Ernest Chausson - Poème de l'amour et de la mer, Op. 19

[@MrSOLOPIANIST]

THIS IS A MASTERPIECE !!! Every second is beautifully crafted. If Debussy or Ravel composed this, it would have been lauded throughout the world. But instead it is dismissed because Chaussin was a rich amateur. Such hypocrisy. I am a professionally trained musician with a degree in classical. Can't anyone HEAR Debussy and Ravel in this glorious work??? And this particular recording is RAVISHING ... Voice and orchestra ... This music deserves a million views ...

[@victoria-xx6fv]

I agree it’s so underrated!!!! It’s one of the most beautiful and monumental vocal/orchestra works ever written. Yet so rarely performed! There is poeme for violin by Chausson very popular among violinists- very similar, but the text here i see adding so much to the music and its overall the next lever how the text can be set in music….

[@MrSOLOPIANIST]

@@victoria-xx6fv you are clearly a lady of infinite taste and refinement 😄

[@davidzorror.]

Que joya, la música, el drama, la emoción, la orquestación, me conmovió

[@bhastro9959]

Endlessly hypnotic and moving. One of the most romantic rhapsodies and threnodies ever composed, up there with Lenski's aria and Gliere's Coloratura Concerto.

[@remixuereb]

L'interprétation de Montserrat Caballé a quelque chose de moelleux et délicat qui nous fait sentir et vivre avec son coeur d'enfant émerveillé , sans déborder en dépit du coffre relatif à celui d'une "diva" qui dépasse par ses qualités personnelles d'interprète largement la technique vocale , si bien que l'on est engagé littéralement et sans détours dans un univers de correspondances poétiques entre chant , paroles et ambiance musicale complètement magiques . C'est un vrai bonheur que de réentendre cette version de référence .

[@xavierbordes1373]

Mélancolie tragique, profondeur d'Ernest Chausson... Une si grande beauté... Mais sa symphonie, plus encore...

[@hamtataroro]

quelle bonne idée d'avoir la partition tout en écoutant !! bravo et merci !

[@silviotagliavini]

Bellisima obra ............... Extraordinaria interpretacion !!!!!!!!! Me hizo lagrimear de emocion

[@guillotpierre7159]

j'ai eu , il y a longtemps ; le privilege d'aller voir et entendre Montserrat et Marilyn Horn dans Sémiramis au theatre des Champs a Paris : deux divas exceptionnelles reunies sur une meme scene ; soirée magnifique

[@yusefandersen]

So beautiful that it hurts

[@angelosilva4051]

Meravigliosa composizione questo poema bellissima esecuzione.

[@cesarjuliograndegonzalez6460]

Qué partitura tan hermosa....cada compás me hace recordar los vaivenes del mar.. las ondas de un lago besando la orilla, el toque lastimoso del chelo...me hace sentir cuando el agua del río desemboca en el ancho oceano y se funden en un todo.... Sublime! Grs Chausson por tan bellos momentos!

[@IvanGreindl]

Comme toujours, Mme Caballé chantait bien sûr, divinement. On peut toutefois regretter que sa diction française reste assez approximative : la maîtrise de la langue contribue aussi à la perfection de l'interprétation...

[@EtreGenerique]

Dans interprétation, il ne peut y avoir perfection. AudioManiac.

[@MrSOLOPIANIST]

Ms Caballe was a HER not him

[@aelfwine119]

The comment was written in French and there is no mistake in that language: the commenter for sure knew Mrs Caballé was a woman. Automated translation should be blamed.@@MrSOLOPIANIST

[@ricardogallardo7467]

NO CONOCIA ESTA MUSICA TAN HERMOSA DE CHAUSSON, MUCHAS GRACIAS POR DIFUNDIRLA ! CUANTA BELLEZA QUE NO SE ESCUCHA Y SE PIERDE EN LOS TIEMPOS! EL ARTE SUPERIOR ELEVA LOS ESPIRITUS Y CUANTA FALTA HACE EN ESTOS TIEMPOS DE MATERIALISMO FEROZ !!

[@MrSOLOPIANIST]

Beautifully expressed

[@lourdespinedaayala6251]

Très belle! Muy bella interpretación!

[@sebastiendamarey6673]

Quelle merveille on sent déjà Maurice Ravel !

