@windstorm1000 He's 73 here. Most violinists--with the exception of Milstein--lose a great deal of control by this age. (Even Heifetz retired at 72) Plus, the accident naturally brought on even more debilitation. My father, a top violinist, heard him play at Carnegie Hall in 1950 and was forever saddened by the spectacle.
@windstorm100013 жыл бұрын
If Kreisler didn't play violin he could had another career as a movie star or model--he's easily the best looking performer/composer of all time. You can see this in this picture of him in his later years.
@robotnik776 жыл бұрын
Caesar Romero could have played him, or Efrem Zimbalist Jr.
@망히-z9z Жыл бұрын
He looks like Omar Sharip
@Icreachusalad10 жыл бұрын
Gorgeous. So expressive.
@Icreachusalad10 жыл бұрын
No-one could use rubato like Kreisler. Reading the comments below ... what Kreisler could do expressively is just soul-touching, completely regardless of any minor technical insecurities.
@Simsonsimsons14 жыл бұрын
This violin concert is a except great in its way. Wonderful flowed bows, fantastic melodies. Chausson was a espacially master of the composers.
@valdengo113 жыл бұрын
well...good or bad, I never thought this recording existed..I like hearing Fritz do this, for sentimental reasons
@SimonStreuffViolinEducation12 жыл бұрын
Some people were old when they recorded. Even Heifetz stopped playing at older age, wich is just smart, but not necessary. I enjoy this recording. One can learn from that sound. Also I read Kreisler did always some bad concerts here and there because he didn't practiced much. But at his best his concerts left even the great russians like milstein and horowitz in awe. He can be incredible brilliant and his musicality is probably beyond our both horizon. Don't judge from one recording... never!
@sashaclarino90223 жыл бұрын
Heifetz retired because his hand was damaged. Otherwise he would play longer.
@violin03113 жыл бұрын
Thanks much!
@Geigenspiel14 жыл бұрын
Eine Rundfunkaufnahme aus dem Jahr 1948 mit dem 73jährigen Kreisler. Die geistig-seelische Intensität ist in ihrer Schönheit hypnotisierend, atemberaubend. Der geigentechnische Ablauf sicher, das Vibrato zu früheren Aufnahmen etwas langsamer. Kreisler wurde mit Ole Bull verglichen und dieser wiederum mit Paganini. Eine Größenordnung eigener Art ?
@kevaughn103013 жыл бұрын
the sun doesn't set on intonation. if one thinks the old masters recordings sound terrible, it reveals more about them and their inability to connect with the higher order musical ideas that transpire through their playing
@mylesjordan99702 жыл бұрын
Kreisler here is at about the same age as Primrose was when I studied with him; there are strong similarities, in that, at moments, one still hears a very great master-and may learn important things that can’t be taught by anyone else. Of course he is an ailing old man here; those who judge his work by this recording are missing the point starkly. Against my better judgment, I actually approve of Voorhees’s decision, money-grubbing motive or not, to record him.
@robotnik7713 жыл бұрын
Too bad this is Kreisler past his prime, and after being run over by a truck while absent-mindedly crossing the street. I'd loved to have heard him play this in his vigor and strength, say early 40's. I can only imagine the power and lyricism. This piece was perfect for his style. Once he played it in Paris; his colleague, Jacques Thibaud was so overcome, he stood in the audience and before he could catch himself, gushed audibly, "Ohhh....que magnifique!!'
@MCHEATH2 жыл бұрын
There are still flashes of genius!
@kevindeemer49249 жыл бұрын
the honesty of this interpretation trumps all technical shortcomings. It's so sad to see music degraded by those who judge based solely on 'convention'. intonation is a means to an end, it is not THE end. Heifetz and Milstein were very great but so were the early masters; in many ways they were able to convey more than the big 20th century buffs.
@almeronfilms8 жыл бұрын
But, the Kreisler recording is superior from a technical point of view as well. He's got more technique and mastery than any of the others. Why doesn't anyone notice that?
@almeronfilms8 жыл бұрын
O.K. There might be a few sloppy things here and there. But, when the going gets really tough, he does amazing, sensational things, that no other violinist does.
@kevindeemer49248 жыл бұрын
I definitely agree, people train themselves to pass judgement solely based on a few developed criteria (i.e. intonation) and end up deafening themselves to the beauty of the rest of the performance as a result; akin to myopia for the ears.
@maxreger10013 жыл бұрын
This is VERY late in his career, after his automobile accident--a time when he was pushed by his aggressive wife to keep performing, DO NOT judge Kreisler by any of the recordings from the late 40's--early 50's. His contemporaries were very saddened to hear him still performing. Rather tragic actually.
@lordhenrywotton6914 жыл бұрын
magic...
@priscianusjr6 жыл бұрын
Whatever the shortcomings of this recording, and there are many, I think it's the only recording of Kreisler playing the Poeme. The Poeme was premiered by Ysaye in 1896 and 1897. Kreisler, at that time 21-22, was studying medicine, but he came back to the violin in 1899. Ysaye and Kreisler were close friends. I think a lot can be learned from Kreisler's interpretation, phrasing especially. About the middle of the piece, for some reason, he goes fractionally flat. He's not so much out of tune with himself, but with the orchestra. In the doublestop section starting 6:49 he has serious intonation problems. At 7:40, after the orchestra tutti, he comes in practically at pitch. After that he goes flat again, unfortunately. Then it cuts off ... does the ending exist?
@sincerus-sincerus7932 жыл бұрын
"Thank you very much for this recording. And about "problems with intonation" and his recordings in 1940s - it seems that his recordings of 1942-1946 are very good with intonation aspect, and also are more deep emotional, it´s not his recordings of 1910s - recordings of 40s maybe not so fast-virtuoso when he demostrated his high speed in technique like 30 yrs ago, but very good in conceptional side, technically, with unique sound - no worse than his early playing, but rather simply different from it. Here - maybe it can be his age and accident of 1941 (in some sources it was the information that after that he began slow lost his hearing), yes, but, maybe it is problems of recording - voice and violin recordings very depend from quality of recording technics ?"
@warandcheese12 жыл бұрын
@windstorm1000 thank providence he became a musician!!!!!!!!!!!
@windstorm100012 жыл бұрын
@maxreger100 what happened? did the car accident alter his hands/arms, eye coordination???
@johndow559911 жыл бұрын
You don't have to play violin in order to "deserve" the right to critique someone else's performance. The critique should be evaluated on its own. You've made a stupidest comment possible.