Рет қаралды 2,408
Ginastera and Piazzolla represent Argentine music for their ability to sublimate the rural (Ginastera) and urban (Piazzolla) traditions of the austral country. Ginastera bases his Sonata no. 1, with its great technical difficulty and tonal language, on rhythms characteristic of the Pampas. In turn, Piazzolla (Ginastera’s pupil) uses the tango as the basis for his evocation of the four seasons in Buenos Aires, “that city in which the people perspire in summer, shiver in winter, and constantly change clothes in spring and in autumn, incessantly complaining about the humidity”.
Alberto Ginastera (1916−1983)
Sonata No. 1 Op. 22
0:00 Allegro marcato
4:13 Presto misterioso
6:51 Adagio molto appassionato
11:58 Ruvido ed ostinato
Astor Piazzolla (1921−1982)
Cuatro Estaciones Porteñas (selection)
14:54 Otoño porteño
20:38 Primavera porteña
Horacio Lavandera, piano
Concert (excerpt) from the cycle "Ginastera, from nationalism to magic realism"
www.march.es/actos/100912/
3 May 2017
Fundación Juan March, Madrid
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