version I remember on the EMI label which had a picture of Notre Dame Paris ie the big window.

[@davidrehak3539]

Köszönöm az értékelést

[@rr7firefly]

I was invited to watch a dance program one evening at St. Mary's College (across the highway from Notre Dame). The program was choreographed to this Concerto. The music completely turned my classical music experience upside down. Savage and sublime alternating in strikingly inventive chiaroscuro. It has been one of my favorites ever since.

[@Tyyyyuru]

Poulenc is pretty hardcore.

[@Djembe908]

It is!!

[@steveegallo3384]

@Richard Dey -- Excellent appreciation and analysis...Must seek Gaylord. Bravo from San Agustinillo!

[@2906nico]

Only in this concerto, and in a few other places (like at the end of Dialogues des Carmelites). He IS a brilliant composer. I love his music, and this piece especially, beyond reason,. but I wouldn't say it's really all that hardcore.

[@MartinSmithMFM]

@@2906nico Listen to Un soir de neige

[@somehowaturtle9802]

9:20 is just... so good

[@somehowaturtle9802]

13:30 too

[@somehowaturtle9802]

20:00 as well

[@JBearInIndiana]

One of my favorite - thanks for sharing - it was nice watching the score.

[@davidreece6193]

I remember when my mum bought this on Vinyl in the old days before CDs. Me and my younger brother though this was scary music.

[@MartinSmithMFM]

It is!

[@MartinSmithMFM]

Yes - this recording at St. Etienne du Mont. A lot of the credit goes to Cavaille-Coll

[@kenmannes2612]

I have it and still play it.

[@isaiahbaggett5014]

OMG!!! Durufle is playing in this 1961 recording??? How special! The chords pierce the soul...wow

[@MartinSmithMFM]

Durufle - in whose arms Vierne died *THE SAME YEAR*

[@nonmodo]

superb concerto

[@rg-ch6cp]

Thank you very much Olla for the score synchronisation !! It is really really helpful:)!!! I will play this piece in contrabass part next week and am studying ... I‘m so excited;)

[@marcosrobertojuarez]

Magnifico Concierto. Una belleza !!!

[@webmatt44]

Pour l'anecdote, Poulenc était allé demander conseil auprès de Maurice Duruflé pour la registration de l'orgue dans cette pièce. Donc toute la registration si c'est aussi génial on sait pourquoi!

[@MartinSmithMFM]

Poulenc had *NO IDEA* about the pedals! It was premiered in VENICE ! Poulence *never touched an organ in his life!* *AND YET*

[@LuizBHMG]

The organ is certainly not tuned in equal temperament and that just give an amazing and unique sensation to this mysterious concerto!

[@jacklevinson1]

LuizBHMG it seems to be slightly flatter than A = 440 Hz which also creates an interesting effect

[@LuizBHMG]

Jack Levinson Yeah, it can also be that. Many people may concern about this, but this creates actually a great effect!

[@VasilyMusic]

Yes! It makes it cosmic, menacing and out of this world. Amazing.

[@Whatismusic123]

@@VasilyMusic you are delusional, you should seek a psychiatrist.

[@GUILLOM]

@@Whatismusic123 🤡🤡🤡

[@1233-p5f]

My favourite organ concerto. So happy to see the score for the first time. Thanks!

[@MartinSmithMFM]

*Are* there any others?

[@leonardocoari678]

from 20:25 starts one of the most wonderful themes in music history

[@ruslan.denshaev]

Truly beautiful! Probably inspired by Alleluia from the Symphony of Psalms

[@steveegallo3384]

@@ruslan.denshaev --Colossal masterpiece.....BRAVI from Mexico City!

[@gavincannon8385]

20:20 is anybody else just blown away by this motif?

[@MartinSmithMFM]

Can't check, out of context; sounds like the sustained ambiguous resolving and not resolving 7th just before the Dutch fairground organ bit! That technique is also heard in the Glagolithic Mass.

[@colefortier]

that resolve in the strings is gorgeous from 1:24 - 1:28 :)

[@markam67]

One of the best of the Angry, Expressive, Moody French organ music. A very good rendition as well.

[@reetrol]

Masterpiece.

[@johnrapp8873]

A most beautiful concerto, I love those awesome pedal notes at 20 hz...john rapp

[@cacamalapasa1508]

cavaille coll 32 reed, all his stops speak quickly, his family designed and built pipe organs in france and had to build organ sounds for large spaces

[@bonobo2go]

This is FABULOUS!

[@kailichttrager229]

NICE, One of my favourite composers!

