Conquer High Notes C5 D5 E5b / DO RE MIb with the Monsalve Leyton Method™ The Old School of Singing

www.theoldschoolofsinging.com
Are you ready to conquer high notes like a pro? Join Giancarlo Monsalve, a direct descendant of the Manuel Garcia School, Arturo Melocchi, Marcello and Mario Del Monaco school, as he shows you how to reach high notes with ease. In this video, you'll see the progress of one of Monsalve's regular students, Alexander Scott, as he goes from struggling with high notes to mastering C5, D5, and E5b in just one week of study with the Monsalve Leyton Method™. Start your journey to high notes today at www.theoldschoolofsinging.com
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[@TimothyAsbridge_TENOR]

It’s funny how many people don’t realise that high notes are just a change in mode. One of the eye openers for me was asking myself “what am I supposed covering with dark timbre?” At that point it was obvious. Find that other mode. You can then make a very big dark open sound without tension or force. The more you do it, you get to a point where you’re working for such physiological balance that you’re virtually doing nothing and out is rolling a massive sound.

[@giancarlomonsalve]

Thank you for your comment! it's important to understand that high notes are not simply a change in vocal mode, but rather a result of a change in frequency and speed of the vibrations of the vocal cords. By focusing on proper breath support, resonance, and placement, singers can learn to produce high notes with ease and without tension or strain. It's important to find the right balance between dark timbre and open sound, and to work towards developing a physiological balance that allows for maximum vocal efficiency and power. With consistent practice and a focus on proper technique, singers can learn to produce a massive and powerful sound with ease and confidence. Keep up the good work, and don't hesitate to seek guidance from a knowledgeable teacher or coach if you need it.

[@DINESHKUMAR-tu2bn]

What George Clooney's son is doing here?

[@blackrose1034]

🙂

[@IdouPicio]

😂

[@danny_perez]

And he talks like Cristiano Ronaldo

[@christineokosun]

You are a treasure and source of enlightenment in the true art of singing!!!!!

[@giancarlomonsalve]

Thank you for your kind words. As someone who is passionate about preserving the traditions and techniques of the Old School of singing, it is my pleasure to share my knowledge and experience with aspiring singers. As the great singers of the past have shown us, the voice is a remarkable instrument that has the power to move and inspire audiences in ways that are truly unforgettable.

[@artv4nd3l4y]

I have listened to so many vocal coaches, and Giancarlo has helped me so much in comparison. I am more of a contemporary singer, but I can always recognize the classical technique some singers have. There are always exceptions, but generally speaking I think classical singers are typically unbeatable. It's always these guys who have that 4 octave range. As classical singers we are worried more about tessitura and note quality of course, however the higher your sketchy range is? Well the higher your tessitura gets, of course there's always a limit. I could always hit these notes early on, but he has helped me understand how to get consistent up there and improve the quality.

[@tecnicaantica]

Sei un grande!!!! Bravo Giancarlo!!! 👏🏻👏🏻

[@zemarceloalencar6716]

Wow! The "direction" I thought voice should go for high notes (the wrong idea -up) changes everything. Thank you

[@giancarlomonsalve]

I'm glad to hear that my teachings have helped you adjust your approach to singing high notes. As a Maestro of the Old School of singing, I believe that understanding proper vocal direction and placement is crucial for achieving a powerful and healthy voice. While it may be tempting to push the voice upwards when singing high notes, this can actually lead to strain and tension in the throat. By focusing on proper breath support, resonance, and placement, you can learn to sing high notes with ease and clarity. Keep up the good work, and don't hesitate to reach out if you have any further questions or concerns!

[@zemarceloalencar6716]

@@giancarlomonsalve thank you very much!😊

[@bskeete]

Thank you, very helpful.

[@kalebmissal9948]

Thank you for this Video

[@splodsquadubdob]

(Alex) Scotti Scotti! Bravo! Bravo!

[@newhope5729]

Amazing 🤩👍 You're just awesome 😊👏👍

[@user-eb9vh8tp6n]

Awesome 👍!! Thanks 🤗

[@antoinegrimard4684]

Incredible. Im a high tenor in formation ( 4month of teaching and already doing c5) and i will try this ! Thanks a lot

[@paulusmartin464]

thank you.

