Franz Liszt - Die Loreley, S.273ii (Damrau, Deutsch; Fischer-Dieskau, Barenboim)

[@LiliyaSholomey]

Spectacular!!!!

[@pianoforteyt]

So beautiful 🤩

[@tailleferrestan]

My favorite part is the ending, when the E, F, then A are held for a loooong time...I don't know why, be I love that part.

[@wassilijvalentis]

Diese Versionen beweisen, daß nicht alles geht …

[@Nihl3375]

Thank you for the editing but it's not the same key than the singer

[@treesny]

I believe Damrau sings the song in the original key, as have many other sopranos. Unfortunately, the big Fischer-Dieskau/Barenboim survey of Liszt's songs is compromised by the inclusion of many songs not suitable for baritone voice and thus requiring transposition; Liszt's writing for the piano in particular suffers greatly. DF-D also chooses not to include several fine baritone-appropriate songs. He performs fewer than half of the songs -- 17 out of a total of 40 -- in their original key and octave. If you would like to hear Die Loreley sung by the voice(s) that Liszt had in mind, I highly recommend: Dame Janet Baker, mezzo-soprano/Geoffrey Parsons, piano -- kzbin.info/www/bejne/jnnFnYGDr85ohJY Mitsuko Shirai, mezzo-soprano/Hartmut Höll, piano -- kzbin.info/www/bejne/nImZmpeQi51giac Andrew Kennedy, tenor/Iain Burnside, piano -- kzbin.info/www/bejne/mYvHhKGiZdOgr6M Alessandro Maffucci, tenor/Roberto Russo, piano [1860 Steinway] -- kzbin.info/www/bejne/m3S6fmxrmaxqps0 And here is a recent recording of Liszt's own orchestration of the song: Stephanie Houtzeel, mezzo-soprano/Orchester Wiener Akademie [period instruments] conducted by Martin Haselböck -- kzbin.info/www/bejne/j2THXqiqmbyZgqM

[@wTe4fG8en7A]

Мужская часть намного более честная ) .