Giuseppe Giacomini: Quello che tacete

[@fabiobazzica2370]

Giuseppe Giacomini quando era in serata non c'è n'era per nessuno 👍😃

[@massimocassano2545]

Il grande Bepi alle prese con una delle frasi più belle della Storia della Lirica

[@vincebossi46]

Disquisiscano tutti i professori,ma il maestro rimane ammirato dalla emozionante e coinvolgente interpretazione .BRAVO!!!!!!!!

[@christianroider118]

❤immenso🎉

[@josecarrerastema8654]

Fantastico

[@cachdeques]

he was so amazing....

[@EndoftheTownProductions]

Such a powerful voice!

[@radames5855]

Bravissimo !!!

[@EliominDZ]

fenomenal, increíble

[@ulrikewermann1268]

what a voice!

[@tenorschofield]

Gracias hermano "Luifernal", realmente es una pieza extraordinaria en donde se escucha al maestro Giacomini cantando de una manera sublime!!!(es como el despegue de un Jumbo Jet, cuando agarra altura es tan fluido y parejo su cantar, es increiblemente bueno!!!, alguien me dijo una vez de él :"...una voz totalmente "equalizada" desde abajo hasta arriba", seguro 100% con él). Gracias y BRAVO Viva Giacomini!!!

[@Luifernal6]

John Schofield Un jumbo jet! jejejejeje la comparacion es la mas acertada por mucho! me impacta tanto que llegue a ese volumen 0:34 en adelante sin gritar, y sobretodo sin parecer forzado o que le cueste trabajo....que no me cansa de oir y ver este video una y otra vez

[@tenorschofield]

MERAVIGLIOSO!!! 🙌😇🙏

[@TimothyJonSarris]

beautiful...thank you for extracting this moment.

[@mino7520]

L'ultimo grande tenore dramatico del secolo scorso. Sia in pace.

[@arkadij12]

Straordinario, non ce n’è per nessuno

[@fredericgaufichon7373]

Amazing

[@angeloforte2105]

Great Bepi!

[@jairosantanafigueroa4139]

Rest in peace, maestro!

[@ilyahouzich]

Гениально! Дыхание бесконечное!

[@iwanttogrow2003]

WHERE CAN I EAR AND SEE ADD THIS OPER IN TOTALLY WITH GIACOMINI ?

[@largoalquacktotum5232]

Amazing, I’ve never heard Dick Johnson performed like this! Do you know what recording this comes from?

[@amedeofolco9988]

Voce e colore unici ed irripetibili

[@Marunius]

I really wish it wouldn't end before the resolving notes...

[@bradleymonroe6443]

Especially when it uses the melody from the Music of the Night.

[@EndoftheTownProductions]

Giacomini or Del Monaco, you decide?

[@Luifernal6]

Obviously Del Mónaco

[@PandaGreatWhite]

@@Luifernal6 Daniele Barioni

[@amedeofolco9988]

È impossibile decidere...

[@amantedellopera1681]

Almost as good as del monaco almost

[@mariofilippeschi4855]

Ingolato

[@bradleymonroe6443]

Powerful voice but pretty much has the Music of the Night melody in it.

[@benjaminwerth]

what you mean is that Music of the Night is an imitation of Puccini.

[@bradleymonroe6443]

@@benjaminwerth Why did Webber imitate Puccini's music?

[@benjaminwerth]

@@bradleymonroe6443 because it is awesome? I dunno... Or if you mean, how is it that Webber robbed Puccini? Fanciullla premiered in 1910. Phantom premiered in 1986.

[@bradleymonroe6443]

@@benjaminwerth That explains the whole story of musical composers. Question is which composer of musical theater imitated the music of Mozart?

[@Luifernal6]

WTF!?

[@BigDaddyDracula]

far too woofy and baritonal. very little ping, which is evident when he gets into his high notes and backs off from the baritonal quality: suddenly there's brightness, ping! if only the registers were more uniform.

[@MrJKTenor]

Sorry, but you are so far from understanding a true dramatic tenor voice. Keep listening to Boccelli. 🤣

[@BigDaddyDracula]

@@MrJKTenor try listening to del Monaco for a dramatic tenor who has more uniform squillo. Or better yet try singing yourself and understanding what any of these words mean.

[@MrJKTenor]

@@BigDaddyDracula lol You might want to do some checking before you make comments like that. I wonder how many true dramatic tenors you have heard live? But hey, everyone can have their own opinion and their own ears. Just happy to read you are a fan of opera. By the way, I would like to know which major houses you performed in so I can look up some of your singing?? Perhaps our paths crossed at The Met, San Fran, Chicago Lyric, Houston, Teatro Colon, Munich, Hamburg, Brussels, Amsterdam, ENO, Australia, Tokyo or dozens of regional houses. Were you singing tenor?

[@BigDaddyDracula]

@@MrJKTenor always nice to meet a fellow opera fan. You’ll have to excuse my temper, being told to listen to Bocelli is fightin words to me haha. I checked out some of your videos, they’re great. What I meant about Giacomini is not to say he’s a bad singer (far from it, hence why I looked up his rendition of it). I just sometimes find his middle register to be a little too dark for my taste. Once he gets more into the passaggio and beyond a certain brilliance comes out, which I adore so much I wish I heard it throughout the voice. Just my two cents; if you say it wasn’t like that in the actual theater (which to be fair a video can’t come close to replicating) I’d take your word for it

[@MrJKTenor]

@@BigDaddyDracula Sorry about the Bocelli comment. It was a low blow! :-) Giacomini was a mentor of mine and I had many lessons with him. My ears hurt after every one! lol So I guess I got defensive because I am still very sad about his passing. I understand your comments about his dark sounds, and I think it is a taste thing. He was a bit of a "loose cannon" at times, but when he was "on" it was some of the most incredible singing I ever heard. I was double cast with Domingo and sang with Pavarotti a couple times, and while they both had qualities which made their fame warranted, they never impressed me on a visceral level like Bepi. (Although, funny enough, when Pavarotti was rehearsing Otello, his low register in "Dio, Mi Potevi" was so focused and in a kind of "pocket," it sounded like someone suddenly turned on speakers. Also, I sat next to him and could never "see" him breath. I asked him about it and he let me hold his lower back while he took full breaths and the mechanics of his body were like a fine tuned sports car. He was a master. And when Placido demonstrated a few line from Cavaradossi for me in a lesson, I had to take a break because I was so moved.) I was pleased with my career, but I knew deep down I would never reach the level of so many who really had the goods. I can imagine Del Monaco, Corelli, and others had the same impact, but I was never fortunate enough to hear them up close. Even tenors like Kraus, Rockwell Blake, etc. who were more lyric could make my body tremble when they sang in their wheelhouse. I miss the days when many singers on stage had that ability. OK...I will stop rambling. Thanks for the discussion and I hope to share some video treasures back and forth going forward.