[@marianaalamos988]

Ame a tu perro!!! Es precioso y tan participativo 😅😍🙏🏻 gracias por el video 😉

[@giancarlomonsalve]

:) Gracias Mariana

[@fernandorivas7419]

Feliz cumpleaños lleno proyectos y satisfacciones. God bless you 🤝🙏

[@fernandorivas7419]

Buenas noches Giancarlo. Ojalá pueda visitar el Municipal de Santiago ópera Nacional de Chile en las próximas temporadas. Magnífica su performance en "La Fuerza del destino" Saludos afectuosos desde Santiago. Dr. Fernando Rivas-Burattini. 👏👏🤝🎼

[@michaels5]

your videos are incredible, thank you so much. I like the way you talking and not being boring. Can you explain how to expand your ribs witouth breathing?

[@lukedurham8212]

Excellent

[@giancarlomonsalve]

Thank you :)

[@johanjohanis5139]

Love the dog 🥰😍😍

[@jorge.sanchez7909]

Un cordial saludo desde Buenos Aires, Argentina. Con el trino de labios he llegado hasta un G6. Lo que todavía no se bien es como hacerlo con sílabas. 😅. Con silabas o vocalizaciones hasta un Eb6. Seguiré practicando. Muy bueno tu video!👏🏼👏🏼👏🏼👏🏼

[@fr9khg57h]

Student has a belt on his chest, that is key, intercostal muscles must expand, high notes and power come from the appoggio from the expansion of the ribs/intercostal, belts are great way to work out the muscles ^^^ like student above

[@freddygodoy0772]

Hola. Muchas gracias por compartir tu conocimiento y experiencia. Podrías hablar de la cobertura y giro del sonido. Mil gracias

[@giancarlomonsalve]

Gracias por tu comentario. En efecto, la cobertura y el giro del sonido son aspectos importantes a considerar al cantar. En cuanto al giro de la voz, es importante destacar que no debería existir si se está cantando de manera adecuada. El giro se produce cuando la voz cambia de posición para llegar a notas más altas, lo cual puede generar una desconexión en la emisión del sonido. Por ello, es importante trabajar en una técnica que permita mantener una sola posición para evitar ese giro y hacer un completo bypass al pasaje. Si estás interesado en profundizar en este tema, te invito a tomar contactarnos para una guía conmigo o con mi team de vocal coaches en The Old School of Singing, La Vieja Escuela de Canto. Encontrarás más información en nuestra página web www.theoldschoolofsinging.com Muchas gracias.

[@osmar3823]

Saludos desde México maestro Giancarlo! Gracias por la gran información que nos comparte en su canal y compartirnos su canto. De casualidad tiene usted algún lugar disponible para clases? Soy estudiante y estoy muy interesado en aprender su método y poder mejorar con mi voz. Gracias nuevamente por su atención y bendiciones maestro :D !

[@bergsonkouame1665]

Merci très utile

[@giancarlomonsalve]

Merci pour votre commentaire. Nous sommes ravis que nos vidéos vous soient utiles. N'hésitez pas à vous abonner à notre chaîne pour plus de contenu intéressant.

[@Antboogie0828]

The one when he's like it's ok 👍 was the best

[@giancarlomonsalve]

Glad you like it :)

[@Eric-Marsh]

I will go to my studio to try this. I am a base baritone and struggle with the higher notes.

[@accapozzy5440]

Hi, thank you for a very interesting and useful video. I am only fifteen and was wondering if you had any comments on how this technique might change for a slightly younger and perhaps still changing voice. Thank you!

[@lukasmiller486]

Great video. You explain what I’ve already known about considering the notes above the staff a forward motion rather than vertical. I’ve been training for three years and made considerable progress but lately my biggest struggle is the fear that comes right before those passages in the middle of a lied or aria. What do you do to overcome that?

[@giancarlomonsalve]

Glad it was helpful! Well to overcome that you need to bypass the "Passaggio" with a good methodical approach, and than apply technique

[@clefnoteproductions6695]

In addition to high notes, how about flexibility for fuller voices like yours, to possibly sing heavier Rossini, Donizetti, Meyerbeer. I honestly don't know if I'm a tenor or baritone, I'm 58 and love to sing. Maybe I'll find a sponsor so I can study.

