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When he travelled around Europe after his military service, Francisco Farreras (Barcelona, 1927) was impressed by the Asian art in the British Museum. His special empathy with the Japanese -because of the order and delicacy, the tension of using matter, his skill and enjoyment of folding-culminates in a warehouse in New York, where he discovers the possibilities of silk paper which, superimposed, increases its whiteness. He thus enters the world of collage, the main element of his body of work for the next fifteen years, until he follows the suggestion of volume in his own Barajas mural. Lately, his almost flat surfaces bring him even closer to Japan.
Seventh episode of the mini-documentary series entitled "Asia and I. Conversations with artists", which includes extracts from interviews with thirteen artists by the curatorial team of the exhibition "The Asian Principle. China, Japan and India and contemporary art in Spain (1957-2017)" as part of the oral history project "Asia and contemporary art in Spain".
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© 2017, Fundación Juan March, Madrid