Georg Philipp Telemann: Quatuor en Suite, TWV 43:a2 - Bremer Barockorchester

[@BremerBarockorchester]

Here comes the first video of a series we recorded in the "Ratskeller Bremen". Thanks for your likes, shares and subscriptions! 🙂 A special thanks to our VIP Patreon supporters: I. Baumgratz, B. & R. Frühstück, P. Grandin, R. Kornberger, M. B. Lange, U. Mahrt and H. Spjelkavik. Support us on Patreon: www.patreon.com/bremerbarockorchester

[@worthlessendeavors]

I’m completely addicted to this recording and I listen to it almost twice daily.

[@duncanmckeown1292]

Telemann's flute "quatuors" from the 1730s are very fine pieces indeed with haunting and memorable melodies; worthy of comparison with Bach and Handel. Many were composed for Paris, and have a decidedly French feel. Lovely, brisk interpretation here by one of my favourite baroque ensembles.

[@f.sarastre7491]

Where to begin? I have known and loved this work since 1974 -- well before Telemann regained the esteem so richly due him. Here, the performance is as world-class as the music is subtly profound -- yes, profound. Now, I must hasten to second Reyes-Lacalle's praise, below, of traverso-master Egaña: Señor, your command of timbre, dynamics, and the most-difficult problem of just intonation is magnificent: Quantz would have loved you! Your ornamentation and rubato are also praiseworthy: you add enough to spontaneously polish Telemann's endlessly-beautiful melodic invention, without cluttering and needlessly tarting it up, so to speak. Finally, Señor, your performance of the opening movement -- for me, a brilliant synthesis of Italianized Polish folk melody, elegantly-transparent counterpoint, Galant "hammerstrokes," and yet, passion -- literally brought tears to an old man's eyes.

[@felipipefrikisnikis]

Thank you so much F. Sarastre! I am very happy to read your beautiful words, they go directly my heart!

[@IvicaKaloper]

Ate Ate

[@mereyeslacalle]

SoberbioTelemann y siempre magníficos , los músicos de Bremer Barockorchester. Felicitaciones !! Un saludo especial al flautista Felipe Egaña , desde Chile . Es un orgullo que sea nuestro compatriota . Bendiciones !!

[@felipipefrikisnikis]

Muchas gracias María Eugenia :-)

[@arcadianmalerei1155]

Impeccable phrasing here! Adorable works... which have such a French Flavour+ A la Blavet etc... glorious accoutics to pick out these warm & seductive tones! Great performance here!

[@marcandrefournel77]

belle interprétation et bel enregistrement , bravi à tous !

[@nl12689]

thank you, thank you, bravo..!!!

[@filosoforvgsapereaude5020]

Telemann fue un compositor de gran y original inspiración . Muy buena obra.

[@javieraflautista]

Que alucinante interpretación! Bravo 💜🎶

[@felipipefrikisnikis]

Muchas gracias Javi!

[@leonardogarcia1832]

Gracias por esta música, sigan haciendola,por favor!

[@lenanielsen5903]

Beautiful🍃

[@EvgeniAxon-dt9fb]

the center of the body... existed for a long time. One thing is not clear. Why did you post everything so late?

[@mortenfuglestad3653]

Hervorragend! 👏🏻👏🏻👏🏻Danke! 🎼🎶🎶🍷🍷

[@tuliobabikian]

Beautiful!

[@mikelofgren2827]

Splendid.

[@muziksculp2r]

Superb ! Thank You. 🧡

[@Discovery_and_Change]

1st movement 0:06 begins 2nd movement

[@hombrepollo]

Maravilloso. Suscrito, voy a revisar el canal a ver qué más teneis. Una interpretación excelente y mención especial a la reverb natural del lugar.

[@gabrielaramos2848]

Es un verdadero sueño escucharlos, muchas felicidades ‼️❤️

[@keithklippensteen2720]

THE ACOUSTICS ARE FANTABULOUS, UNSURPASSABLE. GORGEOUS INTERPRETATION .

[@tatianasemiletkina2167]

Bravissimi!

[@josefranciscorodriguez5836]

Bella interpretación...Bravo!!! . Gracias maestros

[@gabrielaramos2848]

Es un sueño escucharlos ‼️ excelente interpretación, muchas felicidades ❤️

[@Zurvanox]

Danke

[@antonioveraldi9137]

ein quartett gespielt mit stilistische vielseitigkeit.

[@Joe1935429]

Very enjoyable piece, beautifully played as usual. The ratskeller is a beautiful room, adding more to the visual effect and less to the sound quality, IMHO.

[@mikaelpetersson8647]

Whaooo:)

[@АлександрЛуцевич-г2я]

Господня сентиментальность!!!

[@leonpiorek3211]

Thank you guys, Jesus loves you so much!

[@rattywoof5259]

What does a minor middle eastern preacher who came to a bad end have to do with music?

[@leonpiorek3211]

@@rattywoof5259He invented it

[@rattywoof5259]

@@leonpiorek3211 Really? Your evidence please.

[@rattywoof5259]

@@adamnoman4658 I don't know - who is he?

[@leonpiorek3211]

@@rattywoof5259 Okay, God says that by the end of this year, Donald Trump will be President. Something really crazy is going to happen on the 4th of November.

[@hakancamlibel]

this is wonderful but... where is bach's orchestral suite no.2? I'm still waiting 🥺😭

[@mastermassy7472]

🌹🌹🌹🎶💥💥

[@basho41]

Could the violinist be Anna Stankiewicz? Both Annie Gard and Anna Stankiewicz play for Bremer.

[@rosiagro64]

Dommage que la prise de son soit affreuse, parce que l'ensemble a l'air de qualité ! (et la justesse, aïe.......)

[@alistairkewish651]

When I play continuo I want to be within visual range of the soloists. If that is not possible then the cohesion is lost. I have not the slightest idea how a bass viol had crept onto the scene. Telemann specified two gambas, one to play solo, the other to accompany the harpsichord. I found this very incongruous and extracting liberties. So why do it?

[@hkkim8718]

I enjoyed this performance... extracting liberties have not lessened my Telemann experience. Thank you, though, for the info on Telemann's instrumental arrangement for this piece.

[@-dimitris]

I opened Wikipedia and found this : "Telemann had composed a second set of six quartets. These, too, were printed by Le Clerc, in 1738 during Telemann’s stay in Paris, under the title Nouveaux quatuors en six suites: à une flûte traversiere, un violon, une basse de viole, où violoncel, et basse continuë" which justifies the double bass or violone and the theorbo.

[@thomaskendall452]

This was recorded on January 8th, 2021, in the middle of the pandemic. It looks to me like the ensemble is practicing the mandated "social distancing."