[@s.k7850]

Thank you! A question: You showed ( <a href="#" class="seekto" data-time="470">7:50</a> ) your expansion. How may it look for very slim people (less than 60kg)?

[@frankcovers3799]

Giancarlo, I have a question. If I get to Eb5 in chest voice like you. Does that mean that I am Lyric tenor? Or Light lyric tenor. From E5 my voice become to falsetto. I can't hold it. What does it mean?. Am I light lyric tenor or lyric tenor. Is it normal get to Eb5 being lyric tenor as last note in chest voice?. Thank you

[@janchristopherheling7113]

Nice video. Is it possible for a baritone with a big range in the headvoice to reach high tenor notes? or is this a different kind of things

[@AlainArvelo]

of course. many cadenzas in verdi baritone arias have notes in tenor range. 😊

[@kaaihmanoo5642]

Mas sem qualidade

[@luismariocampos4277]

Could a tenor and baritone have a similar tessitura but just different timbres?

[@giancarlomonsalve]

Yes, it is possible for a tenor and baritone to have a similar tessitura but different timbres. Tessitura refers to the range of notes that a singer is most comfortable singing, while timbre refers to the unique quality of a singer's voice. So, even if two singers have a similar range, their voices may sound different due to their individual timbres. It's important for singers to focus on developing their own unique sound and style, rather than comparing themselves to others.

[@jolodayrit558]

me not tenor, trying to practice to sing Tenor, is it possible?, because i can sing like tenor now but still can't reqch high notes

[@blackrose1034]

Hello, I'm a dramatic tenor, on a good day I can give d5 and e5 sounds. If my voice is tired, I go up to c5. How can baritones really do this?

[@IdouPicio]

<a href="#" class="seekto" data-time="95">1:35</a> Excercise 1 D5 <a href="#" class="seekto" data-time="288">4:48</a> 1week later E5b <a href="#" class="seekto" data-time="455">7:35</a> How to breath

[@davidzubiria3783]

I can reach d5#, something e5 but I can't go above that. And I can't do it even trying with head voice or falsetto - I'm not studying singing right now so maybe is because I just don't know how to technically do it. But it is supposed that head voice or falsetto gives you another high octave. I just can't do it. My head voice dies there too. And is like, I can do d5# in head voice with ease. But when I try higher nothing happens, not a sound.

[@giancarlomonsalve]

Bravo, but don't try to get the notes with falsetto, if you have the high register in full voice you should be in a very good way already!

[@EyeCardiely]

How do you start this opera journey :o

[@Jbg14]

How can i contact you for a lesson?

[@giancarlomonsalve]

Reach me over social media. 👍🏻

[@MarcusVinicius-xb6jj]

hey, do you think its possible for a baritone to hit some of these high notes? i'd like to at least get to a c5 in full voice but my fach makes me feel so limited

[@giancarlomonsalve]

Yes, it is absolutely possible

[@augusto3156]

How long did it take him????

[@alexandruali6143]

G2 A4 belt C5 baritone or tenor?

[@kaaihmanoo5642]

Baritono.

[@clefnoteproductions6695]

My dogs demand my attention, too 😅

[@rinattakhirov742]

Hello! Thanks for the super video! How is it possible to contact you?

[@giancarlomonsalve]

Hello Rinat, write me on Social Media, Instagram or Facebook directly so we can talk 😃👍🏻🎶

[@lesnuitsblanches]

You’re sooo Not boring!! Keep talking about technique ;)

[@giancarlomonsalve]

Thank you! Will do!

[@user-tv9zf7jf9x]

is he a tenor

[@DancingPony1966-kp1zr]

You dog is so jealous of you affection and Attention 🤣🤣🤣

[@arturomelocchiofficial]

Extraordinary high notes, bravo Maestro Monsalve, please reply to our private message, thank you

[@sinisterplayz2851]

Wow that was good👍... Are you on instagram sir... PLZZ tell us you I'd

[@giancarlomonsalve]

Thank you :) Shure my insta username is @giancarlomonsalve

[@sinisterplayz2851]

@@giancarlomonsalve tq sir☺️💛