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Noteworthy features of this fugue:
→ the first two notes of the subject are used as different scale degrees throughout the piece:
→ 1 and 6 (0:24; 1:21; 1:56; 2:08; 2:13; 2:27)
→ 5 and 3 (0:14; 0:34; 1:03; 1:30; 2:04)
→ 6 and 4 (0:54; 1:41)
→ the only interruptions of the continuous flow of 16th notes occur after each episode, emphasising the following entry:
→ before the first middle entry section (0:51)
→ before the second middle entry section (1:20)
→ before the stretto section (1:55)
→ before the coda (2:26)
The fugue has four parts and is written for two players.
Inspiration: I have not been inspired by any particular piece, but it has been brought to my attention that the motif in the head of the subject (spanning the first four notes) is also used in Shostakovich’s 5th symphony.
Score: musescore.com/...
PDF: drive.google.c...
Better sounding version: • Fugue of Destiny (bett...
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