[@jacquesgeorges1041]

Excellent commentaire, très juste, très français, qui en évite le patois. 😉

[@alexandereichmann]

Genial und so realistisch, unbeschreiblich!

[@le_jaivan]

Qué maravilla de obra!

[@brendanmccann935]

Fantastic!!!!

[@merlindouglaslarsen1684]

Holy molly! That is a terrific piece. Phantom of the Opera style and all over the place and holds together right through to the end. Love it.

[@murrayaronson3753]

Phantom of the Opera style! That is an insult to Francis Poulenc!

[@jamisondavid100]

Poulenc was pretty theatrical. One dictionary says his music always had a bit of the "café" attitude...whatever that means.

[@slowpainful]

When friends of mine who are not musicians or serious music lovers hear this, they say exactly the same thing! But it's not an insult. Music can be very disorienting, you are entering a different dimension, and the first thing you do is to try and locate yourself - where am I - what era - familiar or unfamiliar - what is the mood? etc, and the gentleman I think is just doing that. "Phantom of the Opera" is shorthand for (I'm guessing something like) "dramatic, a bit scary, intense, grandiose,..." and it is indeed all those things. The only problem is to think you've nailed it down, so that you stop really listening. Anyway, that's my take on it.

[@sesquialter2f.89]

I agree with David Roddis; maybe it's like the mood in Phantom of the opera. However, it's another kind of music which is more serious and doesn't belongs to entertaining music.

[@MartinSmithMFM]

@@murrayaronson3753 anachronistic. L-W obviously knew FP but I never wasted time with F of the O

[@kal_bewe1837]

C'est tellement stylé !

[@MusicAndVinyl]

Two words: Thank you!

[@pyropegarnet9540]

This is a tribute by Poulenc for J. S. Bach's "Fantasy and Fugue in G minor, BWV 542." G MINOR. That is important.

[@MartinSmithMFM]

With musical example.

[@MartinSmithMFM]

True

[@MartinSmithMFM]

I mean in Rene Machaut's book on Poulenc (in French)

[@kenmannes2612]

Both Bach and Poulenc knew the possibilities of the organ. Certainly evident here for Poulenc's concerto. I think Bach may have been quite thrilled in a strange way to hear this!

[@wotan9630]

Durufle as soloist, what more do you want. Fabulous concerto by first class performers. Outstanding.

[@georgemurphy2579]

There are a couple that are better. He did Saint-Saens as well, but the best one is 1960 Zamjochian and Charles Munch.

[@VasilyMusic]

The more I listen to it, the more impressed I am. This is a kind of thing you can't listen to just once, you have to analyze it to fully appreciate it. Also big thanks for the description! It helped me BIG time with my essay on this concerto. Merci!

[@MartinSmithMFM]

Essay? What fun! For whom?

[@VasilyMusic]

@@MartinSmithMFM I had a subject called Music Score Analysis at my University like a year ago.

[@MartinSmithMFM]

@@VasilyMusic Great! I agree. I want to analyze music too! But to do that with love, without killing it stone dead. We would need a whole new methodology. I hope to live long enough to find the starting points for that! You are *very inspiring*

[@MartinSmithMFM]

Which university?

[@VasilyMusic]

@@MartinSmithMFM University of Film and Television in Saint Petersburg, Russia. I study Sound production, so we have some music related disciplines. It's not easy to analyze it, but if you can read sheet music, it's definitely possible

[@williamshortfilm5818]

It's something else than Saint-Saëns's 3rd symphony...its interesting how they both used the combination of organ and orchestra in completely different ways. I especially like 3:26

[@francescoborghini7669]

Probabilmente è solo una mia impressione, ma a me pare che la cupa sonorità di quest'organo male si sposi con l'orchestra, ognora traslucente di timbri diafani e semoventi... Grande opera comunque e, a parte questa tara che mi pare davvero pesante, grande interpretazione! Moltissime grazie per la condivisione!!

[@dbmusicproductions7568]

Fantastic channel and a service to many, many. Strongly subscribed if there was such a thing.

[@Luca-gj9xn]

Poulenc is really brilliant. My choir sang "Les Tisserands" in quarantine style. Write this down in the research. You will love it for sure: Corale Novarmonia - Les Tisserands (F. Poulenc)

[@stevecarroll7412]

A classic and that's for sure ✈

[@robertgift]

Thank you, Olla-Vogala, for sharing this. Thank you also for the photographs. So nice to see Francis. Years ago I leaned this to play with a community orchestra. Have I learned some wrong notes?!!

[@MartinSmithMFM]

Well, it's easy!

