Franz Liszt ‒ Années de pèlerinage, deuxième année - Italie, S161

Franz Liszt (1811 - 1886), Années de pèlerinage, deuxième année - Italie, S161 (1837/1849)
Performed by Jeno Jando
Années de pèlerinage, deuxième année - Italie, S161
00:00 - No 1: Sposalizio
08:16 - No 2: Il penseroso
13:17 - No 3: Canzonetta del Salvator Rosa
15:53 - No 4: Sonetto 47 del Petrarca
21:18 - No 5: Sonetto 104 del Petrarca
27:28 - No 6: Sonetto 123 del Petrarca
34:14 - No 7: Après une lecture du Dante 'Fantasia quasi Sonata'
There are many similarities in the genesis of the first and second books of Liszt’s Années de Pèlerinage: most of the pieces in both books were conceived in the 1830s during his travels to and from Switzerland and Italy with Marie d’Agoult, a time which saw the birthof the couple’s three children, Blandine, Cosima and Daniel, and for Liszt a period of intense compositional activity, punctuated by a good many concerts. The two books were eventually prepared for publication in their final form by the early 1850s, in Liszt’s busiest period as a composer/conductor at the court of Weimar. Their story is also paralleled by that of the Transcendental Etudes and the Hungarian Rhapsodies, which achieved their final form at about the same time. In the case of the Swiss volume, Liszt had selected all but one of the pieces from the previously published Album d’un Voyageur; with the Italian set only three of the pieces had appeared in print in earlier versions-the Petrarch Sonnets-although all but one of the remaining pieces had been drafted in the late 1830s. The supplementary volume Venezia e Napoli had been ready for publication in about 1840, but was withdrawn by Liszt at the proof stage. The later set of pieces with the same title discarded two of the earlier set, revised two, and added a new piece between them. The important difference between the two books lies in the source of inspiration: although various literary references lie in the background to the Swiss volume, the principal imaginative spring is the landscape of Switzerland itself; the second Année draws entirely upon Italian art and literature.

[@alexsimonian9822]

I remember discovering this piece of work in the college library. When I started sight reading Dante's Sonata on the piano, I felt like I was partaking in some immortal incantation of raising hell

[@emaramify]

Bruh, that's true. U should have left it deep in the college library

[@AndreiAnghelLiszt]

@@emaramify 😂😂

[@swagifier1170]

@@AndreiAnghelLiszt istg i see you everywhere

[@Toru-Kazama]

Still the most beautiful masterpiece of piano literature

[@FirstGentleman1]

The Dante sonata is one of the most impressiv works in the piano literature.

[@saltburner2]

It was the one movement Wilhelm Kempff did not record - though he is unsurpassed u=in the rest

[@yurisong5155]

00:00 - No 1: Sposalizio 08:16 - No 2: Il penseroso 13:17 - No 3: Canzonetta del Salvator Rosa 15:53 - No 4: Sonetto 47 del Petrarca 21:18 - No 5: Sonetto 104 del Petrarca 27:28 - No 6: Sonetto 123 del Petrarca 34:14 - No 7: Après une lecture du Dante 'Fantasia quasi Sonata'

[@emaramify]

like so many people have already done what u just commented

[@sonorouspiano2225]

@@emaramify doesn’t mean it isn’t helpful

[@ragingranga99]

The dark storytelling of Jandó Jenő in the Dante Fantasia is far above anyone else's I have found on KZbin, I hear a smiling devil playing the piano instead of a human! Thanks for upload

[@konosxatz1]

Nicely done.Annees de pelerinage is one of the most wonderful and wonderfully complex collections out there. :)

[@yes-fq6jd]

42:17 Makes me smile every time!

[@eardizzone_mus]

00:00 I love the Sposalizio, it's a glimpse of what Debussy and Respighi will be. I absolutely recommend the orchestration by Salvatore Sciarrino conducted by Marco Angius; Sciarrino is well acquainted with the score and his comprehensive orchestration reveals the insights of the piece👍

[@benfranklin9519]

Yes played by the great Jeno Jando! One of the best Annees around.

[@davidrehak3539]

Liszt Ferenc:Zarándokévek - Második év: Itália 1. Sposalizio (Mária eljegyzése) 00:05 2. Il Penseroso (A gondolkodó) 08:17 3. Canzonetta del Salvator Rosa (Salvator Rosa canzonettája) 13:18 4. 47. Petrarca-szonett (Sonetto 47 del Petrarca) 15:54 5. 104. Petrarca-szonett (Sonetto 104 del Petrarca) 21:20 6. 123. Petrarca-szonett (Sonetto 123 del Petrarca) 27:30 7. Dante-szonáta (Après une lecture du Dante 'Fantasia quasi Sonata') 34:14 Jandó Jenő-zongora

[@davidrehak3539]

Köszönöm az értékelést

[@davidrehak3539]

Köszönöm az értékelést

[@emaramify]

@@davidrehak3539 boi

[@yetanotheramateurpianist2595]

so beautiful and otherworldly! Can't wait to learn them...

