Gary U.S. Bonds - 10 Song Anthology - stereo & stereo mixes - see song listing in comments.

[@conniepaterson3758]

Love his music. Dancing ❤

[@sonnysoldies5288]

Me too Connie.

[@JRPetruk]

The ultimate in Party Music! Nobody did party music better than Mr. GARY U.S. BONDS

[@raymondszybowicz7597]

Loved Gary US Bonds music AKA Gary Anderson

[@Brickcitygirl]

I said hey hey hey yeah down in New Orleans with Gary US Bonds

[@johnnagresko5137]

Love this upload

[@Mike583]

#1,3,6&7 are my favorites!❤ Thank you Sonny!❤😎👍

[@lrfcarreviews2570]

Awesome! I'm a big fan of Gary US Bonds.

[@sonnysoldies5288]

Me too...those were good times.

[@lrfcarreviews2570]

@@sonnysoldies5288 They sure were!

[@sonnysoldies5288]

All selections on the Legrand label in Johnny T's stereo mixes except as noted. See label pics for what name Gary U.S. Bonds used, as it varied. 1. New Orleans #6 October 1960. 2. Not Me #116 in March 1961. 3. Quarter To Three #1 in June 1961. 4. School Is Out #5 in July 1961. 5. School Is In #28 in November 1961. 6. Dear Lady Twist #9 in January 1962. 7. Twist, Twist Senora #9 in April 1962. 8. Seven Day Weekend #27 in July 1962 in true stereo.. 9. Copy Cat #92 in August 1962 in true stereo. 10. I Dig This Station #101 in October 1962 in true stereo. My personal favorites have always been Dear Lady Twist and Twist, Twist Senora.

[@williambilyeu9801]

I only knew "New Orleans" and "Quarter to Three."🤔😊👍x10

[@sonnysoldies5288]

@@williambilyeu9801 Sorry you missed some good ones.

[@williambilyeu9801]

@sonnysoldies5288 I heard them now, thanks to you, and many of them were good. Keep up the good work!🤔😊👍

[@zorenxam4693]

❤❤

[@robertdoherty2001]

If only his records sounded better; the shallowest, muffled things around. Still, he did alright chart-wise for a while. It’s said Phil Spector was impressed with his free-wheeling ‘party’ atmosphere on many of his records - ‘’Not Too Young to Get Married’’ certainly reflects that.

[@John_Chu]

From Steve Hoffman: "The way Frank [Guida] recorded was to bounce from a mono machine to a stereo machine back to a mono machine to a stereo machine and back to a mono machine again. The murky sound is due to all the bouncing. If the song "ended" on the mono machine, the master was in mono. If the song "ended" on the stereo machine, the master was stereo (by accident). When Columbia cut the 45's, they used whatever tape was "final", played back on a full track machine. If Bill did a CD, he used what there was in stereo. I did a Bonds Greatest Hits LP back in the 1980s. Some of the stuff was stereo on there as well. This is a great case of "stereo by accident"!" Note: Guida just happened to have one mono machine and one stereo machine. If he had two mono machines, he would have done the same. LOL.

[@sonnysoldies5288]

@@John_Chu Good info...thanks