[@RedZed1974]

16:30 lol. When the organ has to be the woodwind ensemble, too.

[@zanexiao4488]

One of the advises a lot of composers give to young composing students (particularly those who are also pianists) is to never imagine the organ as a keyboard instrument like the piano or the harpsichord, but instead a wind ensemble.

[@lightyagami9939]

​@@zanexiao4488 I don't really agree with that. Although the organ has stops named after real instruments its a unique sound which cannot replace them

[@MartinSmithMFM]

@@zanexiao4488 They must be unmusical indeed if they cannot either respond to the organ or not. Most people love it or hate it

[@RichardJClark]

Love it

[@ЕвгенийСмирнов-м6х1х]

Один из любимых !

[@LadyVampire333]

Goosbumps

[@MartinSmithMFM]

One of the great cries of anguish of the West to God.

[@yowzephyr]

0:05 is a good place to start. ^ ...... Man, this is good stuff!

[@enedenedubedene4811]

Ideal zum Tiefbasstest der Lautsprecher.👆👆😃😃😃😃 Viele Grüße aus Warthausen bei Biberach an der Riß

[@fredericchopin7538]

Magnificent!

[@wwr-music5469]

14:38 - I thought first time that there will be the quote from Adagio from Pathetique Symphony of Tchaikovsky.

[@gasmuzika7203]

WWR - music i think he did it consciously. It like he speaks with geniuses from past

[@rosadolopes6717]

yeah i noticed too

[@lechihuahua]

There is a similar quote in his ballet Les Biches

[@afrofinka]

The orchestra here is not the Société des Concerts du Conservatoire but the Orchestre National de l'ORTF (now Orchestre National de France). The recording location is the Église Saint-Etienne-du-Mont where Duruflé had a position as organist (FR = titulaire)

[@MartinSmithMFM]

Trueeeee. Cavaille-Coll, yes?

[@afrofinka]

It should be a Cavaillé-Coll indeed !

[@resonantdave]

All of my favorite parts just sound like he was trying to write BWV542 without writing BWV542.

[@phoebedraper3046]

This and Bunin's are very cool organ concertos!

[@MartinSmithMFM]

Whoooooo?

[@phoebedraper3046]

@@MartinSmithMFM Revol Bunin, he was Shostakovich's first student but didnt get much recognition unfortunately

[@MartinSmithMFM]

@@phoebedraper3046 Yeah I have heard the name! Shostakovich also has some remarkable music especially the Preludes and Fugues but Poulenc did not know him. But strangely, Poulenc and Boulez were on good terms!

[@ionablayne1343]

Here's your soundtrack. Now all we need is a major motion picture...

[@brianwolfman5927]

- Perfect! -

[@herbchilds1512]

Spooky, exhilarating, and thrilling. Deserves to be a regular Halloween event. In a big, spooky Gothic cathedral with a humongous loud organ.

[@eliasaquino2152]

This is what give ME "Phish at the Sphere" feelings.

[@druther28]

Until today, I thought I was completely unfamiliar with this piece. Now it strikes me that this was featured in the TV interview that Rose Kennedy gave to Robert MacNeil in 1974. Specifically, it was used to chilling effect when she spoke about the assassination of her son, President Kennedy.

[@PaulSmith-qs1es]

I feel like I'm in a horror silent film listening to this. I'm journeying to Dracula's castle or fleeing through the sewers from the phantom of the opera.

[@4skin-gaming]

someone linked this in a fanfiction im fucking dead i love it

[@owengette8089]

i sure hope you were in that fanfiction looking for modern french composers

[@jesterfangirl3741]

OH MY GOD THATS WHY IM HERE RN

[@4skin-gaming]

@@jesterfangirl3741 LMFAO now im wondering which fanfic it was

[@mathiasdubois7252]

Wow

[@heroldschopfer9231]

14:43 the strings sound like the strings in Tschaikowskys pathetique

[@hb3393]

Definitely the best recording of this piece made. Such a shame about the flat solo reed stop 😖

[@georgemurphy2579]

A good one , but not the best. Lefebre at Notre Dame...exquisite!

[@cacamalapasa1508]

that is how caivalle coll built it. he actually completely revoiced the organ after it was built due to poor reviews.

[@MartinSmithMFM]

@@georgemurphy2579 French reeds!

[@MartinSmithMFM]

@@georgemurphy2579 Phillipe Lefebvre? He is the oldest *titulaire* at Notre-Dame

[@MartinSmithMFM]

@@cacamalapasa1508 Cavaille-Coll would not have been around in 1938

[@JBearInIndiana]

One of my favorite pieces also - wonder why he says it is in Gm when the score shows it is in CM - you learn something new ever day.