[@james.housego]

they are incredible works to have up your sleeve, such variety throughout

[@yetanotheramateurpianist2595]

@@james.housego yeah! i'm actually doing Switzerland and Italy now... such epic pieces!

[@james.housego]

@@yetanotheramateurpianist2595 I'm working my way through the Dante sonata, it's giving me hell but I'm getting there

[@ジャガーマン-l5h]

00:00 - No 1: Sposalizio婚礼 08:16 - No 2: Il penseroso物思いに沈む人 13:17 - No 3: Canzonetta del Salvator Rosaサルヴァトールのカンツォネッタ 15:53 - No 4: Sonetto 47 del Petrarcaペトラルカのソネット 21:18 - No 5: Sonetto 104 del Petrarcaペトラルカのソネット 27:28 - No 6: Sonetto 123 del Petrarcaペトラルカソネット 34:14 - No 7: Après une lecture du Dante 'Fantasia quasi Sonata'ソナタ風幻想曲「ダンテを読んで」イエネーヤンドー(ピアノ)

[@msotil]

Jandó Jenő (his Hungarian name) is a pianist deserving of wider acclaim and recognition. He is a professor at the Franz Liszt Academy in Budapest. He has also many recordings under his belt: Liszt, Beethoven, Mozart, Schubert... Some of his recordings have received high ranking in the Penguin Guide.

[@WalyB01]

Indeed great pianist. I believed I had a recording of him when I was a child.

[@benfranklin9519]

This is one of those with a Rosette.

[@DottoreSM]

i personally love his recordings of liszt

[@stephane9261]

Sonne comme hommage à Rameau de Debussy. Par la tonalité et quelques harmonies.

[@shin-i-chikozima]

The greatness of Liszt and his performers are immeasurable , unfathomable and beyond description ，and full of admiration , acclaim and deep emotion From Tokyo of the Land of the Rising Sun 🇯🇵 This audience ！ Which is your country ？

[@GoodMorning-dj8mx]

104 21:19 - Вступ 21:29 - Осн. тема

[@sergebayet4833]

Yeah!! The Canzonetta (I post while listening!), the 4 frist bars with the left hand only please (My teacher speaking in my ears).

[@tatiponce8677]

Estoy escuchando el Soneto. #. 104. De Petrarca. Que maravilla 😊 de Liszt.

[@littlezorglux4139]

Theses ads are so cancerous it's ruining this masterpiece.

[@takaharrue]

install adblock

[@AndreiAnghelLiszt]

Get Brave browser!!

[@visveee6678]

Get KZbin Vanced if you have an android

[@escargot1535]

thank you so much .

[@АлександрЯрков-ш2з]

Браво гениально написано и сыграно

[@iskender1123]

Is so amazing😍

[@teddysears703]

Excellent pianistic irk, great FRANZ LUSZT

[@TomTom53421]

RIP Jeno Jando

[@JFGecik]

It is sheer madness from about 43:20 to 45:00 (especially from 44:30 to 45:00) -- borderline impossible for a human being to play.

[@AndreiAnghelLiszt]

You must be joking. Absolutely possible to play if you have a well-developed technique and relaxed wrist.

[@sonorouspiano2225]

@@AndreiAnghelLiszt true

[@StevenPJames-fl1un]

You are right that is difficult, but I think the triplet section at the end is much tougher :)

[@jaegonekim]

7:04 debussy

[@SamiShah2004]

Arabesque No. 1

[@SamiShah2004]

It is sort of a descending run through the pentatonic scale and it has been used in many other places such as Bortkiewicz's Etude Fontaine Lumineuse's opening melody.

[@pleasecontactme4274]

liszt was literally dead by the time arabesque no. 1 was made...

[@GUILLOM]

@@HowardTse ???

[@danal81]

@@pleasecontactme4274 and?

[@yassinet.benchekroun5087]

Is it possible that Liszt had studied Schubert G major Sonata (D894)? Because the modulation in G major at 3:00 sounds really much like the sonata's first movement.

[@accipiterignitus5123]

Liszt has studied every music style

[@ThePianoFortePlayer]

He definitely studied Schubert's G major sonata, there's a version of it on imslp edited by Liszt himself

[@MrGer2295]

Wonderful ! Thank you :)

[@calebhu6383]

5:36

[@emaramify]

This piece is lit

[@tarikeld11]

23:30 a very beautiful moment, but I prefer Bernhard Ruchti's performance here

[@mikedaniels3009]

The guy was a staunch Catholic yet lived in an adulterous and scandalous relationship with all its trimmings. Imagine how this schizophrenia and constant quelling of his pangs of conscience & remorse, the permanent absence of inner peace must have had a terrible toll on his soul and drained the man's mental energy. I wonder if it can be heard in his music.

