Fugue in C minor No. 7.

[@79_Au.]

Absolutely incredible, I love the chromatic saturation and pedal points.

[@Leo-r6o5i]

Perfect Structure. A Sublime Counterpoint. Truly Baroque. You Are A True Master. Perfect Music.❤

[@Titurel]

If I could write fugues like you I'd write them 'til they ran me out of civilization...then I'd write them for myself in a cave.

[@videogamemusicguy4208]

this is a really great fugue! admittedly there are some bits which sound a tad clunky but it builds tension really effectively, especially around the one minute mark! i love the chromaticism too

[@thianfel]

This fugue is beautifully composed! You're an inspiration.

[@nirkafri6499]

So good!!! I tried to compose fuges my self and they were fine but your's are so incredible!!! It flows so well!!! Truely incredible.

[@Titurel]

Another gem

[@YukiEhms]

Everyday meeting a genius

[@music-by1ou]

This is very good!!!!

[@rubberlegs]

The theme works well as it's easily heard in the more complex texture.

[@barretwilber1351]

I enjoyed listening to this! The 'turn' motif you used is very effective and helps Ground the fortspinnung passage work. For my taste(or lack there of) I thought you could have used a stronger coda perhaps halting the motion with a fully diminished chord under a Fermata. Then going further, using that turn motiv to bring some more drama to the fugue's conclusion.

[@AdoreMyPiano]

Nice one!

[@Kōsei_Arima_YLIA]

Beautiful! ❤

[@Lucius_Chiaraviglio]

Hand stretch would be an issue for playing this on an actual harpsichord . . . but I think it might actually be doable with only slightly mutant hands if you had a pedal harpsichord (rare, but they do exist) -- if you can get the tenths by hand, the pedals can be used to fill in the bass.

[@gabe_the_musician]

Nice fugue!

[@MootPoot]

amazing, do you get inspiration from somewhere for each piece?

[@FugaxContrapunctus]

Not particularly. Beyond the overarching stylistic imprint Bach's music has left on my music, I don't think I could really point towards any further distinctively noticeable influences on my works. Inevitably, perhaps, certain subconsciously added details beyond my direct recognition and acknowledgement might seep in from the music of all other classical composers I admire, though at the end of the day I still prefer to think my works are at least slightly original in their conception.

[@j-pfaul-music]

😀