[@sashakindel3600]

It follows the convention, common after the 19th century, of notating music that is sufficiently chromatic without a key signature even if it has an identifiable key.

[@klop4228]

The point in a key signature is to show which notes have an accidental most of the time (which is why a lot of baroque music notates minor-key works with one flat fewer/one sharp more than it should have). If a piece is chromatic enough, there normally aren't any notes which appear all the time, so it's often just left out.

[@MartinSmithMFM]

@@sashakindel3600 Of course it is in G MInor, that is the whole point, it draws on the Bach piece of that key. Modern composers from Debussy onwards do not use key signatures. There is no C Major in this at all. It is entirely in G Minor and related major keys here and there. *That is the whole raison d'etre of the piece!*

[@caioreis9931]

Very good!!!This is his masterpiece?

[@specialperson335]

This or the concerto for 2 pianos

[@MartinSmithMFM]

@@specialperson335 Plenty of great Choral music and also the Piano Concerto but above all *THE SONGS*

[@lsmith145]

@@MartinSmithMFM totally agree! his songs are fantastic

[@川口健太郎-l1b]

ストリングス・セクションは六人組の仲間オネゲルの交響曲みたい この曲はプーランクにしては珍しくバッハ風 オネゲルはバッハ好き

[@fstover5208]

There are versions I prefer to this one, but it's still very good.

[@joluijten8935]

Whot kind ofversion do you mean?

[@georgemurphy2579]

F. Stover there are many. This is a good one. EPower BIGGS at Boston's Sym. Hall. Best one is Lefebre at Notre Dame!

[@migs_xyz]

@@joluijten8935 Recordings

[@cacamalapasa1508]

but poulence hinself supervised this recording, he was there. and he conferred with the organist on the registration. poulenc died 2 years later

[@MartinSmithMFM]

@@georgemurphy2579 Is it on KZbin? I discount Biggs a bit these days - although loved him years back. His name always excited me!

[@cacamalapasa1508]

poulenc composed this after a friend of his died in a motorcycle/car accident i believe, and may be about his spiritual experience about his conversion to Christianity. the organ is a french symphonic instrument designed for the stops overtones to combine harmonics rather than just collide.

[@cacamalapasa1508]

also, poulenc was present for this recording and worked with dupre concerning the organ stop registrations since poulenc knew more about sypmphony instruments and not organ stops, especially those of cavaille coll

[@MartinSmithMFM]

Wasn't that a it earlier? The conversion came with the Gloria and the Rocamadour stuff, no?

[@MartinSmithMFM]

Go listen to English organs. All organs do that!

[@cacamalapasa1508]

@@MartinSmithMFM no english organ sounds like this kzbin.info/www/bejne/gIuQfKSOl9iLobs

[@MartinSmithMFM]

@@cacamalapasa1508 Dupre? You mean Durufle?

[@filbertthedilbert1]

This is like proto-prog Rock

[@bobareebop]

What would the G.P.R. notation indicate?

[@deankauffman1589]

To answer your specific question they stand for Grand-Orgue, Positif & Récit - divisions, i.e. keyboards, of the classical and contemporary French organ. There are instructions in this score on what stops to pull for each division as well as where to play the notes in the score. See the good article on French organs here: letourneauorgans.com/en/info_general.php. Yes, an amazing and thrilling performance!

[@bobareebop]

@@deankauffman1589 thank you Dean. I had figured it was division instructions but not being familiar with French organ registration I could not make sense of it. And thank you for the link.

[@deankauffman1589]

How sweet that you responded. Thank you.

[@MartinSmithMFM]

@@deankauffman1589 Meaning, roughly, 'full blast - all the keyboard together - a damned great noise! The earliest organ at Salisbury could be heard *a mile off* That was in the 14th century

[@mattvwyk]

The Kontrabaß might as well have had been celli III or trumpets

[@almasmusic683]

У него определенно особеный язык.Я счастлив

[@jewgienij131]

Poulenc is Stravinsky - light version.

[@deladeladelaful]

Lit

[@TheProsaicCult]

I just melt at: 13:33

[@eoinallen466]

13:44

[@BsktImp]

Agreed. It's a strange but lovely-sounding descending sequence alternating between major 7ths and minor 7ths (A maj7 - Am7/D - G maj7 - Gm7/C - F maj7 - Fm7/Bb - Eb maj7 - Ebm7/Ab).

[@gasmuzika7203]

my favorite moment in this piece! sounds so jazzy