G. Mainerio: Schiarazula Marazula & La Lavandara Gagliarda - D. Oberlinger, Bremer Barockorchester

Giorgio Mainerio: Schiarazula Marazula & La Lavandara Gagliarda
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Bremer Barockorchester: www.bremer-baro...
Intro: 0:00
Schiarazula Marazula: 1:45
La Lavandara Gagliarda: 4:17
Solo Recorders: Dorothee Oberlinger
Violin I: Tomoe Badiarova, Meelis Orgse, Annie Gard, Naomi Burrell
Violin II: Anna Stankiewicz, Marina Kakuno, Ana Vasić
Viola: Alice Vaz, Luis Pinzón
Violoncello: Néstor Fabián Cortés Garzón
Double Bass: Eva Euwe
Bassoon: Martin Jaser
Guitar: Hugo de Rodas
Percussion: Nadine Remmert, Anninka Fohgrub
Camera: Tobias Hentze, Hendrik Röhrs
Video: Tobias Hentze www.tobiashentze.de
Live recording in "Unser Lieben Frauen" Church, Bremen on February 13th, 2020

[@juba_creative_design]

Immer wieder ein großer Genuss, dem Barockorchester mit Dorothee Oberlinger zuhören und zuschauen zu können!

[@lorenzat.4865]

Great interpretation of Renaissance music! You should play these selections more often. 👏🏼👏🏼I love this period in music, especially the dances. Keep up with your excellent performances.🤗

[@marchabuyuan-llanes684]

Dorothee Oberlinger has to be my favorite recorder player!! I did not know the bass recorder could be such an expressive solo instrument and could project so beautifully. Such a genius choice to contrast between the first piece and the second piece, doesn't just bring out the best in both works but also shows off her virtuosity and skill in all recorder sizes!! Lovely!!!!

[@miguelangelmoreno714]

GRACIAS! En poco más de 5 minutos me proporcionaron un viaje a esa época de renacimientos y de paz que en ésta no es fácil experimentar. Un viaje en el tiempo, un viaje casi astral.

[@eleonoravignali2434]

Straordinaria!

[@fernandomarquez6661]

to watch you perform is such a delight, thank you maestra and thanks to everyone!

[@donna30044]

Utterly mesmerizing. Profoundly beautiful.

[@Joe1935429]

What started as somewhat morose became rather joyful. Beautifully performed, as usual. Thanks!

[@hankmendoza6849]

All I can say is wow! So amazing in depth and color! Thank you!

[@krunoslavbrzak8347]

Beautiful!

[@ansgarherzog74]

magnifico !

[@cardinaldark]

WOW!!!! Absolutely Beautiful

[@lucianoduarteferreira2557]

Magnífica interpretação! Uma licença poética! Bravo!

[@gattonate]

Bravissimi!!!

[@danielecosta958]

Bravissimi!

[@kaharma1]

I just discovered this and i'm glad I did ! Bravo from France ! It was magnifique, keep up the good work :)

[@ptrad]

Great and interesting interpretation! It brings out the hidden melancholy character in this fast, cheerful piece (Schiarazula Marazula), ... and this is also supported by the "terminality" of the choice of recorder pitch.

[@rodericktech5643]

Performed beautifully!

[@user-JM1967]

Wow! That's a giant recorder!

[@Ludicusone]

amazing string arrangement indeed...bravo bravo bravo ! and always FUARCE FRIUL

[@Carlos-qz7ul]

Merveilleux...😮💚🙏

[@mkk707]

Ich habe Schiarazula Marazula sicher schon Dutzende Male gehört, aber das ist mit Abstand die beste interpretation.

[@donna30044]

🤔😁😄😂🤣

[@c.g.marseille4510]

wil ich sehr oft hören

[@argonath1000]

Eines meiner Lieblingsstücke - Danke Frau Oberlinger! Ich hoffe, die Bremer waren ebenso begeistert. So wie ich die StadtbewohnerInnen kenne, ganz bestimmt!

[@maio290]

Gefällt durchaus :)

[@jefferypalichuck953]

Wow

[@olavinevalainen4276]

🎶😃👌🇫🇮

[@sehueheunuenenumeumue5761]

harika sesler

[@jimmywalsh6701]

👌

[@f.d.9478]

👍❗👍 Спасибо 14.07.23. Киев

[@Jeremiah-pw1st]

😢

[@soundknight]

4:17

[@smitbar11]

A contrabass recorder, you don't see those every day

[@trhlajz]

Thanks a lot for notice → really: tuned in "C" & one octave below the "Tenor" :-). Quite uncommon, large recorder, magnificently sounding in both registers.

[@josemenendez8549]

Actually not a contrabass, but an f bassett recorder.

[@trhlajz]

​@@josemenendez8549 No, - please try check the fingerings (upper / lower hand) e.g. during play-along with video. This recorder↑ is obviously tuned in "C" (although probably NOT in modern, contemporary 440 Hz frequency). So when you try to play with Dorothee, any "F" tuned recorder (Bass, Alto) needs a fingering VERY_DIFFERENT (compared with video), - but with the any of "C" tuned recorders (e.g. Tenor) the fingering is nearly the same as seen in recording. :-)

[@josemenendez8549]

@@trhlajz Hello Jan. She is using a Yamaha bassett in F with a 415hz middlejoint. I have exactly the same instrument, and also a Yamaha Greatbass in C. I played along with the video, and both fingerings and tuning matched with an F bassett at 415hz. It's a pity I can't share here pictures of the instruments to compare their size. On the other hand, a Yamaha Greatbass in C is too big to be played directly without a cap and tudel and has a completely different footjoint than the bassett played here by Dorothee.

[@canturgan]

Is this really medieval music? It sounds modern.

[@jessecerasus9621]

The original melody is one thing and the arrangment is another one. The melody comes from medieval time but the arrangment is defenetly not

[@mantistoboggan2676]

@@jessecerasus9621we dont know exactly how people played back then.

[@tamaraguitar]

Боже, кто ставит дизлайки?

[@manosthaiger4475]

Me !

[@garetttennis]

c bin bo

[@ilarilindholm]

Not my music . The Ratings : The 😺😺 Cats .

[@manosthaiger4475]

Normaly its a fine n very swinging populaire italian medieval theme meand by his amazing words to exorcise the tramatism of the fact that Dead will take us all in his time but this particilar version is just far away from what it could be. Nearly pathetic 😂

[@emanuel_soundtrack]

i would abreviate the first name of the composer and also mention the soloist in the title, to promote her. Its everything wonderful there, just the composition is nothing more than a curiosity