[@guilhermedelcampo4832]

sublime

[@stephane9261]

Superbe pièce ! On sent Chausson pris entre Wagner et Debussy. ..

[@felixthomann9978]

Oui c'est incroyable ! On pourrait presque entendre languir Iseult en français !

[@reneematte8426]

Grazie Bartje Bartmans via Ernest Chausson "Poème de l'amour et de la mer, Op. 19 (1882-1890) ."🎼🎹🎺🎸🌺🎧🎼🎼💙 "I. La Fleur des eaux Ia. Interlude (12:34) II. La Mort de l'amour (15:41) Montserrat Caballé, soprano and the Symphonica of London conducted by Wyn Morris." En citation ci-dessus quelques bribes de : (" Description by Adrian Corleonis [-]."

[@АлександрЯрков-ш2з]

Браво гениальная музыка исполнение волшебное

[@bertrandrussel3680]

I CRY !

[@atzonaftaniel4798]

29:50 wow, this phrase

[@brucejamieson42]

Gorgeous, gorgeous. So nice to escape the chitter chatter twitter twatter of the millennium with this resonant delight.

[@wastrel09]

i feel the same way

[@yusefandersen]

Yes yes yes!

[@gerardbegni2806]

When Chausson died in 18999 at 44 in a stupid accident of bicycle, he was one of the main hopes of the Franch music. The "Poème de l'amour et de la mer" is not his best score - by the way, the text is not excellent - but he was still to write his great scores: hte symphony, the opera Arthus, the Concert, the quartet with piano. This score shows yet a great sensivity to melody and harmony, and a beautiful orchestration - it is a crime to play it on piano, as it is done sometimes. The orchestral intermede is a jewel. It elaborates the cyclic theme which controls the whole work - a very wise idea.

[@PaulHummerman]

I think it's his best - out of many masterpieces.

[@eduardosteiner4555]

Belisima eleva el espiritu

[@raulespejo2587]

On the video description there is a comment about the fact that the poeme was parnassianist, what I dont understand is why the french music of the change of century hasnt been qualified of parnassianist, which I think that fits much better on debussy, faure (that one fits a little bit awkward still as comes from the chopinesque tradition) chausson and much others composers on that line, as implies a kind of idealized impressionism and idealized classic motives with a central pillar in the form, the visual approach and the idealized classical ambient.

[@EtreGenerique]

un musicien pour me donner des détails ? Comment on fait pour créer une pareille chose entre 28"05 et 28"20 ? Merci

[@lgtd4422]

Bonjour. Je ne sais pas si c'est la réponse attendue: tout d'abord, il y a la dominante, scandée à contretemps durant toutes ces secondes. Ensuite, une mélodie, en tierces parallèles mais séparées par deux octaves, ce qui amplifie la "gravité" de la musique, qui débouche sur une ligne descendante en chromatisme, comble de la tension.

[@Dylonely_9274]

16:12

[@BenzemonstreENTs]

25:00

[@lewisbae]

Where did you get the piano score? I can't find it on imslp..

[@bartjebartmans]

When you are on the Poème de l'amour et de la mer, Op.19 (Chausson, Ernest) page , click on the "vocal scores" tab. imslp.org/wiki/Po%C3%A8me_de_l%27amour_et_de_la_mer,_Op.19_(Chausson,_Ernest)

[@lewisbae]

Thanks, do you think it will be awkward to be played on a solo piano without voice?? I want to try learning the piano part but I don't have a friend who can sing that..

[@Yattahable]

There are some moments without voice, like the first interlude, you can start with that maybe. Anyway this comment is 7 months old so I think you figured out already ;)

[@lewisbae]

Yeah I did. Thanks anyways :)

[@kimhyomin1878]

14:40

[@extrasalt4595]

Hoomeyow!!

[@federicozimerman8167]

Debussy must have studied this score thoroughly before he wrote his opera……………

[@franskokkelmans3471]

Wat stijlloos gezongen....portamenti zijn hier verboden!!!!!

[@MrSOLOPIANIST]

Lacklustre?? You've got to be kidding. The only lacklustre thing around here is YOUR comment. Which definitely lacks lustre 😂

[@daadyunes5878]

Beautiful ...

[@BenzemonstreENTs]

12:35