[@roberthayes7737]

Definitely some of his later work.

[@batardglouton5455]

He was a romantic. He fell in love with women he couldn't have. He was also constantly seduced by his students. I can't help to feel a bit sorry for him. He was very sensitive and it's the price he had to pay. At least he had the best means to express himself.

[@Lkon99]

That's about par for the course for catholic men... act atrociously and then play "victim." 😂 And, of course, blame their heinous behavior on women. 🤢 🤮

[@ye2z]

15:53 21:18 27:28

[@dededadaro6996]

Lisztttt❤❤❤❤❤😍❤😍❤😍😍😍❤😍❤😍

[@timweather3847]

Lovely performance, but one thing worries me. In sonnet 47 why does he introduce a dotted note at the end of the first line of the melody (bars 13-14), doing the same every time the melody recurs? It is not in the score shown here, or mine, and I have never heard any other pianist do this. He seems to keep to the score in every other respect, so it doesn’t seem to be a different version that he plays from.

[@scrambledmeters]

34:19 ????

[@alejandrodmsosa]

what?

[@NoahJohnson1810]

How odd. I wonder if it was an accident or a different edition.

[@Kris9kris]

What seems to be the problem?

[@Felix_Li_En]

Something wrong with the beginning ??

[@FocusMrbjarke]

Kris9kris i think it because it's the dante sonata or ar least sound like it in a collection where one wouldn't expect it but it's just a guess

[@hermannsteinpilz4581]

Jando is one of the few pianists who play the opening of Sonetto 104 as written, agitato assai. Horowitz strangely butchers this part beyond recognition.

[@jackjackk9894]

No.5 ❤❤❤❤😭😭

[@marcioaurelio6093]

Liszt sóneto 104 de Petrarca

[@johnnywilson3071]

Sposalizio's ending sounds a lot like Debussy's Deux Arabqesue no 1. I wonder if Debussy got some inspiration from this piece. But damn its hard to find sheet music of these Annees de Pelrinage pieces.

[@roberacevedo8232]

Imslp

[@dededededededewedq]

@@roberacevedo8232 still

[@ndjdoeooeoek]

42:18

[@emaramify]

this part is particularly pleasant

[@claudioparrella183]

Jando è apprezzabile nei sonetti del Patrarca . L'incisione più bella del secondo anno è quella di Lazar Berman.

[@floridamansgarage8629]

36:04 😍😍

[@tatiponce8677]

Inspirada por la poesía de. Dante.

[@허민-y4f]

19c 낭만주의 - 피아노 음악 리스트 - [순례의 해] 총 3권으로 리스트의 피아노 솔로 작품 중 (가장 규모가 크다) 다년간 여러 차례 걸친 [스위스]와 [이탈리아]여행에서 받은 인상을 작품화 한것이다.

[@yannickm5237]

11:15 Dies Irae?

[@VinceRicafort-xo9lu]

Yep. Liszt revised this piece into a final version called La Notte dedicated to the death of his daughter's childbirth. Highly recommend the piece, since he added a major final section which is very good and could be one of his best late pieces.

[@VinceRicafort-xo9lu]

This version is 5 minutes while the final one is 11 and I also recommend Tres odes funebres which is a cycle.

[@krautertee7928]

27:30

[@muajibb]

46:50

[@PenguinMilk]

Ashley Home Store no longer has my business, screw these ads.

[@WEEBLLOM]

a

[@BetonBrutContemporary]

10:22

[@Bampaloudu64]

Je redécouvre le pianiste Jeno Jando par cette écoute.

[@emaramify]

Wut

[@SCRIABINIST]

48:37

[@lukerogers8484]

41:38

[@marcelaaninat4651]

Is a dream

[@Ejexion]

*pensieroso

[@eliamagri7413]

Its not modern italian

[@Ejexion]

@@eliamagri7413 Thank you. I see now that I offered that "correction" because that's the title of the score music in the video. I don't think I ever actually looked it up. Looking it up now, I see "Il penseroso" in many searches, but also "Il pensieroso". Are you suggesting "pensieroso" is a more contemporary form?

[@eliamagri7413]

@@Ejexion yes, "pensieroso" is actually the modern correct word. Cheers!

[@alexkramer4548]

34:14

[@maybeiamcool]

5, 7

[@samthepianoman]

Why did spozalio give me Chopin vibes

[@CatkhosruShapurrjiFurabji]

Actually Canzonetta del Salvator Rosa should, it has a lot of similarities with Allegro de Concert...

[@laudaian]

I feel the same as you, Liszt's 4:56 has a connection to Chopin's 4th Ballade (G flat major part)

[@nicholasfox966]

Because there are parts of it that sound like Chopin, such as the elaborate, thick, dissonance-caked cadences.

[@goldberg72]

Mah

[@manganexum2]

So many interruptions, absurd!!

[@ChristopherHauser-58]

Too slow in the beginning

[@CustardCup]

3:25