I remember having had the original LP record of Paillard's rendering. It included four concertos. I always considered that this was by far the best one of the four. I was indeed very please to retrieve this recording here !!!! ❤❤🧡🧡💛💛🤎💚💜💛💛🧡🧡❤❤
@mereyeslacalle3 жыл бұрын
La belleza del Oboe d'Amore me arranca lágrimas de emoción !
@MirosławaGetko5 ай бұрын
Thank you for this beautiful music 🎉😮❤😊
@mazurka27abc11 жыл бұрын
Un très beau concerto pour Hautbois d’Amour et Cordes de Telemann, très bien interprété par un orchestre français (soyons chauvins !), que j’ai écouté jusqu’à la fin avec beaucoup de plaisir. La peinture de Pieter de Hooch est superbe. Merci pour ce partage bien agréable et merci aussi à Raffaele qui m'a permis de le découvrir.
@_PROCLUS6 жыл бұрын
Thank you very much for the wonderful upload
@raffamon194611 жыл бұрын
Bellissimo video: ottima musica e ottimo dipinto. Grazie
@mariangospodarek58002 жыл бұрын
Dobra muzyka
@jacquesmichaud54932 жыл бұрын
Je crois que c'est le plus beau des concertos pour hautbois de Telemann.
@gerardbegni2806 Жыл бұрын
C'est certain.
@gerardbegni2806 Жыл бұрын
ET même parmi ses plus belles oeuvres.
@jacquesmichaud5493 Жыл бұрын
Vous avez raison.
@_PROCLUS6 жыл бұрын
Jean-François Paillard 1928 - 2013 born in Vitry-le-François and received his musical training at the Conservatoire de Paris, where he won first prize in music history, and the Salzburg Mozarteum. He also earned a degree in mathematics at the Sorbonne.
@felipemartinezdirector50154 ай бұрын
maravilloso
@englishrose47 Жыл бұрын
So very stately
@gerardbegni2806 Жыл бұрын
Absolutely yes, you are fully right. ❤❤❤
@kitzuhiko23 жыл бұрын
I'm listening in the countryside about 100 Kim away from Tokyo (Japan). I would like to know why European-born people are happy with this music. There seems to be a special reason, but what about it? Also, is Telemann an intimate musician? Japanese people are not very familiar with him. But I like his musiks.
@WolfyGreen8 ай бұрын
It grace, form and it’s emotional qualities are contained within beautifully delineated boundaries. Sometimes the delicate restraint of form and style create the conditions whereby ordinary sadness or joy can seem monumental, aristocratic or even universal.